Analysis of the work of the coast in the nobility is short. Analysis of the tradesman in the nobility of Moliere

\u003e Writings on the work of the trainer in the nobility

the main idea

In his work "Moorenism in the nobility", the French comedized Moliere raised the problem relevant at that time - an attempt of wealthy bourgeois to occupy the place of the immotable aristocracy. For his money, many gentlemen could buy a noble title, but they could not change their entity. So and in the case of the main hero of the comedy - Mr. Jurbred. His father was a merchant, but he prefers to hide it. He himself is rude, rough and uneducated, but hopes to get closer to secular society, putting the Mask of the nobleman. For this, he hires a whole army of workers. It employs tailors, hairdressers, teachers, musicians to make from the usual breastman "thoroughbred" aristocrat, but the results leave much to be desired.

Obsession of Jourden brings a lot of trouble and trouble with his households: a sensible Mrs. Zzhden, daughter Lucille. However, workers only and glad to lure money from an armful bourgeois, who is willing to pay for what his robe will commend or name it "your lordship". Noborota Jurden enjoys not only serving staff, but also the aristocrats themselves. So, for example, he starts friendship with a recruitment, which often takes money from him and does not return. His duty grows everything, and Jurden only rejoices that he has real nobles in his friends. He does not generously behave in relation to the Dorimen widow. He crepts her gifts and attention, while a tricky doman attributes all these waste to himself. At the end of the comedy, it was the preference of Dorimer.

In his pursuit of the title, Jourdin almost prevented the happiness of his own daughter. When the beloved Lucille came to him to ask her hands, he immediately refused him, as the young man was not noble blood. Mrs. Jurden tried to cross the spouse, reminding that they themselves from the Meshchansky class, but he did not want to hear about it. However, this comedy has a happy end. With the help of his faithful servant of the cube, Cleon still achieved the hand of Lucille. Not the last role was played by the vanity of Jourden. Covel told him that he was a former friend of his late father, who, according to him, was a true nobleman. After that, Jurzhdenu could be told that he had anything and he would read everything. So he believed in the fact that the son of the Turkish Sultan's son was disguised. For such a person, he looked his daughter without doubt. Two weddings have become the junction of the comedy.

In the satirical comedy of Moliere, the features of the classic Italian comedy del Arthe are predicted. No wonder the heroes are masks who do not coincide with their essence. Jourden wants to seem nobler, although it is not such in origin, nor to upbringing. The cowie appears to be Turkish-submitted, Clerton - the son of Turkish Sultan. Drama is lying Dorimen, that he is rich as bourgeois. And Dorimar himself is not so ideal, as it may seem at first glance. Whenever, taking expensive gifts, she is with the cheerfulness of the Drama Coriuses in the estimates. At the same time, there is a retreat from the classic comedy in this work. In it, the language is close to the folk, and also breaks the additional line of loving servants.

Piece Moliere Moorenan in the nobility is the late work of the writer, which appeared in 1670. In it, the writer sought not only to entertain his viewer and reader, but also to raise up, raising a number of problems. Among them are a public problem, didactic and ideological problems. Having become acquainted with Moliere and his work in the nobility, make works.

Motorism in the nobility analysis

The scene line itself is simple and simple. The play introduces us to the shopping center of the rich ebony Jourden, who had a wonderful family. Favorite wife, daughter, in love with Clearon neighbor. At the same time, the choice of daughter supports both mother, that's just a father with his intrusive idea to become a nobleman, all spoils. The very dream of the hero about the nobility was so strong that he was headed among the nobles hired teachers, even though he was not going to make efforts to study. Zhurdenov began to order strange costumes that carry aristocrats. He started friendship with the graph that became used to use and constantly take the money from Jourden. He so much wanted to attribute himself to the nobility that even sacrifices his daughter happiness and denied Cleon to give his daughter for him. After all, Cleon is just a motion and no relation to the nobility. And then there is also a passion for the Jourdin another woman, which he could not serve his wife. And here, not without the help of a smart servant, Mr. Jurden played, arranged Masquerade and devoting him to the Turkish nobility.

