Posters of the Great Patriotic War. Posters of the Times of the Great Patriotic War of Boss 1941 1945 slogans
In Soviet times, the posters were one of the most common means of mass agitation. With the help of posters, talented artists expressed the will of the people, called for certain actions, pointed to good and bad parties of life, brought up a sense of self-esteem in people, a sense of patriotism and love for their own country, their people. The posters of the USSR times concerned the most different parties to life and affected almost everything that happened in society. During all the time, a giant number of campaign posters was created, which condemn drunkenness, talk about the benefits of labor and sports, show life in good light in Russia and indicate the shortcomings of the West. However, the most bright, most important, deep, touching and even tragic are the posters of the times of the Great Patriotic War.
Soviet posters of the Great Patriotic War 1941-1945 call on all people of an immense country to oppose fascism. In the brightest and visual images, they show the whole horror of war and all the inhumanity of fascism, which decided to conquer the world. Posters during the war were one of the massive campaigning means, acting on a par with newspapers and radio. Many of these posters have become so famous that they are used even today and are considered real masterpieces of the art of a poster case. These posters can be touched on the heart, awaken special feelings even now, when many decades have passed after that terrible war, which claimed the lives of millions of soldiers and civilians.
Talented artists were engaged in the creation of campaign posters, the names of which remained in the history of the visual art of the Soviet period. The most famous artists of this genre were Dmitry Moore, Viktor Denis, Mikhail Cheremnykh, Tidza Irakli Moiseevich, Kokorekin Alexey Alekseevich, Ivanov Victor Semenovich, Koretsky Viktor Borisovich, group of artists "Kukryniksi", group of artists "TASS windows" and others. In his art, they created the majestic, memorable and inspirational images, the tense plot, which appealed to sincere feelings, and also accompanied their works with bright phrases that were remembered and crashed into memory. Without a doubt, the art of a campaign poster contributed to the formation of a sense of patriotism of the people of that time, because no wonder propaganda and agitation was then called the Third Front of the Great Patriotic War.
During the war, the poster was the most affordable type of visual art. Cream and clear, it displaced the whole essence immediately.
Posters strengthened the fighting spirit of soldiers. Clause to conscience and honor, courage and courage. And after many years, people, far from the war, when looking at the image, it does not have to reflect on the meaning of the drawn.The so-called TASS windows were extremely popular. These are posters that were replicated manually by transferring images with stencils, and were aimed at raising the combat spirit of soldiers, committing labor feats by the population. This type of agitation allowed to instantly respond to the events. Images were obtained more colorful compared to printed posters. When working with windows, contrasting colors were used, brief sharp phrases that "painted as shells".
In the poster art of the Great Patriotic War, several popular motives were traced.
The first motive - Until the last patron! Call on death, take care of the cartridges, shoot exactly in target. Since it is known for certain that the metal for weapons was given to the very large difficulty of the rear workers. Most often, the central figure on such posters was the personality of the fighter, the features of the person who crashed into memory for a long time.
Another popular was called Attack!" On posters with this motive, a military equipment was depicted - T-35 tank, aircraft, PE-2. Sometimes a legendary hero, commander of past years or heroes were depicted.
Also widespread was the motive about boyetse, defeatyurschool Enemia in hand-to-hand combat.On these posters, the soldiers of the Red Army was depicted in red, and the fascist - gray or black.
It is widely known to use caricatures In posters. Sometimes, not only the enemy itself, but also the destructiveness, the inhumanity of his actions was ridiculed. It is noteworthy that artists who worked on the image always very accurately noticed the character, habits, gestures, distinctive features of the characters depicted. For such a fine impact on the souls of people through a poster, not only a long-standing work on the study of the German newsreel, photos of Hitler, Goebbels, Geering, Himmler and others, but also the skill of a psychologist.
No less popular was the motive Death of detebians.At such posters, suffering was usually depicted, or the death of children, calls for help and protection.
Motive Do not talk!call for vigilance local population.
He sounded a call for the population for collecting scrap metal, to work without absenteeism, collect harvest to the last grain, bring the victory with every blow of the hammer.
With respect to posters, paintings and images, it is better to see once than a hundred times to read their description. We offer you the most famous posters of the Times of the Great Patriotic War 1941-1945.
Posters of the Great Patriotic War 1941-1945
Text on poster: Conquest peace! Kabala nations! - Fascist rate. Red Army Amendment!
Artist, year: Victor Denis (Denisov), 1943
The main motive: caricature
Summary: The excessive self-confidence of Hitler was ridiculous. The fighters of the Red Army tried to remove the fear of the enemy, depicting Hitler funny and ridiculous.
Poster text:Avenge!
Artist, year:Schmarinov D., 1942
The main motive:Death of detebians
Summary:The poster raises the subject of the sufferings of Soviet citizens in the occupied territories. On a poster, a woman holding a killed daughter in his hands is depicted. The suffering and grief of this woman is silent, but so touching. In the background poster glow from a fire. One word "avenge" raises the storm of indignation and malice to the fascist barbarians.
Poster text:Dad, kill the German!
Artist, year:Nesterova N., 1942
The main motive:Death of detebians
Summary:The poster referred to the suffering of the people in the occupied territories.He caused the hatred of hatred of the enemy, which encroached the most holy - women and children.The slogan on the poster was put on the phrase from the poem of Konstantin Simonov "Kill him!"
Poster text:Bay so: that neither the projectile, then the tank!
Artist, year:VB Koretsky, 1943
The main motive:To the last cartridge!
Summary:A poster calls on the soldier to improve his combat skill.
Poster text:The fighter, which was surrounded, boil to the last drop of blood!
Artist, year:HELL. Cocosh, 1941
The main motive:Fighter, winning the enemy in hand-to-hand combat
Summary:Called to stand on death, beat out of the last forces.
Poster text:Death of German fascist invaders!
Artist, year:N.M.Avvakumov, 1944
The main motive:Attack!
Summary:Poster called fighters selflessly go into battle,attack . In the background, tanks and airplanes are depicted, which rapidly rush against enemies. This is a kind of symbol that all the forces are focused on the fight against the Germans, that the Soviet soldier goes to battle all military equipment, inspiring the fascist and confidence with the Soviet fighters.
Poster text:So now the German beast looks like! So that we breathe and live - the beast! (on the drum - a lightning war, behind the belt - the extermination of the Slavs, on the flag - total mobilization)
Artist, year:Victor Denis (Denisov), 1943
The main motive:Caricature
Summary:The artist in a caricature form depicts a broken, explored German-beast. A broken German seems to see all his slogans with which he so self-attached to Russia. The author, putting the German funny and pitiful, tried to add courage and remove the fear of the soldiers.
Poster text:To Moscow! Hoh! From Moscow: Oh!
