Exclusion territory group. Territory of alienation

The group "Territory of Alienation" plays non-commercial Russian rock, especially relevant at the time of universal materialization. Spiritual anarchism, experiments with classical styles, stylization and mixing ... And the main feature of the team: true cohesion!

- Guys, you call your group an underground project. What is underground in your opinion? Something opposite to the general musical culture? Feeling alienated? Strangers among their own? ..

As it is written in our description of the project on the website: "Underground is creativity that has an original, meaningfully chosen, non-commercial orientation." This says it all, defines the essence and place of such creativity in the tops, rotations and other vanity of this life. And the point here is not alienation, although with this approach it arises by itself. People prefer something light, comfortable, familiar and safe in all areas of life. But real life, and therefore real creativity, is not like that. The reality is pretty harsh, contradictory and merciless. And all this is reflected in the inner world of people, but they most often run away from this, turn away, hence all the complexes in a person, as well as the problems of modern civilization. And by turning away and running away, people alienate themselves from reality and reality from themselves, including, often, and creativity that truly reflects it, without pink paints, pastel filters and other castration of real life. Few can survive such an invasion of their comfort zone. So, in my opinion, yes, we can say that something opposite to the so-called general musical culture (which one would like to call lack of culture) was originally laid in the underground. And, of course, in this case, a periodically arising feeling of alienation associated with real life and with inner experiences will take place. But as they say, it could be worse, our enemies could be our friends. This is certainly not necessary until they change, become other people. And we certainly do not feel ourselves as “strangers among our own”; rather, on the contrary, we are drawn to “ours,” and they are drawn to us.

Does it make sense to think about this strange word - "underground"? Although for Sergei, probably, such a name matters, he is by all indications an anarchist, a rebel. Probably, hence the name: "underground project", no one argues, everyone is trying to match.

As for alienation, I personally do not feel "a stranger among my own." Perhaps it could be - "a stranger among strangers." But it is even useful to alienate from these "strangers". I'm not talking about the guys at all - they are, just, "their own !!!" one hundred percent.

- And in life - is the feeling of foreignness peculiar to you?

Sergey Bely (vocalist, guitarist): It depends on how alien it is. In the previous answer, I already said a lot about such things. We all people. There is a spark of goodness in all of us. We are not trying to divide the world into friends and foes, we want to make it at least a little better. Only for this is our creativity, even those "inconvenient", seemingly evil, songs for the man in the street. We have nothing to share with the people around us. We just want together with them to be worthy to be called the word "Man".

Andrey Karapetyan (bassist): Thank God, I am not a client of a psychiatric hospital, and I do not care how strangers treat me. They consider me an "outsider" - that's just their problem.

Boris Pilyavsky (drummer): Alien is overkill. Alienation is an action that happened after birth, but alienation is something completely bad. People living on the same planet cannot be alien. A terrible name would be "The Territory of Alien" (laughs).

- Underground - in your mouth - sounds proudly, but poor: "The underground is creativity that has an original, meaningfully chosen, non-commercial orientation." Is non-commercial music a conscious focus? What does this mean for you? "DDT", for example, or "Alice" - is this commercial music? But comrades earn money ...

Sergey Bely (vocalist, guitarist): I don’t want to judge others now. They are responsible for their own affairs. Commercial or non-commercial - only they themselves know for sure. For me personally, the non-commercial orientation, which I myself have chosen meaningfully, does not mean rejection of the opportunity to sell something from the results of creative work, but the initial core of creativity, based on the fact that everything is done for ideological purposes, and not for the sake of money. If they buy albums, I will use the proceeds to develop creativity or to do things useful to people. They do not buy - I will still bend my line and do what I think is necessary. And nothing else.