Pleases the finals of the comedy, who has a happy end. The daughter of Jourden marries the beloved Cleon, reunite his hearts and Cet Jourdin, marries the graph on the Marquis Dorimen, to whom he flung the hero of the play. Wherein main character I am sure that the count saved him, marrying on Marquis. Continuing the analysis of the comedy of the Moliere, pay attention to its genre. As the writer himself noted, "the shornism" is not just a comedy, but a comedy with ballet elements. According to the storyline, the action takes place in the house of Jourden for one day.

An essay on the work of Moliere and his work once again proved that the writer had a talent in creating both satirical works and works of the comedy genre.

It's not a comedy at all, this thing is very

serious.

Moliere

The desire for each person to get out in life - to become better, smarter, richer, quite understandable. Decent respect for his desire to climb the step above. The main thing here is not to look ridiculous, imitating only in some other signs and is internally all at the same level. Here is the hero of the comedy Mr. Zhrenan in the nobility, Mr. Jourden put himself the goal of "move" from the Meshchansky Society in the noble - to become a nobleman. He wants himself at once: both knowing and educational, and delicate manners, and a common culture, and following fashion, and bleeding dating.

It would seem that his desire to "think so-mind" more than commendable. Pre-red that he is not ashamed to recognize his ignorance and hire teachers in all pre-methams - from philosophy to fencing: "Let me be heard at least now, at all, just to know everything that is taught at school!"

But how is it, wanting to achieve the peaks of science and culture in a few days! How comically his "discovery", that he turns out, says prose! How annoying that he allows you to deceive myself a whole regiment of charlatans - the so-called teachers! And yet, in her desire to learn, he is above Mrs. Jourden, Clert, the maid of Nicole - carriers of common sense. In this, the genius of the Moliere that, going beyond the framework of classicism, he creates his heroes not definitely positive or negative, but shows them alive people, with advantages and disadvantages. Another thing when, in pursuit of the external signs of the Supreme Society, Mr. Jourden walks into a ridiculous suit, because "all the Lord are so wearing," when it is important to scream: "Hey, two of my lacquer!" The tailor with his infrident easily lure money from him, just increasing his title - from "your grace" to "your lightness". It is also easily faded by Jurden Drazrans, who, not going to give away the former debts, takes him again, telling that in the morning he spoke about Mr. Journese in the "Royal Spot". "Many happily gave me a loan, but you best friendAnd I was afraid to offend you if I still ask anyone else, "says the count, leaving in the house of Mr. Jurden his affairs, causing himself at the expense of the owner by Dorima and even using the services of a notary paid by Journery to issue his marriage with her.

The crown of everything is an unsurpassed comic scene of the initiation of Jourden in Mamamushi, so that the future father-in-law will be worthy of the son of the Turkish Sultan, in which Clertoat was changed, - a scene with dances, Masquerad, a taraboarer translation from Turkish and even beating sticks on the back.

Of course, striving to become a nobleman, by all means, Jourden is pursuing a noble goal: he thinks about the future of his daughter and wants her to live better than he: "My daughter for my daughter is pretty enough, only the honor I want So that it is marquis. " In addition, Mr. Jourred sincerely identifies knowledge with honor, dignity, mind, high culture. Material from site.

I have not yet learned to distinguish the showing out of the present, "shoot a husk", he is at the bottom of the adventurist of the district of the Disposal for an honest person who has, except for the title and good manner, undoubted advantages, and repels the loved daughter of Cle-Onto: "You are not a nobleman; My daughter you will not get. " But it was in the mouth of Clewont Moliere that puts the idea of \u200b\u200bhis immortal comedy: "To be ashamed of those from whom the sky you judged to be born to light, shine in society a fictional title, to extradite yourself for what is really - this is, in my opinion , sign of spiritual lowness. "

Reading this product of the Moliere, once again convinced that not the place of Kra-Site of a person, and a person is a place. These wise words are now particularly relevant when people who do not imagine anything, seek to get a high position, title, power. The main thing is not in the title, not in position, not in a suit - the main thing in the man itself. Honor and dignity, mind and high morality inherent personality and are not a privilege of some kind of one class.