Artist, year:Viktor Denis (Denisov), 194 2
The main motive:Caricature
Summary:The poster is dedicated to the Great Battle for Moscow and the failure of the Plan of Lightning War (Blitzkrieg).
Poster text:Mother's mother call! (Text of the military oath)
Artist, year:I. Tidze, 1941
The main motive:Attack!
Summary:Artist R. aspans on the plane of the sheet, a holistic monolithic silhouette, uses a combination of only two colors - red and black. Thanks to the lowly taken horizon, monumentality is dodged. But the main power of the impact of this poster is enclosed in the psychological content of the image itself - in the expression of an excited face of a simple woman, in her urgent gesture.
Poster text:Do not talk! Be on the check, the walls light on such days. Not far from the chatter and gossip to the treason.
Artist, year:Watolina N., Denisov N., 1941
The main motive:Do not talk!
Summary:Before the start of the Great Patriotic War and in its years, there were many sabotage groups and spies of Germany in the Soviet Union, especially in the border regions. These groups carried out various sabotage actions - violations and cliffs of power lines and communications, the destruction of important military and civilian objects, violation of water supply in the cities and destruction of wooden bridges, as well as the murder of military and party workers and technical specialists. These days, the task of bringing to the attention of the population The need to abide care and vigilance in conversations and communication, especially with unfamiliar.
Poster text:Comrade! Remember that well and warmly dressed fighter will even stronger the enemy.
Artist, year:A. and V. Kokorakins, 1942
The main motive:Everything for the front, all for victory
Summary:A poster encourages to mobilize all the means of the population and give all the most necessary soldiers who fight for their homeland.
Poster text:Red Army Grozen Step! Will be destroyed in the lair's enemy! Conquesting the world. Slavery to nations. Fascism. Hitler, Goering, Goebbels, Gimler.
Artist, year:Victor Denis (Denisov), 1945
The main motive:Attack! Caricature.
Summary:A poster makes you think about the atrocities of the German fascism against humanity.
Poster text:Victory will be in the country where a woman with a man is along. Comrade woman! Your son on the front beats like a hero. And the daughter goes to the squad of Rockka. And you crippy our rear: a trench deeper by swarm, go to the machine. And the tractor of his leads instead of drivers, now leading tanks. You, sisters women! You, Mother Citizens! Take scrap, shovel, steering wheel, cutter! For realunderstand, finally, the stronger the rear - the harder the armies step, and the sooner the enemy will die!
Artist, year:I. Astapov, I. Kholodov, 1941
The main motive:Everything for the front, everything for victory!
Summary:A poster carries political color to the superiority of society, where men and women are equal, especially during the war, when men are fighting on the fronts, women ensure the reliability of the rear.
Poster text:Blood for blood, death for death!
Artist, year:Alexe Sittaro, 1942
The main motive:Death of detebians; Attack!
Summary:The poster is aimed at suggesting the inevitability of victory over the enemy and its full exile from the Soviet Earth.
Poster text:Bay to death!
Artist, year:Nikolay Zhukov, 1942
The main motive:To the last cartridge!
Summary:About marriage To the warriors of the Red Army, strongly beat the enemy for the sake of salvation mothers, children and homeland.A poster is designed to raise the morale soldiers.
Poster text:Warrior of the Red Army, save!
Artist, year:Viktor Koretsky, 1942year
The main motive:Death of detebians
Summary:The poster caused hatred to the enemy's fighters.The dramatic strength of this poster amazes to this day. The most difficult stage of war for the Russian people was reflected in the work of Koretsky. The ancient motive is a mother with a child in her arms - gets in a poster completely different interpretation than we are accustomed to see in the pictures of the masters of the past. In this paper, there are no idyllic features, heartiness and warmth, which is usually present in scenes with mother and child, here the mother is depicted by protecting his child from danger. On the one hand, in the poster we see an unequal collision of the two forces: cold, bloody weapons on the one hand, and two defenseless human figures - on the other. But at the same time, the poster does not produce an oppressive impression, due to the fact that Koretsky could show the power and the deep right point of the Soviet woman, despite the fact that there is no weapon in her hands, she symbolizes the strength and spirit of the Russian people who will not be bowed to the aggressor . With his protest against violence and death, the poster announces the coming victory. With the help of simple means, the work of Koretsky inspires strength and confidence, becomes both a call, and a request, and order; So the danger hanging over people and never leaving their hope is expressed in it.
Poster text:There is no such force that would enslave us. Kuzma minin. Let them inspire you in this war, the courageous image of our great ancestors! I. Stalin.
Artist, year:V. Ivanov, O. Burova, 1942
The main motive:Attack!
Summary:A second symbolic plan is present on the poster, depicting the liberation of the Kuzma mini home from the intervention. Thus, even the great heroes of the past name is soldiers to fight and fight for their homeland.
Poster text:Combat menu by the enemy to each day.It begins in Russian treats with snacks. Patties are excellent with a start of different ...Then soups a little soup of the fleet and the okroshka. On the second Battle of Cakatski and Caucasian kebabs and sweets - Kisel.
Artist, year: N. Muratov, 1941
The main motive:Caricature
Summary:A poster is made in a satirical style and strengthens confidence in the victory of the Soviet people over the enemy.
Poster text:The enemy is cunning - be on a check!
Artist, year:V. Ivanov, O. Burova, 1945 year
The main motive:Do not talk
Summary:A poster calls for a lookout population and soldiers.The plot of the poster reminds that a fascist criminal can be hidden under a virtue.
Poster text:The TASS window No. 613 German to the Volga went to get drunk - Fritz's teeth on the teeth,
there was a nurse to be broken, - rolls side, spin hurts. It can be seen, the Volga womb for the fascist is not suitable, it is cold for Fritz, Solon!
Artist, year:P. Sargsyan
The main motive:Caricature
Summary:The poster emphasizes the idea that the Russian people invincible and the enemy will still be defeated.
Published: May 8, 2011 at 10:00
A poster of the Great Patriotic War is one of the most memorable and bright artistic events of the culture of the twentieth century. His persuasiveness and high patriotic pathos are largely due to the professionalism of the Soviet plastic artists, their great life experience and the ability to clearly speak the means of poster graphics. Today, after decades, since its creation, the poster of 1941-1945 remained the art of non-sharing, sharp, combat and invoked.
V. Koretsky (1909-1998). Our forces are innumerable. M., L., 1941.
V. KORETSKII (1909-1998). Our Forces Are Numberless. Moscow, Leningrad 1941.
2. I. Tidze (1902-1985). Motherland mother is! M., L., 1941. 
Tidze (1902-1985). Your Motherland Needs You! Moscow, Leningrad 1941.