Anastasia Kuchek (keyboard player): Making money with your creativity is a nice bonus, not an end in itself. It is by this criterion, by the original idea, that, in my opinion, commercial and non-commercial music are divided. Non-commercial - I will play what I like and the way I like, even if at the same time 10-15 people will come to the concerts. Commercial - I will play such music so that as many people as possible come to the concerts, so that they play me on the radio and buy my CDs. The same "DDT" and "Alice", I think, at one time were not created with the aim of making money.

Boris Pilyavsky (drummer): Commercial is commonly referred to as "buy and sell". If someone sells the result of creativity, and there are those who want to buy, then this is outwardly commerce. But it is unlikely that at their concerts and during the recording of the album, the musicians who call themselves non-commercial argue: "How can I make more money on this song, I need to play like this here, they will definitely pay me more ...". This is the difference. As for the groups "DDT" or "Alisa", then, in my opinion, these people play real music, they like it, they themselves get high from it. They have reached this level, and if they receive royalties for this, then, apparently, they deserve it. They do not "sell" their creativity to everyone. I didn’t like it - don’t go to concerts, don’t buy CDs, and don’t listen to their music at all.

- Tell us, how did you all come to such a life? .. How did you end up in the “Territory of Alienation”? How do you feel inside and outside the team?

It all started when I met Sergei thirteen years ago. He was then just a beginner rock musician. Then it was more likely bard-rock, since all the songs were performed with an acoustic guitar. Together we created first a duet, and then a group, together we came up with a name, together we still create. This project has grown from a hobby into a lifelong business. For me, this work does not end with the threshold of rehearsal points or stage stages, it is an integral part of everything I do, even the ideas of my paintings are inspired by the lyrics of Sergei's songs.

Anastasia Kuchek (keyboard player): I met Marina and Sergei in 2008, when they came to St. Petersburg to perform at the Symbiosis club and at the Singing Circle festival. We spent the time very merrily, from communication and acquaintance with their work, I had extremely pleasant impressions. I remember that I was especially impressed by the title of their new album "The Trunk of the Centaur or How to Smoke the Piss of the Cuban Lady", and, of course, the song "Mary Poppins". This song has sunk deep into my soul and will remain there, apparently, forever (laughs).

The next year the guys came to perform again and even attracted me to play along with them on the harmonica. And then they quite unexpectedly took and moved to St. Petersburg. And one fall, I accidentally discovered on a well-known social network that Sergei was looking for musicians. Yeah, I thought, remembering about "Mary Poppins", I must try to fit into the team! Then my husband Andrey and I participated in a not very promising project and were frankly bored. The fact that the group needed a guitarist, bassist and drummer, and I am a keyboardist, did not bother me at all. Firstly, my husband is a bass player, and I was going to actively involve him in this business, and secondly, which group would refuse a keyboard player who voluntarily comes to them? The calculation turned out to be correct, the guys were somewhat surprised, but they were allowed to enter the Exclusion Zone.

Andrey Karapetyan (bassist): Accordingly, everything is simple for me: my wife “attracted”, but I got accustomed and I feel quite comfortable (jokingly).

Boris Pilyavsky (drummer): It is not the process of the path to this life that is important here, the result is important. We ended up, in the end, in this "Territory of Exclusion". The main thing is to stay on this territory, not to go astray. And we feel ourselves to be quite healthy people, with a stable psyche (jokingly).

- Who is your ideologist?

Marina Shubina (backing vocalist): Undoubtedly, the ideologist of the group is Sergey. Without him, there will be no "Territory of Exclusion" at all, because he is a songwriter and an arrangement legislator. The rest of the musicians, complementing it, make their irreplaceable and talented contribution to the sound of the group.

Boris Pilyavsky (drummer): To be honest, I am not strong in these political terms. But I will note that many creative ideas, and just ideas, are submitted by Marina. Although outwardly it may seem to someone that only Sergei is our ideologist, it seems to me that this is not entirely true.