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"Motorman in the nobility" - comedy-ballet J.-B. Moliere. Literal translation title - "Bourgeois-nobleman". Written in 1670. The first performance of the play took place on October 14 of the same year in the chamber of the chamber. In the same year, Molother played the main role in the Pale-Royal Theater. The comedy was written on the order of Louis XIV, who wished to make fun on stage Turkish court rituals. The cause of the Royal Caprise was an insult inflicted by the Sun king to the Turkish envoy, who declared that His Sultan's horse was more decorated with jewels than the French monarch. Louis sent a bold Turk from the kingdom, and enjoyed sophisticated revenge, contemplating the "Turkish ceremony", presented in the most comic key.

The plot of the comedy about the unlucky merchant fabrics, reimbursed to find noble dignity, has farc roots, like many other creatures of the Moliere. And the hero itself relates to that groupmolieresky Characters who, being obsessed by Mania, discover the ability to live in an imaginary world without noting the requirements and laws of reality. Such are Kato and Madlon ("Funny Zhemmnitsa"), Argan ("Mnimy Patient"), orgon ("Tartuf"), etc. Like all the Mr. Journey, the Hero of the Mother of the Nobility, the hero of the Mother of the Nobility, is subjected to a court, based on the main principle of the comedy genre - the approval of real, earthly, mostly social values.

The comedy genre does not know the reverence, and the "Higher Society", where Jourden seeks his relationship with the world of shopkeepers, from which an elderly merchant "takes off" to the reserved minimized "High taste and elegant passage". Here also consider money and plot. This is clear to the reader and the viewer, only Mr. Jourden until the very end of the comedy dwells in a happy conviction that she met the "Higher Reality".

The clumsy bourgeois, trying on the ethyeta of the nobility, finds himself in the play of a kind of mirror, reflecting and deprived of the creative spirit of the bourgeois manner to live, and redundantly ornamented, the magnifiable deceitful style of the aristocracy.

Next to the social theme in the comedy "Mothanism in the nobility" of Moliere is a serious conversation about the game space of human being, about the functions of the game that fills the life of society. So, the hero Mr. Jourden concentrates in its comic life of at least three images of the game: it acts as an actor who is the believed role of the aristocrat as a toy of his manic thirst "change the fate of households and halters and as a catalyst for the game activity of young heroes of the play receiving With the help of a judovsky performance quite real benefits. At the same time, the famous comedy-ballet at first does not look like a mysterious, nor abundant semantic plans. Deceptively rationalistic, transparent world of Moliere's dramatic structures discovers unexpected multi-consciousness as soon as the research orientation of the playwright falls in the field of view of the researcher. The spirit of the ambiguous sacrament of the game, transforming the world of man permeates all the layers of Moliere's creation, demonstrating his baroque nature.

The culmination of the Comedy "Moorenism in the nobility" of Moliere and "APOFIZOM" Hero is the jester "Turkish ceremony", composed by Clert and Covel and designed to "dedicate" to the nobility of a gourmet Zhurden. "DEVELOPMENTAL OUTSIDES", BRESSK "INPITIONS" do not once appear in the Moliere. Jurby is dedicated to Mamamushi, and an imaginary patient from the eponymous play - in the bachelors of medicine. It is easy to see the parody beginning, which is characteristic of Moliere Ironia in relation to all forms of social games of this kind. However, for the obvious satirical pathos, with whom the comediographer exposes one of the other human illusions, he drives the reverent surprise of the infant gullibility of Jurden, the sympathy of the elderly age-age ability to understand that all his life "spoke prose", the ability to see a suddenness of the lived life, deprived of a glimpse of poetry . So, in the mockery stage of "Dedication to Mamamushi", the contours of the sacred parody, which does not at all cancel the holiness of the parody, but it approves to its own way. Poor mothers, a recovery of "higher reality" and looking for its signs on Earth, imitating the manner speech of aristocrats and their dance plastic, ridiculous and ridiculous. However, it is he, and not his sensible households and an aristocrats-in-beds, is able to raise in the magic spaces of dreams, overcoming the dimension of the mastic life. Jourden was plunged into the atmosphere of fascinating spells, sustained rhythms and indispensable for neophyte painful tests. MA Bulgakov in 1932 he wrote a comedy "Polofan Journey", in which the Finale phantasmagoria exposes Molieresky theater mysticism. The game can do everything: to deceive and make you happy, build a shining castle of dreams in the ordinaryness and make a slave of false values, costumed idols.