3. V. Koretsky (1909-1998). Be a hero! M., L., 1941. 
V. KORETSKII (1909-1998). BE A HERO! Moscow / Leningrad 1941.
4. V. Pravdin (1911-1979), Z. Predina (1911- # 980th). Young people, in battle for their homeland! M., L., 1941. 
V. PRAVDIN (1911-1979), Z. Pravdina (1911-1980s). YOUNG PEOPLE, TO THE BATTLE FOR THE MOTHERLAND! Moscow, Leningrad 1941.
5. V. Serov (1910-1968). Our business is the victory will be behind us. L., M., 1941. 
V. Serov (1910-1968). OUR CAUSE IS JUST. WE'LL WIN THE VICTORY. LENINGRAD, MOSCOW 1941.
6. H. Zhukov (1908-1973), V. Klimashin (1912-1960). I will pass Moscow! M., L., 1941. 
N. Zhukov (1908-1973), V. Klimashin (1912-1960). WE'LL DEFEND MOSCOW! Moscow, Leningrad 1941.
7. V. Koretsky (1909-1998). Warrior of the Red Army, save! M., L., 1942. 
V. KORETSKII (1909-1998). Red Army Warrior, Help! Moscow, leingrad 1942.
8. H. Zhukov (1908-1973). There is something to drink! M., L., 1942. 
N. Zhukov (1908-1973). There is someteng to toast to! Moscow, leingrad 1942.
9. V. Koretsky (1909-1998). Samed to death goes, so that Semen ... M., L., 1943. 
V. KORETSKII (1909-1998). Sahmed Would Sacrifice His Life to Save Semyon / AS Sahmed's Life Is What Semyon Had Fough For. / Their Password's "Motherland" and "Victory" 'S Their Motto! Moscow, Leningrad 1943.
10. V. Ivanov (1909-1968). We drink the water of the native Dnieper ... M., L., 1943. 
V. Ivanov (1909-1968). We Drink The Water Of Old Father Dnieper. WE'LL DRINK FROM THE PRUT, THE NEMAN AND THE BUG! Let's Wash The Fascist Filth Off The Soviet Land! Moscow, Leningrad 1943.
11. V. Ivanov (1909-1968). To the west! M., l., 1943. 
V. Ivanov (1909-1968). GO WEST! Moscow, Leningrad 1943.
12. V. Koretsky (1909-1998). Bay so: that neither the cartridge is the enemy! M., 1943. 
V. KORETSKII (1909-1998). SHOOT LIKE THAT! Every Bullet Means The Murdered Enemy! MOSCOW 1943.
13. N. Zhukov (1908-1973). Bay to death! M., L., 1942. 
N. Zhukov (1908-1973). SHOOT TO KILL! Moscow, leingrad 1942.
14. H. Zhukov (1908-1973). The German tank will not pass here! 
M., L., 1943. N. Zhukov (1908-1973). No Way for German Tanks! Moscow, Leningrad 1943.
15. A. Kokorekin (1906-1959). When the armor-powder stands on the way ... M., L., 1943. 
A. Kokorekin (1906-1959). WHEN OUR ARMOUR-PIERCING TROOPER IS ON THE WILL NEVER PASS! Moscow, Leningrad 1943.
16. V. Denis (1893-1946), N. Dolgorukov (1902-1980). Stalingrad. M., L., 1942. 
V. DENI (1893-1946), N. Dolgorukov (1902-1980). Stalingrad. Moscow, leingrad 1942.
17. V. Ivanov (1909-1968). You have returned life to us! M., L., 1943. 
V. Ivanov (1909-1968). You Saved Our Lives! Moscow, Leningrad 1943.
18. L. Golovanov (1904-1980). Get to Berlin! M., L., 1944. 
L. Golovanov (1904-1980). Well Reach Berlin! Moscow, leingrad 1944.
19. V. Ivanov (1909-1968). You will live happily! M., L., 1944. 
V. Ivanov (1909-1968). YOU WILL LIVE A HAPPY LIFE! Moscow, leingrad 1944.
20. A. Kokorekin (1906-1959). Winner Winner - National Love! M., L., 1944. 
A. Kokorekin (1906-1959). Nation-Wide Love to Warrior The Winner! Moscow, leingrad 1944.
21. N. Kochergin (1897-1974). Soviet land is finally cleaned from the fascist invaders! L., 1944.
V. KLIMASHIN (1912-1960). Long Live The Warrior WH WON VICTORY! Moscow, Leningrad 1945.
24. L. Golovanov (1904-1980). Red Army - Glory! M., L., 1946. 
L. Golovanov (1904-1980). LONG LIVE THE RED ARMY! Moscow, leingrad 1946.
No wonder propaganda and agitation were called the third front of the Great Patriotic War. It was here that the battle for the spirit of the people, who, ultimately, decided the outcome of the war: Hitler's propaganda was also not dreamed, but it turned out to be far from the sacred wrath of Soviet artists, poets, writers, journalists, composers ...
The Great Victory gave the country a reason for legal pride, which we feel and we, the descendants of the heroes, defended their native cities who liberated Europe from a strong, cruel and cunning enemy.
The image of this enemy, as well as the image of the people who confuses to protect the Motherland, is brighter in brighter in wartime posters, raised propaganda art for unprecedented height, not surpassed and Dynam.
Military time posters can be called soldiers: they beat exactly to the target, forming public opinion, creating a clear negative image of the enemy, the rallying rows of Soviet citizens, giving birth to the War Emotion: anger, rage, hatred - and at the same time, love for the family who threatens the enemy to his home home, to his homeland.
Propaganda materials were an important part of the Great Patriotic War. From the first days of the onset of the Hitler's army on the streets of Soviet cities, campaign posters appeared, designed to raise the combat spirit of the army and labor productivity in the rear, such as agitplacate "everything for the front, everything for victory"!
This slogan was first proclaimed by Stalin during appeal to the people in July 1941, when a heavy situation was developed on the entire front, and German troops were rapidly advanced to Moscow.
At the same time, the famous Poster "Motherland-Mother calls" of the work of Irakli Tidze appeared on the streets of Soviet cities. The collective image of the Russian mother, calling the sons to fight the enemy, became one of the most recognizable samples of Soviet propaganda.
Reproduction of a poster "Motherland-Mother calls!", 1941. Author Irakli Moiseevich Tidze
Posters differed in quality and content. German soldiers were portrayed caricature, pitiful and helpless, and the fighters of the Red Army demonstrated the morale and a unlike faith in victory.
In the post-war time, campaign posters were often criticized for excessive cruelty, but on the memoirs of the participants of the war, the hatred of the enemy was the help, without which Soviet soldiers could hardly be leaning under the onslaught enemy army.
In 1941-1942, when the enemy rolled avalanchely from the West, exciting all new cities, the Smila Defense, destroying millions of Soviet soldiers, was important to inspire confidence in victory, the fact that the fascists are not invincible. The plots of the first posters were saturated with attacks and martial arts, they emphasized the morality of the struggle, the connection of the people with the party, with the army, they called on to destroy the enemy.