Sergey Bely (vocalist, guitarist): So initially it turns out that I write almost all the songs that we play. Here, in any case, you become an ideologist, because in the texts your thoughts and feelings. Well, and the fact that the primary arrangements are mine, apparently only complements this. But I, of course, always try to pay attention to what others think and say, and this finds its response in creativity, but, nevertheless, at the beginning, passing through my worldview and soul. There is no other way here.

- In your case, the leader of the group is the undisputed leader? Or do you have a democracy?

Boris Pilyavsky (drummer): What kind of democracy is there, with such and such a leader - a rebel. We have a monarchy with signs of anarchy. You can probably call it manarchy (laughs).

Marina Shubina (backing vocalist): A musical group should have one leader who has an inexhaustible supply of energy, enthusiasm, ideas, confidence, and somewhere insolence, perseverance, the ability to rally and lead, capable of attracting the attention of the public. Sergei has all these qualities, and he is the undisputed leader of the project. But this is not totalitarianism. Initiative from other members of the group is always welcome and encouraged. Only a close-knit team will be able to achieve the desired results.

Sergey Bely (vocalist, guitarist): The fact is that I don't have any special musical skills, and therefore I trust musicians. In addition, I believe that in a group everyone should have the opportunity to self-actualize. Therefore, I do not prevent them from doing their job as they see fit, but I do my own. Everyone can always say their weighty word. Although, all the same, in the end the decision remains with me, of course, the songs are still mine (laughs).

Yuri Manita (lead guitarist): In our group, all the leaders of their business!

- What does the expression "spiritual anarchism" mean to you? Anarchy is anarchy, resistance to power? .. But surely someone should lead the human spirit? Who?

Sergey Bely (vocalist, guitarist): Spiritual anarchism is self-organization within the person himself, this is where real anarchism begins from the outside, when people are spiritually developed, free, honest and are one positive force. This is what we are trying to lead to. It finds its natural reflection in our work. I would even call it the basis of my songs. Unfortunately, most people are deprived of this inner core, which is why they cannot decide to live with their own mind, constantly choosing some representatives of their interests, some kind of authority that has the right to lead and punish them. What sad consequences this leads to, we can observe around.

Marina Shubina (backing vocalist): For me, "spiritual anarchism" is freedom of choice, what is good and what is bad, supported and determined by moral values. Anarchy, on the other hand, is such a moral, spiritual, value level of development of society and each person individually, when power as a controlling, directing and punishing body is simply not required. But each person has the right to choose whether someone will lead his spirit, and it is simply impossible to give a universal answer that would apply to all people.

Andrey Karapetyan (bassist): And where did you get the idea that the human spirit in general should be led by someone? A person should be guided exclusively by his conscience. And power, laws are just an attempt to bring a certain generalized conscience and interests of the "ruling class" to a common denominator.

Anastasia Kuchek (keyboard player): And, as you can see, these attempts have not yet been crowned with success. A person cannot be made good "from above" by force. And anarchy is not just opposition to the authorities, but a society where everyone lives according to their conscience, then neither power nor laws are needed anymore.

Boris Pilyavsky (drummer): It is impossible to lead my human spirit. The spirit cannot be guided.

- A girl in rock and roll is not the same as a girl on a ship? .. I know many respected musicians in every sense who - in no case - do not let women into their "male" games ... What do you think about this?

Marina Shubina (backing vocalist): Music, creativity is not a closed ship. It is for everyone. And you are talking more about the problem of gender relations. In our team, we are all equal. The “Territory of Alienation” project has never set and does not set such a framework, the main thing is that a person should be a good and talented musician, in love with his work.

- "Masculine - feminine" helps to create a spiritual atmosphere in the group. Or, on the contrary, provokes conflicts?

Sergey Bely (vocalist, guitarist): A man, a woman is, first of all, a man. For centuries we have been divided for the sake of power, with the help of educational programs. This is all superficial, there are, of course, physiological and psychological differences, but they are very small in real people who did not succumb to the rottenness of our civilization, and do not interfere with the common cause in any way. In addition, correctly used, these differences only add positive to relationships, and to work, and to creativity. So we leave all this sexism outside our territory.

