Story about Fenuska Fathers and children. Female images in the novel "Fathers and Children": meaning and artistic significance

After conducting Arcadia with mocking regret and giving him to understand that he was not at all deceived about the real purpose of his trip, the bazaars were finally retired: he found a fever of work. He no longer argued with Pavel Petrovich, especially since he took an overly aristocratic look in his presence and expressed his opinions with more sounds than words. Only once Pavel Petrovich was put on a contest with nihilist Regarding the issue of the issues of the Ostsee noble, but suddenly stopped, saying with cold politeness: - However, we can't understand each other; I, at least, have no honor to understand you. - Still! - exclaimed the bazaars. - the person is all able to understand - and as the ether trembles, and that the sun occurs; And as another person can otherwise blow the rooking, which he himself blows an orcue, it is not able to understand. - What, is it witty? - Speak questioningly Pavel Petrovich and moved to the side. However, he sometimes asked permission to be present at the experiments of Bazarov, and once even brought his inflatable face and washed away with an excellent drug to the microscope, in order to see how the transparent infusorium swallowed the green dust and silently chewed it with some very agile cams who were in her in the throat. Much more often visited Bazarov Nikolai Petrovich; He would come every day, as he was expressed, "learn" if the troubles were not distracted by the housework. He did not constrain the young naturalist: he sat somewhere in the corner of the room and looked carefully, occasionally allowing himself a careful question. During meals and dinners, he tried to send speech on physics, geology or chemistry, since all other objects, even economic, not to mention the political, could be a story if not to clashes, then to mutual displeasure. Nikolai Petrovich guess that the hatred of his brother to the bazaarov did not decreased. An unimportant case, between many others, confirmed his guesses. Cholera began to appear in some places around the surroundings and even "pulled out" two people from Maryina himself. At night with Pavel Petrovich, a pretty strong fit happened. He walked until the morning, but did not resort to the art of Bazarov and, after sawing with him the next day, on his question: "Why didn't he send him?" - answered, the whole is still pale, but already thoroughly combed and shaved: "After all, you remember, they said not to believe in medicine?" So passed days. Bazarov worked hard and sully ... And meanwhile, in the house of Nikolai Petrovich was a creature, with whom he is not that heaved the soul, but funerally talked ... This creature was Fuenus. He met her more part in the morning, early, in the garden or in the yard; He did not buy it into her room, and she just went to his door to ask him - to bathe to her Mitya or not? She was not only trusted by him, not only he was not afraid, she kept him quieter and unleashed with him than with Nicolae Petrovic. It is difficult to say why this happened; Maybe because she unconsciously felt in the bazaareas the absence of the entire nobleman, all of that higher, which attracts and scares. In her eyes, he and the doctor was excellent, and the person is simple. Without embarrassed by His presence, she hired with her child, and once, when she suddenly smelled and fell ill with his head, he took a spoonful of medicine from his hands. Under Nicolae Petrovich, she seemed to be alien to Bazarov: she did not do it out of triggers, but from some sense of decency. Pavel Petrovich she was afraid more than ever; For some time he began to observe her and unexpectedly appeared, as if it grown out of Earth for her back in his suit., with a fixed malicious face and hands in your pockets. "So cold and pull you out," the Fenuska dunyzha complained, and she sighed in response to her and thought about another "insensible" man. Bazarov, he did not suspect, became cruel tyrant Her souls. Fenushek liked bazaars; But he also liked her. Even his face changed when he talked to her: it took the expression clear, almost kind, and some fun attentive attentiveness was mixed to the usual negligence. Fuzheka is good every day. It happens the epoch in the life of young women, when they suddenly begin to flourish and blooming like summer roses; Such an era stepped for baubles. Everyone contributed to that, even the July sign, which was then stood. Dressed in a light white dress, she herself seemed white and easier: the tan did not stick to her, and the heat, from which she could not escape, slightly rumblebed her cheeks yes ears and, pouring a quiet laziness in all her body, reflected a dormant tomotor in her Pretty eyes. She almost could not work; Hands like it and slid on her knees. She barely walked and everything went out and complained with funny powerlessness. "You would have bathed more often," Nikolai Petrovich told her. He arranged a large, cannut covered, swimming in that of his ponds, which was not quite completely left. - Oh, Nikolai Petrovich! Yes, while you reach the pond - you die, and back to go - die. After all, there is no shadow in the garden. "This is exactly what the shadows don't have," Nikolai Petrovich answered and rubbed his eyebrows. Once, the hour in the seventh of the morning, the bazaarov, returning from the walk, found in long-lasting, but still a thick and green lilac gazebo bauble. She was sitting on a bench, throwing, as usual, a white handkerchief on his head; The whole bunch of the dew of red and white roses was lying beside her. He greeted her. - A! Evgeny Vasilich! - she said and raised a little edge of the handkerchief to look at him, and her hand was exposed to the elbow. - What are you doing here? - I said the bazaars, sitting down near her. - Bouquet knit? - Yes; on the table to breakfast. Nikolai Petrovich loves it. - But the breakfast is still far away. Eca's