One of the popular motifs is an appeal to the past, recovering the glory of the past generations, the support for the authority of the legendary commander - Alexander Nevsky, Suvorov, Kutuzov, the Heroes of the Civil War.
Artists Viktor Ivanov "Our True. Bear to death! ", 1942.
Artists Dmitry Moore "What did you help the front?", 1941.
"Victory will be behind us", 1941
Poster VB Koretsky, 1941.
For the support of the Red Army - the mighty folk militia!
Poster V. Predina, 1941.
Poster artists Bochkova and Laptev, 1941.
In the situation of universal retreats and constant lesions, it was necessary not to succumb to falnial moods and a panic. In the newspapers, there was not a word about losses, they were reported on the individual personal victories of soldiers and crews, and it was justified.
The enemy on the posters of the first stage of the war appeared either an impersonal, in the image of a handicraft metal "black matter", or a raw and a marauder, creating inhuman acts, causing horror and disgust. The German as the embodiment of absolute evil turned into a creature, which Soviet people did not have the right to endure on their land.
The thousandthological fascist hydra must be destroyed and thrown out, the fight is literally between good and evil - such is pathos of those posters. Published by millionic circulations, they now emit strength and confidence in the inevitability of the defeat of the enemy.
Artist Viktor Denis (Denisov) "" Face of Hitlerism ", 1941.
Artists Landres "Napoleon was cold in Russia, and Hitler will be hot!", 1941.
Artists Kukryniksy "We beat the enemy with a spear ...", 1941.
Artist Viktor Denis (Denisov) "Why a pig culture and science?", 1941.
Since 1942, when the enemy approached the Volga, Leningrad took the blockade, reached the Caucasus, captured huge territories with civilians.
The posters began to reflect the suffering of Soviet people, women, children, old people in the occupied land and the insurmountable desire of the Soviet Army defeat Germany, to help those who are unable to stand up for themselves.
The artist Viktor Ivanov "Besides the hour of payback with the Germans for all their atrocities!", 1944.
Artist P.Sokolov-Rock "Fighter, Mustya!", 1941.
Artist S.M. Mochalov "Avenge", 1944.
The slogan "Kill the German!" The spontaneously appeared in the People in 1942, its origins, among others, - in the article Ilya Ehrengburg "Kill!". Many posters that appeared after it ("Dad, kill the German!", "Baltic! Save the beloved girl from a shame, kill the German!", "The German is smaller - the victory is closer", etc.), the image of the fascist and the Germans connected to one Object hatred.
"We must be tirelessly see the appearance of the Nazis: This is the target that needs to shoot without a slip, this is the personification of the hated us. Our debt is to disperse hatred for evil and strengthen the thirst for beautiful, good, fair. "
Ilya Ehrenburg, Soviet writer and public figure.
According to him, at the beginning of the war, many redarmeys have not experienced hatred for enemies, respect the Germans for the "high culture" of life, expressed confidence that the German workers and peasants sent under gunsion, who are just waiting for the opportunity to turn the weapons against their commanders.
« It's time to dispel illusions. We understood: the Germans are not people. From now on, the word "German" for us is the worst curse. ... if you did not kill at least one German per day, your day disappeared. If you think that you will kill your neighbor for you, you did not understand the threat. If you do not kill the German, the German will kill you. ... not count the days. Do not count the mile. Consider one thing: the Germans killed to you. Kill the German! - It asks the old woman. Kill the German! - It prays you a child. Kill the German! - It shouts native land. Do not flush. Do not miss. Kill! "
Artists Alexey Kokorekin "Bay Fascist Gada", 1941.
The word "fascist" became synonymous with an inhuman machine for killing, a soulless monster, a rapist, a cold-blooded killer, a pervert. Understanding from the occupied territories only reinforced this image. Fascists are depicted by huge, terrible and ugly, towering over the corpses innocently killed, guiding weapons in Mother and Child.
It is not surprising that the heroes of the military posters are not killed, but they destroy such an enemy, they are sometimes destroyed by naked hands - to teeth of armed professional killers.
The defeat of the German-fascist armies near Moscow identified the beginning of the military success in favor of the Soviet Union.
The war was protracted, not a lightning room. A grandiose, who does not have analogues in world history, the Stalingrad battle finally consolidated the strategic superiority for us, the conditions for the transition of the Red Army in the overall offensive were created. Mass expulsion of the enemy from the Soviet territory, about which the posters of the first days of the war were told, became a reality.
Artists Nikolai Zhukov and Victor Klimashin "Putsty Moscow", 1941.
Artists Nikolai Zhukov and Victor Klimashin "Putsty Moscow", 1941.
After the counter-offering near Moscow and Stalingrad, the soldiers realized their strength, the unity and the sacred nature of their mission. Many posters are devoted to these great battles, as well as the battle on the Kursk arc, where the enemy is depicted caricature, it is raised by its condocent head ended with destruction.
Artist Vladimir Serov, 1941.
The artist Irakli Tidze "Perhem Caucasus", 1942.
Artist Viktor Denis (Denisov) "Stalingrad", 1942.
The artist Anatoly Kazantsev "Do not give the enemy by any incops of our Earth (I. Stalin)", 1943.
Artist Viktor Denis (Denisov) "The Red Army Bluma, the evil sweep will take away the dot!", 1943.
The wonders of the heroism, manifested by citizens in the rear, were also reflected in the poster plots: one of the most frequent heroines is a woman who replaced men from the machine or driving the tractor. The posters reminded that the overall victory was created and heroic work in the rear.
The artist is unknown, 1944.
A poster in those days is also needed to those who live in the occupied territories, the content of the posters is transmitted from the mouth to the mouth. According to the memories of veterans, the Patriots "TASS windows" on the fences, the sheds, houses, where the Germans stood were integrated into the occupied areas of patriots. The population deprived of the Soviet Radio, newspapers, learned the truth about the war from these unknown from where the leaflets appearing ...
"TASS windows" are campaign political posters issued by the telegraph Agency of the Soviet Union (TASS) during the Great Patriotic War of 1941-1945. This is an original type of agitational-mass art. Acute, intelligible satirical posters with briefs, easily memorable poems exposed the enemies of the Fatherland.
"TASS windows", produced from July 27, 1941, were a formidable ideological weapon, no wonder the Minister of Propaganda Goebbels in absentia sentenced to the death penalty of everyone who had a relation to their release:
"As soon as Moscow is taken, everyone who worked in the" TASS windows "will hang on the lampposts." 
More than 130 artists and 80 poets worked in the "TASS windows". The main artists were Kukryniks, Mikhail Cheremnyh, Peter Shukhmin, Nikolay Radlov, Alexander Dainek and others. Poets: Demyan Poor, Alexander Zharov, Vasily Lebedev-Kumach, Samuel Marshak, used poems of the late Mayakovsky.