Anastasia Kuchek (keyboard player): In general, I see no point in dividing musicians by gender. For comfortable work in a group, a person, firstly, must have an appropriate musical level and, secondly, freely, without problems communicate with other musicians. If the technical side of the issue depends entirely on the person himself, then the combination of characters, temperaments, ideas and aspirations of all team members already matters for working in a team. If both conditions are met, then there will be no conflicts. And the floors have nothing to do with it (laughs).

Boris Pilyavsky (drummer): Yes, we do not have a struggle between the sexes. It's all nonsense.

- What is the most important thing for your company? What keeps you together?

Anastasia Kuchek and Andrey Karapetyan (in chorus): Rock and roll, whiskey and great mood (laughs).

Sergey Bely (vocalist, guitarist): We just want to do one thing together, so every time we get together again for rehearsals, we go to concerts. Yes, and in our ordinary life we ​​periodically meet, since we are "ours" and this brings us closer. There is something in us, apparently, that gives rise to a common sympathy for each other.

Marina Shubina (backing vocalist): We are all disinterestedly in love with co-creation. We are all interesting and outstanding personalities. It is interesting for us to create together. We all equally like the style of music in which we play. This is perhaps the most important thing that brings us together.

Boris Pilyavsky (drummer): So, in general, nothing concrete and does not hold us together. Anarchy is anarchy, no one has power over anyone, no one and nothing holds anyone. They don't hold money. Interests - everyone has different, their own. Musical preferences are also varied for everyone. We all drink different alcoholic drinks too. So, maybe we will not think about what is holding whom ...

Yuri Manita (lead guitarist): Interest, desire to develop in the group. I believe that music for a musician is his half, with which you need to go through life to the end. Therefore, as it turns out, I go with her through life.

- What is your closest gift to fans of the underground?

Sergey Bely (vocalist, guitarist): On April 16 in St. Petersburg there will be a big concert of the “Territories of Alienation” in the club “DA: DA:”, I think this will be the next gift. There will be our old and new songs, gifts to listeners from the group and other surprises! We are waiting for everyone!

What is the exclusion zone of the Chernobyl nuclear power plant?

The “Chernobyl nuclear power plant exclusion zone” is the officially designated exclusion area around the site of the Chernobyl nuclear power plant accident.

Scientists believe that the release of radioactive substances accelerated the growth of some individuals, and since catfish are long-livers, their size reaches unprecedented levels with age.

More than thirty years have passed since the accident and the animals are already descendants of their irradiated ancestors, but it is still dangerous to eat such fish.

In Chernobyl, you can visit the St. Elias Church and the castle from the times of the Grand Duchy of Lithuania.

In Pripyat, the main square is of particular interest.

Interest is connected with it due to the fact that the amusement park in which the wheel is located never opened.

Its opening was timed to coincide with Labor Day celebrations on May 1, 1986, and the accident occurred five days before the scheduled opening date. All the amusement rides in the park remained untouched.

It is not possible to dismantle and install them in other parks. They still emit radiation background tens of times higher than the norm.

Pollution of the exclusion zone

The radiation level (cesium-137, strontium-90, americium-241 and plutonium-239) at the Chernobyl nuclear power plant and Pripyat is 2-2.5 times higher than the established norms.

The Chernobyl exclusion zone is managed by State Emergency Service of Ukraine, while the power plant itself and its sarcophagus (and replacement) are carried out separately.

Due to the fact that the bulk of the contaminated territories were still outside the 30-km zone, in the 1990s, settlements began to be gradually resettled (94 in total), since they still exceeded the permissible norms.

For 6 years, most of the villages were finally resettled. In 1997, this territory was included in the Chernobyl exclusion zone and transferred under the control of the Ministry of Emergencies and, accordingly, began to be protected.