abyss! "I have been narrowing them now, and it will not be hot and you can't get out." Only now and breathe. I completely relaxed from this heat. I'm afraid if I do not get sick? - What is this fantasy! Give your pulse to swell. - Bazarov took her hand, found a exactly-tissue alkalon and did not even consider her blows. "We will live a hundred years," he said, releasing her hand. - Oh, save God! She exclaimed. - What? Don't you want to live for a long time? - Yes, because a hundred years! We had a grandmother eighty-five years old - so what was it for the martyr! Black, deaf, humpback, all cough; ourselves only in tightness. What is this life! - So better to be young? - And how about? - Why is it better? Tell me! - What? Yes, here I am now, young, I can do everything - and I will go, and I will come, and I will bring it, and I do not need anyone ... What is better? - But I don't care: young I am young or old. - How do you say this - all the same? It is impossible that you say. - Yes, you yourself come, Fedosya Nikolaevna, what is my youth to me? I live alone, Bobil ... - It always depends on you. - That is not from me! At least someone should have compressed me. Fencing on the side looked at Bazarov, but said nothing. - What is your book? She asked, not much the weather. - Is this? This is a scientist book, wisdom. - Do you learn everything? And not boring you? You are already so, I'm tea, everyone knows. - It can be seen, not all. Try you to read a little. - Yes, I do not understand anything here. Do you have Russian? - asked Bahnuska, taking in both hands a hard intertwined volume. - What is fat! - Russian. - Anyway, I do not understand anything. - Yes, I do not so that you understand. I want to look at you how you read will be. You have when you read, the tip of the spout is very cute moving. Fenechka, who began to disassemble the article "On Creosote", laughed and threw the book ... She slid from the bench to Earth. "I love, too, when you laugh," said bazaars. - fullness! - I love when you say. Exactly rods leaving. Fenechka clouted her head. - What are you! - She said, moved by fingers in colors. - And what do you listen to me? You have had a conversation with such smart ladies. - Eh, Fedosya Nikolaevna! Believe me: all smart ladies in the world are not worth your focus. - Well, that's what else was invented! - whispered Fuenus and pursed his hands. Bazarov raised a book from the ground. - This is a medicine book, why do you throw it? - Dressing? - Repeated Feng Check and turned to him. - Do you know what? After all, since you give me those droplets, remember? Just how Mitya sleeps well! I can't think of how to thank you; You are kind, right. - And truly, it is necessary to pay the ones, I noticed the bazaars with a smile. - Lekary, you yourself know, people's mercenary. Fuenusheka raised his eyes to Bazarov, which seemed even darker from Whitish Defallet, who had fallen on the upper part of her face. She did not know - whether he jokes or not. - If you please, we are happy ... I will need to ask Nikolai Petrovich ... - Yes, do you think I want money? - interrupted its bazaars. - No, I do not need money from you. - What? - Shattered Fenochka. - What? - repeated the bazaars. - Guess. - What am I for a gifter! - So I will tell you; I need ... one of these roses. Fencing again laughed and even threw his hands - it seemed fun of the Bazarov's desire. She laughed and at the same time felt flattering. Bazarov stared at her. "EXCHANT, IS ISSorrow," she finally said. And, fed to the bench, began to sort out roses. - Which, red or white? - Red, and not too big. She straightened. "Here, take," she said, but immediately retired outstretched her hand and, bitching his lips, glanced at the entrance to the arbor, then the ear. - What is? - asked the bazaars. - Nikolai Petrovich? - No ... they left the field ... Yes, I am not afraid of them ... But Pavel Petrovich ... it seemed to me ... - What? - It seemed to me that they are Here go. No ... no one. Take. - Fenochka gave the bazar rose. - What is the way you paul Petrovich are afraid? - They scare me all. Say - do not say, and so look wise. Yes, because you do not love him. Remember, before you all argued with him. I do not know what your dispute is about; And I see that you turn it and so ... Fuenuschka showed hands as, in her opinion, Bazaarov Spit Pavel Petrovich. Bazarov smiled. "And if he began to win me," he asked, "you would care for me?" - Where do I proceed for you? No, you do not speak with you. - Do you think? And I know a hand that wants, and my finger will sneak. - What is the hand? - And you probably do not know? Smoke how nicely smells a rose that you gave me. Fuenus pulled the neck and brought the face to the flower ... The scarf rolled off her head on the shoulder; It seemed a soft mass of black, shiny, slightly disheveled hair. "Wait, I want to smell with you," said Bazarov, burned down and firmly kissed her in open lips. She trembled, rested against both hands in his chest, but she left weakly, and he could resume and extend his kiss. Dry cough rang out of the sirens. Fenechka instantly moved to the other end of the bench. Pavel Petrovich seemed slightly bowed and, saying with some kind of evil disgust: "You are here," it was removed. Fenechka immediately picked up all roses and came out of the arbor. "You sin, Evgeny Vasilyevich," she whispered, leaving. The genuine reproach was heard in her whisper. Bazarov remembered the other recent stage, and it became conspicuously, and contemptuously annoying. But he immediately shook his head, ironically congratulated himself "with the formal entry into Seladons" and went to his room. And Pavel Petrovich came out of the garden and, slowly stepping, got to the forest. He stayed there for quite a long time, and when he returned to breakfast, Nikolai Petrovich carefully asked him, is he healthy? Before that face was darkened. "You know, I sometimes suffer from spill bile," Pavel Petrovich answered him calmly.