In a single patriotic impulse, people of various professions worked in the workshop: sculptors, artists, painters, theater artists, graphics, art historians. The team of artists "Windows TASS" worked in three shifts. For all the time the war in the workshop never goes out.
The political plan of the Red Army made leaflets of the small format of the most popular "TASS windows" with texts in German. These leaflets threw the territory on the territories occupied by the Nazis, distributed partisans. In the texts scored in German, it was pointed out that the leaflet could serve as a pass when passing for German soldiers and officers.
The image of the enemy ceases to unail horror, the posters urge to walk to his Logov and crush there, free not only their home, but also Europe. The heroic folk struggle is the main theme of the military poster of this stage of war, already in 1942, Soviet artists caught a distant victory, creating a canvas with the slogan "Forward! To the west!".
The fact that the Soviet propaganda is much more effective than the fascist, for example, during the Stalingrad battle, the Red Army applied original methods of psychological pressure on the enemy - a monotonoma monotonomom broken speaker, which was interrupted every seven blows in German: "One German soldier dies every seven seconds on the front" It acted on German soldiers demoralize.
Warrior defender, warrior, is the hero of the poster of 1944-1945.
The enemy appears in small and frozen, this is such a predatory Gadin, which can still bite, but no serious harm is not capable of causing. The main thing is to finally destroy it to return, finally go home, to the family, to a peaceful life, to the restoration of destroyed cities. But before that, it is necessary to free Europe and repel the imperialist Japan, which the Soviet Union, without waiting for the attack, announced the war he himself in 1945.
Artist Peter Magnushevsky "The closer to the Terrible bayonets ...", 1944.
Reproduction of the poster "Red Army Grozen step! Will be destroyed in the lair of the enemy!", Artist Viktor Nikolaevich Denis, 1945
Reproduction of a poster "Forward! Victory is close!". 1944 year. Artist Nina Watolina.
"We do to Berlin!", "Red Army - Glory!" - Reach posters. The defeat of the enemy is already close, time demands from the artists of life-affirming work, approaching the meeting of liberators with liberated cities and villages, and family.
The prototype of the hero of the poster "Doyuth to Berlin" was the real soldier - Sniper Vasily Votos. Himself of votes from the war did not return, but his open, joyful, good face lives on a poster of today.
Posters are becoming an expression of people's love, pride in the country, for the people who spoiled and raising such heroes. Persons soldiers are beautiful, happy and very tired.
Artist Leonid Golovanov "Motherland, meet the heroes!", 1945.
Artist Leonid Golovanov "The Red Army - Glory!", 1945.
The artist Maria Nesterov-Berzin "waited", 1945.
Artist Viktor Ivanov "You have returned life to us!", 1943.
Artist Nina Watoline "With the victory!", 1945.
Artist Viktor Klimashin "Glory Winner Winner!", 1945.
Officially, war with Germany did not end in 1945. Taking the surrender of the German command, the Soviet Union did not sign the world with Germany, only on January 25, 1955, the Presidium of the Supreme Soviet of the USSR issued a decree "On the termination of the state of the war between the Soviet Union and Germany", thereby legally ends the end of the hostilities.
Compile material - FOX
A poster is a universal genre. But the posters of the Great Patriotic War is more than the genre, it is a chronicle, predetermined the great victory of the Great Nation over fascism.
Tidze I. Motherland is called! 1941.
Fighter, free your Belarus!
Poster. Hood V. Koretsky, 1943
01.27.43: Hitler's geek wanted such a war, as in France, but not like in Russia. He wanted to live like a sidier to live for someone else's account, drink someone else's champagne and eat someone else's chocolate, Sat a stupid cloth, silk and stockings of the scarce, like a wolf, a spouse, who invariably repeated in their "touching" letters two words "walked and come on" ... with a narrow-cut, The German-fascist dogs for women of someone else's nationality, breathing in the face of rotten teeth, staring with their drops of their poisoned saliva in their face. ("Red Star", USSR)
Kill the fascist-explosion!
Poster. Hood V.Deni. 1942 year
Sailor! Get rid of vile Gadin your native girl! Be merciless with the executioners, kill the rapists in battle! (1941)
Warrior of the Red Army, save!
Poster. Hood V.A. Serov, 1942.
Fascist captivity is atrocities, torment and torture.
Poster. Hood V.A. Kobel, 1941.
06/29/41: The main idea of \u200b\u200bthe fascists is the superiority of the German race over other races. They compiled a description of the exemplary representative of the German race. This make up a description of the purebred bull or a purebred male. According to the "scientists" of fascism, pure Germany is characterized by harmony, high growth, bright coloring skin and hair, elongated head shape. It must be said that the three leaders of the fascists are not suitable for listed signs. Hitler - Brunette medium height, Goering - an extremely fat creature. And Goebbels generally looks like a person - Germanic or not German is a monkey of tiny growth, ugly and sparkling. The idle of the leaders does not prevent the fascists to persist in the elevation of the German race ...
People fascists turned into animals, and the complex world of human feelings replaced the textbook of tribal cattle breeding ... The ancestors of the current German fascists stated: "Slavs are only a fertilizer for the German race." Fascists picked up so "smart" thought. Slavs they consider "a secondary race created for agriculture for dancing or choral songs, but absolutely unsuitable for urban culture and for independent state existence." Russians, according to the fascist "scientists": "Mongols and Slavs, created for life under a foreign manual." ("Red Star", USSR)
Fascism is hunger, fascism is terror, fascism is a war! 1941 year. Karachentsy Peter Yakovlevich
Fascist captivity is torture and death.
Poster. Hood Yu.N. Petrov, 1941
08/24/41: In one of the hotels of Smolensk, the German command discovered a public house for officers to 260 seats. Hundreds of girls and women by force are driven into this terrible leader; They were dragged by hands, for braids, mercilessly fibers on the pavement. The public house was opened by the Germans and in the village of Levikino, Glinkovsky district, Smolensk region. Fascist barbarians beat 50 girls-collective farms there, including schoolgirls. So do carriers of "new order" in many other villages and cities. ("True", USSR)
The Russians give a total answer to the total war: even women and children are fighting the enemy. One German Correspondent reported that he saw the body of a beautiful girl of seventeen years old with lieutenant buttons in a broken truck - she never released a self-loading rifle from the hands. Other 'Amazons', sometimes poorly equipped, but always excellent armed, continue to deliver a lot of trouble to the Germans. From girls and boys aged 8-16 years, which are members of the "young pioneers' organization, is the Russian equivalent of boycattees - create groups to detect parachutists. Even the Russian mosquitoes in the endless Pripyat swamps lead their own 'partisan war. ("Time", USA)
Avenge! Poster. Hood D. Shmarinov, 1942
05/27/42: Now the war is interested in us: we want to liberate the areas captured by the Germans and the city. We can not breathe while Smolensk and Novgorod focuses the German soldier. We will not be ashamed until the German corpieces rape Ukrainian girls. We will not calm down until the fascists have destroyed. Hasha power in our consciousness: there is no red-Armenian who would not understand what we fight for. ("Red Star", USSR)
14.01.42: These were not buried. They are lying around near the road. From under the snow sticks out the hand, then the head. The frozen German is at the birch, the hand is raised - it seems that the dead, he still wants to kill someone. And next to another, whores his face with his hand. Do not count ... On the birch cross, the hand of Russian wrote: "They went to Moscow, got into the grave" ...