Exclusion zone today

There are workers' shops in the city, there is a “hostel” and a “canteen”. Also in the exclusion zone live local residents from among the returnees (up to 500 people).

They are located in several villages of the territory and lead a secluded lifestyle, although there is no other way here.

There is no electricity on the territory, and there is no food supply either. People who choose to return to their homes are engaged in farming, hunting and fishing.

If animals have a lower radiation background and their use for food is somehow possible, then the soil is very polluted.

The soil is so polluted that it takes several thousand years to clean it up. For this reason, growing food in the exclusion zone is a bad idea.

The exclusion zone is a rather visited object by tourists, people come here from all over the world.

Tourist exclusion zone

There are agencies through which you can get to, to Chernobyl or to Pripyat, “Rusty Forest” and a number of other objects of the exclusion zone.

Rusty or red forest

This is an area of ​​10 square kilometers adjacent to the territory of the Chernobyl nuclear power plant.

The radioactive substances released into the atmosphere were partially absorbed by the trees, which led to their death, as well as staining them in a brown-red color.

Coloring occurred within 30 minutes after the explosion. Some argue that dead trees glow at night.

As part of the work to clean up the area from radiation contamination, the forest was cut down and buried.

Now the forest is being restored in a natural way. Radiation loads on pine as a result of the Chernobyl accident occurred during the period of tree growth.

During such a period, the radiosensitivity of plants increases by 1.5-3 times compared to other periods.

The crown of pine trees is quite dense and is an effective filter, which contributed to the retention of a significant amount of radioactive dust and aerosols in the crowns of these trees.

Pine does not shed its needles for 2-3 years, which leads to a slow natural cleaning of the crowns in comparison with deciduous trees.

This factor increased the radiation damage to conifers in comparison with other tree species.

As a result of the release of radioactive substances and the degree of their impact on the trees, the climb was divided into several zones:

1. Zone of complete destruction of conifers with partial damage to deciduous trees (the so-called "Red Forest"). The levels of absorbed doses (according to scientists' calculations) for external gamma irradiation in 1986-1987 amounted to 8000-10000 rad with a maximum exposure dose rate of 500 mR / hour and more. The area of ​​this zone is about 4.5 thousand hectares. In this zone, the aboveground pine organs died completely, and the needles acquired a brick color. The entire forest has practically "burned out", accumulating significant amounts of radioactive emissions.
2. The zone of sublethal forest lesions in which from 25 to 40% of the trees died, as well as most of the forest undergrowth (1-2.5 m in height). In 90-95% of trees, young shoots and buds are severely damaged and dead. The absorbed dose is 1000-8000 glad, the exposure dose rate is 200-250 mR / hour. The area of ​​the zone was 12.5 thousand hectares, including 3.8 thousand hectares of pine forests.
3. Zone of moderate damage to the pine forest. For this zone, the defeat of mainly young shoots was characteristic, and the needles turned yellow only in certain areas of the branches. There were also small morphological deviations in the growth of the pine, but these plants retained their vitality. The absorbed dose is 400-500 glad, the exposure dose rate is 50-200 mR / hour. The area of ​​the third zone was 43.3 thousand hectares, including pine forests - 11.9 thousand hectares.
4. An area of ​​weak lesion, where individual anomalies in growth processes were noted. No visible damage was found on the pines. All trees retained normal growth and color of the needles. The absorbed dose was 50-120 rad, the exposure dose rate was 20 mR / hour.

Recently they built it for visitors, so there is already a place for hundreds of tourists to rest.

Which was the central object of the city of Pripyat. It had several sections, a hall where concerts were held and films were shown. Not long ago a sign was lit on it.

A complex of buildings located on a large territory. There were three buildings in the complex, the tallest is the administrative building, its height is eight floors.

The plant is a secret object, what its employees were doing is not known until now.

for a day it costs from $ 79, but it is better to take a group tour, it will cost a couple of times cheaper, you can also rent a personal dosimeter for $ 10.