At the beginning of the novel, "Fathers and Children", Turgenev represents us their hero as a nihilist, a person, "who does not inclined any authorities that not accept a single principle for faith," for which romanticism is nonsense and Fall: "Bazarov recognizes only What you can feel your hands to see your eyes, put in the tongue, in a word, only what can be certified by one of the five feelings. " Therefore, he considers the soulful suffering to be unworthy of a real man, high aspirations - contrived and ridiculous. Thus, ". The disgust to the whole of life and catering in the sounds is the indigenous property of the Bazarov.

In the novel, we see four pairs, four love stories: this is the love of Nicholas Kirsanov and Fuenuschki, Pavel Kirsanov and Princess, Arkady and Kati, Bazarov and Odentova. Love Nikolai Kirsanova and his son Turgenev could not interest, as this love is ordinary dry, homemade. She is deprived of the passion that was inherent in Turgenev himself. Therefore, we will consider and comparable two stories of love: This is Love Pavel Kirsanov and Love Bazarov Schetalov S.E. Artistic world I.S. Romegenev. - M.: 2003. - 212 s ..

Pavel Petrovich Kirsanov was brought up at first at home, then in the building. He was distinguished since childhood, was self-confident and somehow it's funny yellow - he could not like it. He began to appear everywhere as soon as came to officers. Women went crazy from him, the men called him Frant and secretly envied him. Pavel Petrovich met her on one ball, danced Mazurka with her and fell in love with her passionately. Accustomed to victories, he quickly achieved the desired, but the ease of the celebration did not cool it. He opposed, fell in love even more. Subsequently, the princess G. Foured Pavel Kirsanov and left abroad. He retired and followed her, he did not lose weight. He went to her for a long time abroad. Love arose again, but even faster than the first time, evaporated. Paul returned to Russia, but could not heal a strong life, washed for 10 years, Nikolai died his wife, the princess died in a state close to obeying. Then she returns him a ring, where the Sphinx will cry out, and wrote that it is a solo. After a year and a half, he moved to live in Maryino.

The heroine of Roman Fenuska attracts the Bazarov in the same way as the brothers Kirsanov, - youth, purity, immediacy.

"It was a young woman of twenty-three years old, all white and soft, with dark hair and eyes, with red, childish plump sponges and gentle handles. It was a neat stem dress; A blue new brazing easily lying on her round shoulders "Turgenev I.S. Fathers and Sons. - M.: Publisher: AST, 2005. - 363 s ..

It should be noted that Fenochka appeared before Arkady and Bazarov not on the first day of their arrival. That day she affected the patient, although, of course, was healthy. The reason is very simple: she was terribly shy. The duality of her position is obvious: the peasant woman, which Barin allowed to live in the house, and he himself shy. Nikolai Petrovich committed an act seemingly noble. He settled the woman who gave birth from him from him, that is, as if he recognized the rights defined rights and did not hide that Mitya was his son.

But he behaved at the same time so that Fuenusha could not feel free and coped with his position only due to natural naturalness and dignity. Here's how Nikolai Petrovich talks about her arkadia: "Do not call her, please, loud. Well yes. She now lives with me. I placed her in the house. There were two small rooms. However, it can be changed everything. " He didn't say about the little son at all - before he was awkward. But the Fuenus appeared before the guests: "She lowered his eyes and stopped at the table, leaning on the most tips of the fingers. It seemed to her and conscientiously that she came, and at the same time she seemed to feel that he had the right to come. " It seems that Turgenev sympathizes Fencake and admire it. He seemed to want to protect her and show that she is not only beautiful in her motherhood, but also above all sorts of sense and prejudice: "And in fact, is there anything crazy than a young beautiful mother with a healthy child in his arms? "Bazarov, living in Kirsanov, gladly communicated only with Fencheck:" Even his face changed, when he talked to her: it took an expression clear, almost good, and some kind of fun attentive attentiveness was mixed. " I think the matter here is not only in the beauty of Fuenches, namely, in its naturalness, the absence of any kind of chemmers and attempts to build a lady. The image of baubles is similar to a tender flower having, however, extraordinarily strong roots.