Here are their corpses. And a number of bottles from the French champagne, Norwegian canned food, Bulgarian cigarets. It is terrible to think that these pitiful people are the Lords of today's Europe ... part of the "Lords", however, will no longer drink champagne: lies in the freezing land.
Well, when they find surprise. Belousovo in the village of Belousovo remained untouched dinner. They bought the bottles, and did not have time to hurt. In the village of Balabanov, the staff officers slept. Sounded in the underpants - and solemnly in silk French pants died from the Russian bayonet. ("Red Star", USSR)
09/13/41: Drunk fascist bastard shoots, hangs, chains the bayonets, tears on the part, burns on the bons of old people, women and children. The fascist two-legged cats rape girls and women, and then kill them ... The German fascist trash creates its inconsistency with the cold calculation of professional killers and executioners. The sadists intimidated by blood perform the program proclaimed by the sentder-Hitler. ("True", USSR)
09/10/41: Beasts in uniforms of Hitler's officers and soldiers show what they are capable of. They scolded the eyes of the wounded, cut the breasts in women, they shoot old men and children from machine guns, burn the collective farmers in their breaths, rape girls, drive them into public houses. The cowardly fascist dogs under the threat of shooting chase the Soviet women and old people, covering their skin with their bodies. ("True", USSR)
I'm waiting for you, warrior! Poster. Hood D. Shmarinov, 1942
12.27.41: Public house instead of the family - Such is the Scot Morality of the Nazis! ... This moral and physically broken, dirty, sewing, sick syphilis and the fascist soldier rapes Soviet women in captured cities and villages. The bastards mock their victims are doubly - they are trapped their honor and deprive health. It becomes scary when you think how many unfortunate victims of fascist rapists are infected with heavy venereal diseases! ... ("Red Star", USSR)
Poster. Hood YES. Shmarinov, 1942
14.01.42: Women when they see ours, cry. These are tears of joy, thaw after a terrible winter. Two or three months they were silent. Dry hard eyes looked at the German executioners. They were afraid to spread the short word, a complaint, sigh. And so moved, broke out. And it seems, in this student day that in the yard of spring, the spring of the Russian people in the middle of the Russian winter in the courtyard.
Scary stories of peasants about black weeks of German yoke. Scary not only atrocities are terrible the face of the German. "Shows me that the cigarette cakes in the stove, and set:" Cultures. Crops. " And he, sorry, with me with a woman in the hollow was recalled. Coldly, so it does not come out "..." dirty they. My feet washed, chant, and then the face - the same towel "..." One eats, and the other sits at the table and the lice beats. It is disgusting "..." He put his dirty underwear in the bucket. I tell him - the bucket is clean, and he laughs. They launched us "...
"Get off us" - good words. In them, all the outrage of our people before mud not only bodily, but also of the spiritual of these Hans and Fritz. They were heard by cultural. Now everyone saw what their "culture" is - chubby postcards and boys. They were puzzled - now everyone saw the sewn pasta, with scabies that have arranged in a clean hollow needle. ("Red Star", USSR)
My son! You see a lot of mine ... Thunderwist in the holy battle!
Poster. Hood F. Antonov, 1942
18.10.41: They are crucial in captured villages and villages. Robbers with a swastika, they drink the blood of Soviet people. They are drunk blood and "Schnaps". They drink vodka and create their bloody affairs. Then they drink again and pick up with a double strength ... The Germans began to beat the prisoners, spit them into the face. Several people who resisted were immediately shot. Then the robbers with a swastika staged a riding on prisoners of red-Armenians. They found a pig somewhere. One of the soldiers sat on the shoulders of the captive Red Army man, the other - on the pig, both were customized to make it like racing. Drunk Germans giggled, gloating, mocked.
Do not leave the fascist animal from the payout!
Poster. Hood V.Kortsky, 1942
01.01.43: Ten years ago, you chose Hitler. You went for a cannibal. You went to France. You went to us. Now you have one thing: die. You thought on January 30, receiving a double portion of the Schnaps, hang Russian. You will meet this day in the grave. ("Red Star", USSR)
28.01.42: Comrades Fighters, look again, whether manual grenades act on the "insensitive" Nechur. Check again, do the bayonet blows reach. Look, they are well dying from our mines and shells ... They demand: "Be cruel", they are trying, raping, harness. We say: You woke up, before you a new day, - in the name of humanity, kill a couple of Fritz, children and grandchildren will remember your name. ("Red Star", USSR)
01/25/42: Silent, Fritz so that we do not know how you are scared. Silent, Gretchen, so that we do not know how hard you ... You may, think that we are crazy to study your animal psychology? Not. We want one - to make your nickname tribe. ("Red Star", USSR)
01/28/42: Singing your death, Nechchura prepares new torture. The pupils of the variant, all these "Herr-Doctors" are sitting and inventing, how still torture to betray our wives and our children. They were not particularly "sensitive." They broke the belly in pregnant women. They were singing the wounded horsepower urine. They raped girls, and then attributed them to ice and raped again ...
30.10.41: In the army of Hitler, the mass rape of women is a general legalized phenomenon. It is encouraged by the entire fascism policy in the army. Effectiveness over the population, isoor torture and mass rape of women, widely practiced fascist gangs and before that, intensified many times in the war against the USSR. Cruelty serves as covering the cowardice of the fascists who did not expect such resistance from the Soviet people. ("Red Star", USSR)
Hood Cookniks (M. Kupriyanov, P. Krylov, N. Sokolov), 1942
03/25/42: Special bills of the Germans were russia: the old Russa is an original German city. Wanting, apparently, give the city "German" the appearance, the Nazis drove the cattle into an ancient beautiful old-Russian cathedral, they hung at the intersections of the main streets of the corpses of the people who were withdrawn by them, looted the houses of tolerance, where the women and teenage girls are slaughtered. Yes, after all this, the view of the city became really German!
However, even the Hitler's groties became, apparently, a few bushes from such numbness. It turned out that in the city during the German occupation, 20 percent of all women trapped by the Germans were sick under the threat to the house of tolerance. The order, I've called this, does not deny that the disease is listed by German officers and soldiers. The order appeals to the patient with the urgent council is not to rape women. Caring for the population? Not. "One sick soldier can make patients dozens of others" ... and unfortunate women? Do not care, here's still tenderness!