Having paid for the excursion, you can visit the Chernobyl nuclear power plant, in the “city that does not exist” and in some villages, and if the tour is multi-day, then there are other attractions.

While staying in the exclusion zone, a tourist will receive a dose of radiation comparable to an hour's flight by plane.

However, a longer stay is contraindicated, the longer a person is in contact with the background radiation, the greater the effect on the body.

Background:

In mid-1999, a young Belgorod musician Sergei Bely, in the world Sergei Shubin, decided to record his first album. Together with a friend, Andrei Bannikov, who at that time was practicing in sound recording, by the end of the year this idea was realized. The album was titled "Traveling the Sides of Life." It did not get widespread in Belgorod, but it got it in Donetsk. Around the same time, Sergei met his future wife Marina, with whom he created a duet a year later, which later became the basis for future groups and projects. In 2002, at the 4th acoustic rock festival near Balaklea, Sergei Bely became a laureate and almost permanent member of the jury for the following years. Soon after that, he meets Sergei Antonov, who becomes the bass-guitarist of the created group, called "Territory of Freedom". The name contained a certain concept of the group, namely, that any musicians can join and leave its composition at will and at any time. In 2005 Yura "Shnurok" Lyakhov became the permanent session lead guitarist of the group. During the existence of the group, many Belgorod musicians and just friends took part in the performances. Several concert performances and an acoustic concert "Point of Reference" were recorded. The group goes on tour in Kharkov, Donetsk, Kaluga, Moscow. And at the end of 2004, Sergey Antonov left the group and was replaced by Alexey Orobets. This marks a turning point in the lives of musicians. In the spring of 2005, the group changed its name and approach to creativity.

History:

In April 2005 gr. "Territory of Freedom" has become an underground project "Territory of Exclusion". Reasons: first - it became known from the Internet about a rap group that calls itself the same, which did not inspire optimism; the second - after a joint concert with Manager and gr. "Rodina" in the Pushkin Library in the media of the National Bolshevik Party, which participated in the organization of the concert, an unpleasant blow was dealt to the group's image, which also played a role, albeit a small one; third, and the main one - the understanding suddenly overtook that the true territory of freedom will always be the territory of alienation, and vice versa, the territory of alienation is the largest territory of freedom! It turned out that the new phrase expresses the inner essence of the group better than the old one. The project was named in connection with the unstable, constantly changing and evolving line-up and because of the desire for experiments, varying degrees of luck, in studio work.

In 2005, an acoustic compilation album "No need to gondon the relationship" was recorded at home. In 2006 the same release was re-recorded at the Metrika-records studio in a new, more professional quality. Further, over the next three years, five more albums were recorded: "The trunk of the Centaur or How to smoke the pussy of a Cuban Lady" - enhanced acoustics (Metrika records studio, 2007); West-Ost - electricity (UPS records studio, 2007); "Storyteller" - light electricity (studio UPS records, 2008); "Dances of Dogs" - electroacoustics (studio UPS records, 2009); "Anarchy budet!" - electricity (studio UPS records, 2009). At this time, the "Territory of Alienation" tours a lot in the cities of Russia and Ukraine, often performs in Belgorod. Performance venues included small clubs, festival stages, and just apartments where acoustic concerts were held. The project participates in the acoustic composition of the festivals "Oskol Lira" (laureates of 2008), "Festival of acoustic rock near Balakleya (as a jury and special guests), festivals" Venichkina Raduga "(laureates of 2008, as a result of which they entered in the festival jury), "Singing Circle" (as guests), "White Wave", in the half-Moscow festival "In memory of the Spelestologist Chagall" and many others. In 2009, the project clearly declared itself at the Rock-Gambler-Peter and Rock-Gambler-Ukraine festivals. Contacts were established with many Internet radio stations, the songs of the project were included in several underground collections. During this and subsequent period of stormy concert activity, they performed on the same stage with Manager and gr. "Homeland", gr. "Western Front", Rada and gr. "Blackthorn", Vadim Kuzmin (Black Lukich), Alexander Chernetsky and gr. "Different People", Umkoy and gr. "Armored car", Mikhail Bashakov, Viktor Jalilov (Lonely Pilot), gr. "Ch.Ch.", Igor Lunev (gr. "Bells"), Vadim Kurylev and gr. "Electric Partisans", gr. "Brigade Contract", etc.