Nikolay Petrovich loves his mother's mother and future wife. This love is simple, naive, chista, like Fuenus, who just reverends in front of him. Pavel Petrovich hides his feelings for his brother. He himself does not understand what attracted him to Fedosier Nikolaevna. In delusion, Senior Kirsanov exclaims: "Oh, how I love this empty creature!"

Fencing is one of the minor heroines of the novel "Fathers and Children."

This article presents a quotation image and characteristic of Fenniches in the novel "Fathers and Children": a description of the appearance and character of the heroine in quotes.

Brief characteristic of baubles in the novel "Fathers and Children"

Fenzka, or Fedosya Nikolaevna - the unofficial wife of the landowner. Fenechka 23 years old. By origin, she is a peasant (probably a winsted peasant).

Fenechka is a good mistress and a caring mother. She loves order and purity. Fieneca is poorly educated, foolish and empty, but at the same time - good and mila.

One day, Fenochka and her mother are arranged to work to the landowner Nikolai Petrovich Kirsanov. Between him and Fuenus are tied relationships. Kirsanov older than 20 years old. He is a nobleman, and she is a peasant, but it does not prevent them from being together.

Fences and Kirsanov born the son of Mitya. After 3 years of the collaboration of Kirsanov marries Fencheck.

The image and characteristic of the baubles in the novel "Fathers and Children"

Age of baubles - about 23 years:

"... it was a young woman about twenty-three years ..."

The full name of the heroine - Fedosya Nikolaevna:

"... Fedosya Nikolavna ..."

Fencing - peasant woman by origin :
"..." Kiss the same handle from Barin, stupid, "Arina told her ..." (the peasants were kissed by Barin's hand)

Fenechka - Orphan:
"... my husband has long died for a long time ..." (it is talking about the father of Fen
"... Mother, Arina, died from cholera ..." (the mother of Fenuschka died from cholera when the daughter was about 20 years old)

Fuenus - Beautiful young woman:
"... And in fact, is there anything crazy than a young beautiful mother with a healthy child in your hands? .."
"... what a pretty! .."
"... It is known about the com: only a pretty ..."
"... Your father is visible, the lip is not a fool ..."

Fencing appearance in quotes:
"... Benchka. It was a young woman of twenty-three years three, all white and soft, with dark hair and eyes, with red, childish plump sponges and gentle handles. It was a neat stem dress; a blue new brazer was easily lying on her round shoulders ... "
"... a young female face flashed ..."
"... in a blue shifter and with a twined white scarf on dark hair, a young woman, a bauble ..."

"... a soft mass of black, shiny, slightly disheveled hair ..."
"... Hot blood spilled by Alo Wave under the thin skin of her pretty face ..."
"... quietly came out. She walked a little bit, but it was stuck to her ..."
"... Fuenus and his hair led in order, and put on the ship better, but she could stay, as was ..."
"... put her lips to the phenoshekina hand, whiskers, like milk, on the Red Shirt of Mitya ..."
"... The face of Fennicke slid so much pale and small ..."
"... Fencing is good every day. It happens the epoch in the life of young women, when they suddenly begin to flourish and blooming like summer roses; such an era came for Fuenuschka. Everything contributed to that, even the July sign, which stood then. Dressed in Light white dress, she herself seemed white and easier: the tan did not stick to her, and the heat, from which she could not escape, slightly rumbling her cheeks yes ears and, pouring a quiet laziness in all her body, reflected a dormant tomotor in her pretty eyes . She almost could hardly work; her hands were slipped on her knees. She barely went and everything was shattered and complained with funny powerlessness ... "
"... she sat on a bench, throwing the white handkerchief on the head ..."

Fences "Pretty eyes":
"... Fuenus raised her eyes, which seemed even darker from a whitish reflections that fell on the top of her face ..."
"... Charming was the expression of her eye when she looked like improving yes she laughed gently and slightly stupid ..."
"... in her pretty eyes ..."

Fencing - Shameful girl:
"... she assumes ... she is ashamed ..."
"... in vain, she is ashamed ..."
"... Putting it before, everything has mercy ..."
"... It seemed to her and conscientious that she came, and at the same time she seemed to feel that he had the right to come ..."