Hanging an edge: "At the birth of a ninth living child or the seventh son, parents have the right to choose to the Great Adolf Hitler or the Imperial Marshal Herman Goring." And next to the street there are two pregnant women - Nilov and Boytsov. The third woman is hanging, Prokofiev, after which four young guys remained. What are these women hanged for? So, forces. ("Red Star", USSR)
Poster. Hood Antonov Fedor Vasilyevich, 1942
30.12.41: The German command ordered us to put us in a completely cold building. For several days we mournful hunger, they did not even give water. Everyone was terribly tormented, some were on the verge of madness. Finally ... The Germans threw us a dead horse. Hilarious people began to tear pieces fell. It was a terrible sight. Some comrades perturbed by such mockery raised a cry. Then one officer ordered to put a machine gun at the door and ordered to shoot us. The German machine gunner in the emphasis opened fire. We began to hide behind the protrusions of the walls, but it was not everyone could do. 25 people were killed and injured. The corpses of the dead remained to lie, make them not allowed them. ("Red Star", USSR)
Poster. Hood B.V. Johanson, 1943.
The beast is wounded! Such a fascist beast!
Poster. Hood D.S. Moor, 1943
12.04.45: In many Soviet libraries and clubs, you will probably see a solid volume. A single word is drawn on the cover: "They". They are the Germans. There are many illustrations in the book - terrible illustrations, because we are talking about torture and torment, which were subjected to the Germans of Soviet citizens: men, women, children. We read as terrible facts in the press reports about the German death camps in the territory of the USSR and Poland: what was happening there, not to describe in words, these are the manifestations of absolute evil. We will add to this completely destroyed and empty Western regions of Russia and gigantic losses on the front. Each Russian understands: disaster, comprehended Europe - not just war, but more. Who to blame for this? ("The Times", United Kingdom).
I waited for you - warrior liberator! 1945.
10.01.43: Each Soviet warrior knows what he is fighting. Kill the Germans - it became our air, our bread. Without it, there is no life to us. ("Red Star", USSR)
01/01/33: From the soldiers' flasks we bumbled hatred student. She burns his mouth strong alcohol. Cursed Germany intervened today. Europe dreamed of flight to the stratosphere, now she must live like Mole, in bomb shelters, in dugouts. By the will of the lack of law and he was the darkening of the century. We hate the Germans not only for the fact that they are low and infant our children. We hate them and for the fact that we have to kill them, that of all the words rich in man, we have now left one thing: "Kill." We hate the Germans not only for the fact that they are low and infant our children. We hate them and for the fact that we have to kill them, that of all the words that man is rich, we are left alone: \u200b\u200bkill. ("Red Star", USSR)
Warrior of the Red Army, save! Hood Koretsky Viktor Borisovich, 1942
True dated August 5, 1942.
Glory to the liberators of Ukraine! Death to German invaders!
Poster. Hood D.Shmarinov, 1943
01.01.43: Fritz sawed: "What did he do bad?" He did not say that before ... nineteen months he calmly killed, robbed and hung. Now he saw: "For what?" ... For the fact that in Kislovodsk we found a five-year-old girl with a suspicious belly. For the fact that in the Kalach we found a three-year-old boy with cut-off ears. For the fact that in every city the Germans kill innocent. For all executions. For all the gallows. Fritz WORK: "If you could live peacefully!" Late remembered, damned. Who called you on our land? ("Red Star", USSR)
Save Soviet guys from the Germans!
Poster. Hood L.F. Golovanov, 1943
30.10.41: The German fascist command proceeds from that basic Hitler's position that terror, fear are the most powerful means of exposure to people that therefore the German should have a population everywhere. Therefore, in the fascist army, the most brutal techniques of reprisals are encouraged: executions occur publicly and moreover in a deliberately frightening atmosphere. But it does not help the executioners; On the fierce terror of the fascists, the Soviet people meet the development of the partisan movement. ("Red Star", USSR)
Pilot-attack aircraft Guard Senior Lieutenant Andrey Filippovich Kolomolov told how the Germans blinded his father:
I turned one day in the morning and read the name of my native village, liberated by the Red Army in the summary of the Sovinformbüro.
I wrote a letter and received a long-awaited answer: all alive, healthy - and sister, and mother, and father. They ask to tell about yourself as I speak, how I live.
It only surprised me: why the letter was written by hand sisters, which is why the dad does not write - he, after all, I have a competent person, word. I became in the letters to repel: I want, dad, get a news, your hand written. And letters from the house still writes sister. Here I got angry: the father will not answer - write to write. And then the answer to my letter comes: "Do not be angry, Andryusha, on Papanu - he can not write to you with his own hand because he is blind, he burned his eyes. He did not want to work on them on a cast-iron foundry. He took him to the Gestapo, laid two days, then released. Instead of eyes - two wounds ... "
Since then, I have twice the zurcha in flight. No matter how masked German, I find it. Nothing touches the gangster from my fire. I am mercilessly rented by the Cursed Nechur for the injury of the native father.
Son, avenge!
Poster. Hood N. Zhukov, 1944
07.27.42: It was to the peasant soul of Tymoshenko and all of Russia in the last May Day order Stalin - a person whose face symbolizes the whole country: "They [the fighters of the Red Army] have learned to truly hate the German fascist invaders. They realized that it was impossible to defeat the enemy without learning to hate him with all the power of the soul. "
It was these forces of the soul - the souls of the soldier and the worker - he had in mind the secretary of the Moscow trade union organization of Nikolaev, speaking before weaves: "All work in the rear is under the banner of hatred."
It is the hatred of defendants, and the Red Army still defends himself: she has not yet managed to achieve great success in offensive operations, and now she is looking for an answer to the question for his own experience, whether one defense can give the desired result. It is to this hatred that the communique of Moscow appeal, emphasizing the need to exterminate German soldiers, destroy German tanks, guns, airplanes. " ("Time", USA)
I'll find the fascists for your flour!
Poster. Hood B. Dehtereev, 1943.
And than the hope of the position of the Nazis, the more they raise in their atrocities and robbery. Our people will not forgive these crimes by German monsters. Joseph Stalin, 1943
30.10.41: These are scoundrels with a swastika, going to the attacks, chase the civilians ahead. In recent days, only in one section of the front - on the approaches to the Crimea - the Germans tried several times to hide as armor, the bodies of old men, women and children. These are the villains of the Germans, trampleting all the laws of warfare, recognized by them in words, the villains are spread with injuries and prisoners of redarmeys, and those who survive turn into their slaves. Hundreds of facts are known to our soldiers when the fascists burned alive in the wounded, they cried their eyes, tearned them with tanks on the part. And how many such crimes remained unknown! ... ("Red Star", USSR)
No army disgraced himself with such vile and dishonest tricks as the German fascist army.