Over time, the composition of the project has undergone strong restructuring, constantly changing from an acoustic duet to almost complete "electricity", the same applies to the work on the albums. They all turned out to be very different in concept, style, and composition of the musicians. And only the basis of the project, Sergey Bely, Marina Shubina, Alexey Orobets and their ideas, have always remained the unchanged base of experiments. At this time, right up to the recording of the album "Anarchy budet!" in 2009, Yuri Lyakhov (solo guitar, bongos, harp, jew's harp) and Dmitry Korenev (solo guitar, arrangements, sound engineering, mastering) participated in the project as permanent musicians. Already at the end of the recording of the release "Anarchy budet!" Artem Emirgamzaev (lead guitar, drums, arrangements, mastering) joined the project, who soon brought drummer Alexei to create a full-fledged electric line-up (the surname, unfortunately, has been lost over the centuries). The period of registration of electric live arrangements begins, the period of active rehearsals of full "electricity". The album was presented for the first time in full electric line-up in Belgorod at the "In Rock" club in November 2009 and received a great response, reaching and exceeding the success level of the release "The trunk of a Centaur or How to smoke a pussy of a Cuban Lady", released in 2007 and which has become the hallmark of the project for a long time. A little earlier than these events, the entire project as musicians participated in the recording of the release of "Pank of Donetsk Districts" helping the Donetsk project "The Road Home". This work was also a great success.

Soon the line-up changed, Anton Shabalin replaced the drummer Alexey who had left for the army, and the second bass-guitarist Ilya Chupkin also appeared in the project, with whom the line-up played in Belgorod and toured Ukraine with presentations. The general geography of performances over the past years: Belgorod, Kharkov, Kaluga, Moscow, Stary Oskol, Donetsk, Dnepropetrovsk, Kiev, Zaporozhye, Peter, Tula, Voronezh, Lipetsk, Lugansk, Belaya Tserkov, Cherepovets, Kursk, Nikolaev ... Alienation "is a frequent participant of Belgorod club festivals in electric staff. Also, the leader of the project, Sergei Bely, continues the work begun back in 2000 - he is organizing concerts for other friendly groups, sometimes even performing with his lineup in friendly hodgepodge.