Fencing - a decent woman:
"... if you let her live with you under the same roof, it became for it it deserves ..."
"... Of course, if I didn't cost this girl ... it's not a frivolous whim ..."

Fencing - polite girl:
"... Fuenus, everyone said in the house ..."

Fencing - quiet and modest girl:
"... I saw her rare: she lived quietly, modestly ..."

Fenshka is a foolish, empty girl:
"... Oh, how I love this empty creature! .."

"... laughing affectionately and slightly stupid ..."

Fenechka loves order:
"... she inherited love to order from his mother ..."

Fenshka - reasonable and powerful girl:
"... she inherited from his mother<...> Intentionality and powerful ... "

Fencing - a small girl:
"... On the paper, the lids themselves, the Fenuschka itself wrote in large letters" ARRY "..."

Fenzka and Nikolai Petrovich Kirsanov

At the beginning of the novel, Fenuska is an unofficial wife:

"... this girl about which you probably have already heard<...> She now lives with me. I put her in the house ... there were two small rooms ... "

Fenzki and Nikolai Petrovich has a son of Mitya :

"... Funcheuchka entered from the militants in his arms ..."
"...- How much, do you mean, months?" Pavel Petrovich asked.
- Six months; Soon the seventh will go, the eleventh number ... "

Fenshka loves Nikolai Petrovich:
"... I love Nikolai Petrovich with all my heart<...> I'm not loved by Nikolai Petrovich - yes, after that, I don't have to live!<...> I am Nikolai Petrovich one in the world love and I will love the eyelids! .. "

At the end of Roman Nikolai Petrovich marries Fencheck despite the fact that she is a peasant, and he is a barin:
"... a week ago, in a small parish church, quietly and almost without witnesses, two weddings took place: from Katya and Nikolai Petrovich with Fuenus ..."

Direct weaving Fenushek

Fenushek - The item is useful and universal, and most importantly - simple in the manufacture. In order to weave it, you do not need to possess a special gift or over the abilities. You will need only some free time and desire. And the rest will help our site on which you can learn about baubles all from A to Ya.

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	What could be better than at leisure to see your favorite movie or TV series? Perhaps nothing. But it's very cool when you have a bauble with a logo of your favorite film.

Spit weaving Fenushek

If you do not know where to start your career of the Fenkotlet, but I have already managed to master the basics of this case, and they found out that such a feathers, which it happens, etc., then you are here. Spit weaving is an excellent start. Just follow the instructions, and you will succeed. And then you can already fantasize, create unique work and give them your loved ones.

Fenechka direct weaving

Fenechka is an original bracelet from thread woven manually. For its history, such accessories were not only exclusive ornaments, but also symbols of friendship, mutual love and loyalty. Allocate two main techniques of weaving bracelets - oblique and direct. The first way is simpler, but a variety of patterns for it is limited. Fences direct weaving, on the contrary, you can do with drawings of any complexity, including inscriptions and even portraits.

Features of straight weaving bracelets

The basis of direct technology, as well as oblique - right and left nodules. At the same time, the ranks of the nodes are horizontally, and their direction changes in each row.

The process of weaving Fenusheki

Using the technique of direct weaving, you can create amazing patterns ...

... and baubles with names

All threads for direct weaving phenushek can be divided into 3 categories:

Home (presenter) Thread is the longest and corresponds to the background of the pattern. It is attached to weaving, not cutting off from the ball, and the length is recommended to take 5 m or more.
Threads of the base or background. Their number depends on how many cells in the number of the scheme you have chosen (by the width of the product). They should not be very long, on average, it is 40-80 cm, but consumption depends on the pattern. The base color is chosen by the one that is most often found in the pattern - as a pattern, inscription or contour. If the bane consists of two colors, it will be the color of the inscription or the pattern. If in a multicolor scheme, it is difficult to select the second to significantly tone, choose the one that occurs in the weaving first.
Auxiliary threads. These include all other shades in multicolor diagrams (3 or more colors). They are injected into the pattern as needed and ends at the end of work.

Fenechka direct weaving

The instructions for weaving phenushek direct weaving differ depending on how many colors are used in the circuit - 2 or more.

How to weave two-color bane straight weaving

In addition to the threads of two colors, for this work you will need the schemes of phenoshek direct weaving, tape, pin or other convenient fixture for fixing the threads.

Scheme for two-color baubles

Scheme "Panda"

Scheme "Panda2"

Fenechka direct weaving according to the "Panda" scheme

Most often, the schemes are small, so the drawing can be repeated on bane several times or make it in the middle.

Monochrome Fenochka

Consider how to weave the bane basting, in more detail.

Tip:

If you want to evan a small drawing exactly in the center of the bracelet, you need to calculate the number of one-color series before and after the picture.