Poster. Hood N. Byleviv, 1943
Daddy, save!
Poster. Hood I.Kruzhkov, 1943
11.11.41: A letter from his father was found in his father's soldier's pocket. He wrote: "I do not understand you, Hans. You write that in Ukraine you hate you, shoot because of each bush. It is necessary to ignite it well with this cattle, because you free them from the Bolsheviks, maybe they did not understand you. " ("True", USSR)
Fighter, Ukraine is waiting for you!
Poster. Hood N. Zhukov, B. Climin, 1943
During the war years, the political poster took a leading place among other species of fine art. State Publishing House "Art" (Moscow and Leningrad), "TASS windows", "Battle Pencil" (Leningrad), Studio named after MB Grekova, publishing houses in the republics of Central Asia and Transcaucasia, the cities of Siberia and the Far East, in Kuibyshev, Ivanovo, Rostov-on-Don, the visiting editors of the central newspapers and the brigades of artists, created in creative unions, art institutes - the entire giant agitrust of socialist realism worked as a well-established mechanism.
Perhaps, nowhere in the world in the war years in the genre of a political poster did not work such a wide range of the largest masters of his time: D. Moor, V. Deni, A. Daenek, Kukryniks, D. Schmarinov, Veresky, S. Gerasimov, B . Johanson and others. Summer. 1941 year. 22nd of June. Sunday. On the radio - the message of TASS about the perfidious attack of Germany to our country. 
And already on June 24, the streets of Moscow appeared on the streets of Moscow and became an integral part of the strict appearance of the capital of the Poster "mercilessly defeat and destroy the enemy!"
For several days he learned the whole country, and in a week - the whole world. Others followed this poster. Posters, caricatures in newspapers, "TASS windows", books illustrations, anti-fascist leaflets for German soldiers, even packaging for food concentrates sent to the front - All these diverse forms used artists Mikhail Kupriyanov, Porphyry of the Wings and Nikolai Sokolov (Kukryniks), forcing them serve their goal.
At the same time, raising posters devoted to the army and the rear, the ideological and practical role of the country's leadership in organizing the enemy, were published. "Platterists are very often pressed against events close," writing the famous artist Viktor Ivanov. With each new year of war, the tonality of delusted canvases changed.
In 1943, the topic suggested itself. ... The soldier with a machine gun is knocked down by fascists-pointer "Drang Nach Osten". From now on, the wave of the hike rushes to the West, and it seems, no force can stop this impulse. "To the west!" - The topic and name of the most popular posters of this period. 1944, 1945. The war entered the new phase. The roads of war, slow, storing traces of the retreat, where death launched at every step, stayed behind.
The rapid roads of the offensive, joyful roads of return and meetings are becoming the theme of posters: "We do to Berlin!", "Motherland, meet the heroes!" (Leonid Golovanov), "Liberate Europe from chains of fascist slavery!" (I.Tidze), "Hello, Mother's Mother!" (Nina Watolina), "Winner of Glory!" (Valentin Litvinenko), "Pervomaysky hello heroes of the front and rear!" (Alexey Kokorekin). A collection of memory, as well as a museum collection, firmly retains what no longer what happened. Time ... He is, what to be silent, and there is something to remember. And all this remained in posters: "Stalin is the greatness of our era" (A.Zhitomir), "for the homeland! For Stalin!" (A.Efimov), "Order of Stalin - Order of the Motherland" (A.Serov), "Boltun - Nakhodka for a spy" (L.Lakovich), "Comrade! Be alert, do not choke the secrets of the enemy "(B.Zhukov). M. Nesterova 1945 The main monuments of the Stalin era are blown and destroyed. The once famous works are in low-cost museum stores.
Koretsky V. Be Hero! 1941.
Koretsky V. Parisans, Bates Enemy without mercy! 1941.
Moor D. All on "g". 1941.
Dolgorukov N. It was so ... so it will be! 1941.
Cookniks. We fight great ... 1941
Avvakumov N., Scheglov V. Wonovanny October will not give! 1941.
Zhukov N., Klimashin V. Putstim Moscow! 1941.
Ivanov V. Let him inspire you in this war ... 1941
Kokorenkin A. In this front-line summary there are my combat work! 1943.
And only recently, this cultural layer begins to gradually emerge from non-existence, which is the world of his unchanged face. And, perhaps, the only thing in our power is to try not to distort the truths for the difference of memories. This selection presents both the famous works of masters of the political poster of the Soviet era, and not so well-known works today, for various reasons, not included in the albums and catalogs published in the past decades. Without them, a poster chronicle of the Great Patriotic Wast would not be accurate.
Ivanov V. We drink water of the native Dnieper ... 1943
Sachkov V. Warrior-Liberator - Glory
This poster is 1946. Interesting in that it is like a quote from the wall of the Reichstag, the inscription "Glory to the Russian people" is given. In the future, Soviet propaganda did not allow himself this and instead of the "Russian people" at the posters attended the "Soviet people".
Here is another poster of 1946. As you can see, the Russian people already appear in the main slogan on the poster: 
It is obvious that the use of the term "Russian people", instead of the official propaganda of the Soviet people who constantly used to this, it became possible after the famous Town of Stalin for the Russian people in the Kremlin Reception on May 24, 1945 in honor of the commander of the troops of the Red Army. Here is the transcript of this toast:
- Comrades, allow me to raise one more, the last toast.
I, as a representative of our Soviet government, would like to raise the toast for the health of our Soviet people and, above all, the Russian people. (Stormy, prolonged applause, shouts "Hurray")
I drink, first of all, for the health of the Russian people because it is the most outstanding nation of all nations that are part of the Soviet Union.
I raise the toast for the health of the Russian people because he deserved in this war and earlier he deserved the title, if you want, the leading strength of our Soviet Union among all the peoples of our country.
I raise the toast for the health of the Russian people not only because it is the leading people, but also because he has common sense, a community common sense and patience.
Our government had a lot of mistakes, we had the moments of the desperate position in 1941-42, when our army retreated, left our village and the city of Ukraine, Belarus, Moldova, the Leningrad Region, the Karelian-Finnish Republic, left, because not There was another way out. Some other people could say: you did not meet our hopes, we will deliver another government, which will make peace with Germany and will provide us with peace. It could have happened, keep in mind.
But the Russian people did not go for this, the Russian people did not compromise, he had a limitless confidence in our government. I repeat, we had mistakes, the first two years our army was forced to retreat, it went out so that they did not master the events, did not complain about the situation. However, the Russian people believed, endured, waited and hoped that we would still handle the events.
That's the trust of our government, which the Russian people had us, thank you great!
For the health of the Russian people!
1945 Kokorekin A. Victorious Motherland - Glory!
Happy Victory Day !!!
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