In the late spring of 2010, under the circumstances worthy of an epic pen, right before the next Kharkov concert of the project, Artem Emirgamzaev leaves him (the concert, despite this, naturally took place). Almost immediately, in the summer, in his place, Andrey Levsha (solo guitar), a member of the Belgorod rock band "Derevo", comes as a volunteer to record a new release and subsequent presentations. At the same time, the project also changes the drummer, it becomes Dmitry Kireev, also a member of the Atom group. And work begins on the collection of the best songs "HITCH GLAMORS", a renewed line-up, in a new, completely live, electric arrangement. This period is filled with constant rehearsals and work in the Metrika records studio, where the material was written and mixed. A lot of effort and money was put into this work, and not in vain. This release has been prepared, written and mixed for over a year. Many events stood in the way of his release, the composition of the project's musicians changed several times, meteor showers and solar storms occurred, global warming and magnetic anomalies also did not contribute to the implementation of plans. But, despite all the chaos of what is happening, the collection was still released! As a result of all the twists and turns at the end of the winter of 2011, the long-awaited album-collection "HITCH GLAMOR" saw the light of day. Not only permanent, at that time, project participants, but also, session-wise, many well-known Belgorod musicians, members of other groups applied themselves to his recording. A rather large band of musicians was assembled for the recording; in total, twelve people took part in the creation of the collection. To record drums, to help our drummer, Dmitry Mezhenin, a musician of the 5 Pence group, quite well-known in our area, was brought in. Another musician from the rock band "Derevo", Andrey's brother, keyboardist Vladimir Levsha, also took part in the recording. And many other participating musicians will also not be forgotten by history, their names will forever remain on the cover of the release: Maxim Strogiy and Igor "Donald" Pobegailo (didgeridoo, jew's harp and bongos, jab, darbuka, respectively, members of the group "Wolf Sun"), Oleg Ermilov (didgeridoo, leader of the group "Atom"), was also another participant who wished to remain incognito. It includes seventeen songs selected by the audience through a vote on the Internet. Only songs from the album "Anarchy budet!" it came out just a year before the collection and is still relevant in form and content. Songs from earlier releases have now been rearranged quite radically, some of them were previously available only in semi-acoustic versions, versions of others have long been outdated. The arrangements used a wide range of instruments, both common for rock bands and quite exotic, such as didgeridoo, kazoo, etc. The style of the songs is also quite extensive, from punk rock to folk and reggae. There are no pure styles in the songs, the musicians shoveled everything with the barmalery characteristic of the project ... This release was the result of five years of activity and contained all the achievements and concept of the project for that period.

During the release presentations, contacts were established with the Moscow-based Prostofest, whose leaders invited the acoustic version of the project to perform in the summer at the Empty Hills-2011 festival. And the electric project, after all the presentations of the HIT GLAMOR release, which lasted all spring, in its Belgorod version ended its existence with a performance at the Nezhegolskaya Sloboda bike rally. The composition was disbanded. There is only the backbone - the acoustic duet of Sergei Bely and Marina Shubina, which is the current “Territory of Alienation”. Further plans of the project are related to moving to a permanent place of residence in St. Petersburg by mid-summer 2011. A new line-up will be assembled there and creative activity will continue, possibly in a new way.

COMPOSITION OF THE GROUP???????

Marina SHUBINA - percussion instruments, kazoo, zug flute, jew's harp, backing vocals, group director, artist, photographer.
Our honor and conscience rolled into one.

Andrey LEVSHA - lead guitar.
The decoration of the team).

Alexey OROBETS - bass.
Oh-oh-very irresponsible type.

Yuri LYAKHOV - harp.
Until now he will not understand what he is doing among us ...

Dmitry KIREEV - drums.
Modest and talented.

DISCOGRAPHY ????????

? "Hit glamor" - electricity.
(studio Metrika records, 2011)
http://ifolder.ru/22794791?
http://rutracker.org/forum/viewtopic.php?t=3585598?

? "Anarchy budet!" - electricity.
(UPS records studio, 2009)
http://ifolder.ru/14955208?
http://rutracker.org/forum/viewtopic.php?t=3453391?

? "Dances of Dogs" - electroacoustics.
(UPS records studio, 2009)
http://ifolder.ru/11262334?

? "Storyteller" - light electricity.
(UPS records studio, 2008)
http://ifolder.ru/11264410?
http://rutracker.org/forum/viewtopic.php?t=2071780?

? West-Ost - electricity.
(UPS records studio, 2007)
http://ifolder.ru/8367111?
http://rutracker.org/forum/viewtopic.php?t=2071780?

? "The trunk of the Centaur or How to smoke the pussy of a Cuban Lady" - enhanced acoustics.
(studio Metrika records, 2007)
http://ifolder.ru/6265028?
http://rutracker.org/forum/viewtopic.php?t=2071780?

? "No need to gondon the relationship" - acoustics.
(studio Metrika records, 2006)
http://ifolder.ru/6198241?
http://rutracker.org/forum/viewtopic.php?t=2071780?

Free compositions can be downloaded from the band's official website http://territoria-ot.narod.ru.