First calculate the length of the picture itself: the number of rows in the scheme is divided by 5 (approximate number of rows in 1 pletter centimeter). Pre-measuring wrist girth, we submit from it the resulting number. The remaining centimeters will need to weave without a pattern. If you multiply them on 5, we will receive the number of rows (rounded to an integer if necessary). Half of empty rows will be in front of the pattern, the second half is after it. Consider in detail how to weave direct weaving two-color bracelets:

Fix the threads in any convenient way. The working thread located on the left, tie the right-sided nodules on each of the main threads alternately.
Align the row, pressing the nodes of the line, we do the same with each new next.
In the second row, they tie left-sided nodes, moving on the right left. In the future, the directions alternate in the same order. You will carry up to a row in which the pattern begins.
For example, we need to make 4 nodes of the working thread and go to another shade. For this, the base thread is wept working, tieting the nodules in the opposite direction. Working thread moves along the nodules.
In the same way, we continue the weaving of the bracelet in 2 colors, tieting the nodules of the background and the pattern in different directions.

How to weave bane straight weaving

Having mastered the technique of direct weaving, you can create bracelets of any complexity

How to weave multicolor baubles according to schemes

Facular weaving according to a scheme in which 3 or more colors is somewhat different from two-color weaving. Before work, we allocate the main color in the scheme (working string), the second largest color (bottoms of the base) and auxiliary threads.

Paired baubles of three colors, scheme

In another embodiment, any, even unnecessary, threads can be the basis, and the entire pattern is carried out with auxiliary. We will analyze in detail how to weave baubles with lots of colors:

Fix the bases of the base and the working thread, we insert the required number of one-color series. Uppere to the place in the scheme when you need to attach auxiliary thread.
Fix a new thread along with the crossbox on the working surface. We bring it to the place of weaving, capture the working thread and determine the thread of the base. Capture the leading thread every time you need to be sure, otherwise the gaps between the nodules are formed. Picture nodules tie in the same direction in which the backgrounds tied. Similarly, we enter the other colors.
If the color at the end of the row and at the beginning does not match the next, we derive the desired thread on the edge of the baubles, we grab the extreme working thread and determine the basis.
We carry out the pattern according to the scheme, again finish the work "empty" rows of background.
Auxiliary threads cut, leaving the tips of about 3 mm from the wrong side of the pope.

Direct Weaving Multiple Flowers

Weaving scheme

Having mastered this simple technique, you can make babe from threads of any complexity with any number of colors.

Made with your own hands Fuenus, will be a great gift to your beloved person

Schemes of direct weaving Put on the cross-stitch patterns. They can be drawn independently, use scheme generator or ready-made schemes on our website, including embroidery.

Direct weaving, you can create real pictures

Fuenus in Slavic style

Boho Fuenchka

The direct node (flat knot) is one of the fundamental knots for bracelets. It must be mastering it to make various simple decorations for girls. With it, one of the most fashionable bracelets today is a shambal bracelet. In this article, we will consider only Fuenches from some direct nodes without adding beads and beads.

If you alternate the colors of the threads, you can get different options for feathers for girls, about which we will tell in our article.
In Macrame, this node is also used, but it is called a square node.

How to weigh a direct node (flat knot) for bracelets.

For weaving bracelets, direct nodes need two types of threads: the filament of the bases and the working thread.
The filament of the base on the diagram is shown in numbers 2 and 3. There can be at the base as many threads, including one. The working thread in the diagram is 1 and 4. If you have a one-color bane, then it is a thread of the same color. The working thread is about 4 times longer than the base of the base.
Scheme of a straight knot for bracelets.

Fenechka monochrome straight nodes.

For the feedstock, we take 60cm for a 2 meter working thread.
One of the threads bend in half and make a loop.

Fix the beginning of the bracelet on the table using a tape or pin fasten to trousers. The second way is more convenient.
I fix the second thread, selling it through the loop and begin to weave direct nodes.
We spend one edge thread under two central bases of the foundation and put on top of the second edge thread.
We impose a second edge thread on top of the bases of the base and do it through the loop of the first edge thread from top to bottom.
Tighten the node.
The second and first edge thread changed in places. Now things are the same, only on the other hand.
We continue to determine the nodes to the desired length of the baubles. Consider that the loop at the beginning of the bracelet is the same in length.
We draw up the second bracelet string. The first is a loop at the very beginning of our bracelet. We make two tails. For every tail we have two ropes - we will pass them with each other. To do this, stretch two ropes of one tissue in different directions and twist them in opposite sides.
Then combine the ends of the rope and release the bracelet. Ropes twist together. Make a nodule at the end and set the ends of the rope if you have a synthetic thread.
Also take the second string.
Fenechka direct nodes is ready. Dress the bauble on your hand. Move one violin through the loop at the beginning of the bracelet and make sure the strings with each other.

Fenechka from direct knots two-color

Two working threads you need to have different colors.
First option: Start to do Benchka, as in the previous version, only distribute the threads otherwise: two multi-colored threads of the base and two multicolored working threads.
The second option: if you have a filament of the bases of one color, and the working threads are single, then glue the tips of single threads to the loop.
Strong the weaving of the nodes, you can also cover the working thread near the nodules and glue with glue or pour the tips of the working thread.

Fenechka from straight knots with alternating colors

Cord for filaments of the base and working thread take the same length.
In the process of working through the same number of nodes, change the working and main threads in some places.

Two-color weaving with flat knots.

Unlike the remaining bracelets shown in two-color weaving, four work threads are used for two threads of each color.
To the main thread, I first tie the working thread of one (red) color in the center, then re-tie another thread of another (gray) color. On each side of the filaments of the base you should have two threads of different colors.
Next, begin to knit direct nodes. Red workers are carried out under black threads and tie a straight line (flat) node. (Cross the thread twice).
Then we spend gray working threads under red and again tie a flat knot.
We continue the weaving alternating red and gray threads.
Look more options for designing the beginning and end of the phenushek: a bracelet in four threads - a fastener with a button, a bracelet of a shambal from a chain with rhinestones with straight nodes.

The novel "Fathers and Children" is always viewed as an antinigilistic or novel about the disputes of generations. At the same time, the images of Arkady Kirsanova, Pavel Petrovich and Bazarov attract the analysis. Few people consider women's images. In the novel Turgenev "fathers and children" their role is quite significant. In total, in the novel, we see five main images: Fuenuska, Odintsova, her sister, Bazarov's mother Arina V.S. Kukshina.

Euddoxy Kukshin

Female images in the novel "Fathers and Children" perform different functions. Eudoccius Kukshin at first sight can not cause anything other than antipathy. First, it is casually dressed, unclear, with disheveled hair. Secondly, it behaves defiantly. It seems that she does not know anything about the decency. But most of all outragets her desire to appear advanced and advanced. She pretends to be welcomed in all areas of modern science and philosophy. In fact, her knowledge is superficial. Bazarov sees it immediately. Her friend of Sitniks is also pitiful as she. These two heroes are pseudonigilists. Turgenev attracts the image of Cushina to reduce the level of perception of nihilism as directions. If this is its representatives, then if they go? Even the Bazarov itself begins to doubt the correctness of his convictions. People like Cushina and Sitnik can undermine the authority of any teaching. How powerfully contrasts the image of the omnipresent, which brings the Cushina nonsense with a noble figure one.

Anna Odintova

With her, Eugene Bazarov met the ball in the city. If you classify women's images in the novel "Fathers and Children" in importance, then the image of one should take first place. She is striking by his grace, calmness, her glance is full of intelligence. That is why Bazarov immediately pays attention to it. However, afterwards the reader is convinced that the coldness of the one is not only external, it is also too reasonable and in fact. So, the bazaars, cynic, who deny any attachment between people, falls in love. He talks to a long time with one, finds him in her speeches really wondering with this woman. Odenty allows you to identify the internal conflict in the soul of the main character, from this point of view its image is very significant. The reason for Bazarov comes in contradiction with his feelings. Nihilism does not justify himself, ideas are erroneous.

Why didn't their relationship be? All female images in Roman I.S. Turgenev "Fathers and Children" are interesting and mysterious. In general, Turgenev paid special attention to the image of psychology and in response to the recognition of Bazarov Odentyov declares that he misunderstood it. And then he thinks about himself: "God knows what it could lead to." Her calm is more expensive. She turned out to be too judicious, afraid of feelings. Bazaarov, in turn, frightened feelings.

Arina Vlasievna

The idyll of Bazarov's parents also shows the inconsistency of his idea. Mother overly loves her "Yenyusha", in every way trying to surround his love. It seems very touching the image of this elderly woman. She is afraid that the Son will be offended on her warmth, she does not know how to behave with him, she is gentle by every word, but sometimes the maternal heart is not to hug and Arina V. Slane begins to draw near his smart and talented son, which she is sincerely proud of. Perhaps Eugene cannot be at home for a long time because of the love of Arina Vsessievna. Always uncompromising and hard, he is afraid that it melts from maternal affection, it will start in anyone who does not need romanticism.

Fenushek

Female images in the novel "Fathers and Children" are opposed to each other. It is not believed that Fenochka may be in the same space with Cushina and Odse. It is modest, quiet and fearful. She is a caring mother. Itself not wanting, Fuenus becomes grain of discord between Paul Petrovich and Bazarov, the last drop of patience. The scene in the gazebo becomes the reason that Pavel Petrovich causes Eugene to Duel. And a duel demonstrates the author's assessment: the heroes are similar, because of the similarities they hate each other. Therefore, their fight comic and looks like a farce.

Katya Odintovova

This is the younger sister one. Against the background of Anna, it seems less interesting, excessively modest and inconspicuous. However, over time, spiritual forces are found in this cute girl. She gives life to Arkady, he will finally express his opinion and do the way he tells him the heart. Two Arkady and Katya create a family, such relationships about which both dreamed of. After all, Arkady was originally too different from Eugene, he simply was seduced by his mind, knowledge, power of character. Katya is a female image that confirms the initial thought of the author.

Women's images in the novel "Fathers and Children" (conclusions)

The author attracts a few heroines in order to express his assessment. For example, Kukshin shows how Turgenev treated nihilism. In his opinion, this area was passionate about, by more, useless and empty people. Women's images in "Fathers and Children" Turgenev also complicates the conflict by adding actions into it. Here, first of all, be called Fennica. As for Irina Vsessuyevna and Anna Odintova - they are intended to reflect the internal conflict in the soul of Bazarov. Katya in a number of other Turgenev Heroin is the embodiment of beauty and simplicity. In general, all female images in the novel give him an artistic completion and integrity.

In the novel "Fathers and Children" I. S. Turgenev portrayed several bright female images. Each symbolizes certain features and inclinations of the hero. Anna Sergeevna Odintsova is a nobleman by origin, an interesting and intelligent woman who is not capable of sincere feelings. Euddoxia Kukshin is a dummy, which considers himself a nihylist, an untidy useless creation. The image and characteristic of the baubles in the novel "Fathers and the Children" reveal many positive features of a female character and constitute the appearance of an ideal woman, according to Turgenev.

HISTORY OF LIFE Fedosi Nikolaevna

Fenochka is the illegal wife of Nikolai Petrovich. By origin, an ordinary peasant woman. After the death of his father, he was left together with his mother. Mother Fenuschka entered the house of Kirsanov to the post of housekeeper, Nikolai Petrovich hit her cleanness, the ability to contain a dwelling in order. The attention of Nikolai Petrovich attracted the young daughter of the housekeeper, he tried more often with her to see and communicate. After the sudden death of Mother, Fenochka remained in the house of Kirsanov, they with Nikolai Petrovich fell in love with each other and began to live together. Fenshka gave birth to his son, Mitenka.

Description of Fenusheki.

The external appearance of the young Fedosi Nikolaevna the author describes, passing the reader admiration for this special:

"... It was a young woman of twenty-three years old, all white and soft, with dark hair and eyes, with red, childish plump sponges and gentle handles. It was a neat stem dress; A blue new brazing easily lying on her round shoulders ... ".

Fencing is a pretty girl. Despite the peasant origin, it is raised. Foolish, illiterate, but Mila and Good. From the mother inherited love for cleanliness and comfort in the house. It is modest and the inhabitants and guests of Maryina are slightly shy:

"... It seemed to her, and it was conscable that she came, and at the same time she seemed to feel that he had the right to come ...".

The only person with whom she felt absolutely free, was Evgeny Bazarov:

"... She was not only trusted by him, not only he was not afraid, she kept her quieter with him, as if Nicolae Petrovich itself ...".

It is completely revealed by its character in motherhood. She trembles to his son, loves and pampers the baby. Huge joy is brought by Pavel Petrovich to a small nephew:

"... Benchka all reddished from embarrassment and joy ...".

Kirsanov and Fenushek

At the beginning of the novel, Fenuska is a cohabitant of Nikolai Petrovich. Such relationships seem to be deprived of the future. He is a nobleman, she is an ordinary peasant woman. But the birth of a child gives Fedosier Nikolaevna a new position, Nikolai Petrovich moves her to the house, reports the Son about his relationship. But some uncertainty is preserved in the fate of the girl. Kirsanov himself shy feelings:

"... don't call her, please, loudly ... Well, yes ... she now lives with me. I put her in the house ... There were two small rooms. However, it is all can be changed ... ".

Fenshka devotedly loves his father's father:

".. I love me Nikolai Petrovich, Nikolai Petrovich, not to love me - yes, after that, I don't have to live! I am Nikolai Petrovich one in the world love and I will love the eyelids! .. ".

It is above all the discussions and leaders. The simplicity and naturalness of the girl make her beautiful and no one like. The result of three-year-old disappointed relationship is the long-awaited wedding of Benches and Nikolai Petrovich.

The image of baubles is carefully drawn by Turgenev. He sympathizes her, hesitates sincerity and openness. From the female images presented in the novel "Fathers and Children", she is more suitable for the ideal type of Turgenev girl.