In the Russian scene, the "Promenanik in the nobility" was first staged on January 25, 1756, becoming in the further indispensable part of the Russian Moliarian.

Bourgeois and noble morals in the comedy Moliere "Motorman in the nobility"

J. B. Moliere wrote more than thirty comedies. They are in them Hedgehogs, hypocrisy, stupidity and frivolity, noble coupling and quantity of French bourgeois. In his comedy, the "Promothan in the nobility" he turned to the relevant problem: the impoverishment of aristocrats and the penetration of them on Wednesday of wealthy bourgeois, seeking a lot of money to buy a noble title. As we know, Moliere always followed his principle to "correct people entertaining them." That was a great comedized comediographer in his work, ridiculously erected by Jurby, an obsessed idea to become a nobleman, that is, by whom he could not be in origin, nor in education.

From the first minute dating with comedy characters it becomes clear that all the power of his talent directed precisely to show the stupidity of the venture in a generally honest person, aspiring to give his capital just for the noble title. Otherwise you will not call him a joke, as an obeying. It is about this that teacher of music says, rightly noting the obsession of his owner: "Mr. Journey with his annexation on the nobility and in the secular severity is just a treasure for us."

How riot journey in some confessions relative to his learning: "I did not suspect that for more than forty years I speak prose." But not only ridiculous to hear the recognition in his own ignorance of this elderly person, with its work of the mining capital, the stupidity of a nellueous person is that it makes you to annoy us, modern readers. After all, he is exactly, knows how every penny is spent, in the mind holds complex calculations related to the calculus of debt debts of the Distrace. Its stupidity is also in the fact that he cannot comprehend his mind: to be like a nobleman only outwardly - does not mean to meet his ideal. That is why it is very ridiculous in red velvet pants, green camsole, in narrow stockings with navalized loops and close shoes. Literally feel its inconvenience, reading a comedy. The playwright gives us the opportunity.

Moliere is one of the most significant comedes of classicism. It owns genuine discoveries in the field of this genre of literature. In his works, the writer first sought truthfully and accurately display reality. Watching people, their actions, desires, passions, he created bright typical characters. The author not only painted individual portraits, and portrayed life and morals total modern society. However, for the Moliere it was not a simple image, but also special form protest against social injustice and imperfection of an existing society. His attention as the author of the comedies, attracted all violations of the norms of human nature, deviations from the natural aspirations of a person in the name of contrived values. In his opinion, fake, false ideals are at the heart of the perverted morality.

That is why he demanded that people are genuine moral rigor, the ability to subordinate their desires and their behavior to the requirements of the mind.

In some of its works, Moliere rises one of characteristic phenomena public life of that time is the desire of the bourgeoisie to acquire noble titles, privileges, manner; Desire to imitate the noble class in everything. An example of this is his comedy "The Motorman in the nobility", where the dream of a writer was connected to create a large, serious work and the need to write a play on the order of the king, which set certain conditions before the writer.

So there was a play, which was based on the plot of the rich bourgeois, ready to take the ridiculous, fantastic title of "Mamamushi", ready in his desire for aristocratic titles and undergo a masquerade root of dedication to this title. Such a character in Comedy is Mr. Jourden - an innocent, nearby tradesman, unexpectedly rejected. His only passionate desire is to become a nobleman. And it is this desire that causes his strange, ridiculous behavior. He persogently exposed to "upbringing", in order to adopt the manners of the marquiz and trusts the delay to the Dravel, who enjoys the Hero's gullibility for mercenary purposes.

In this plot, the author introduces other lines: before us unfolds the story of the love of the daughter of Jourden - Lucily and her beloved Clert. The girl's father wishes his daughter to get married by the nobleman. Cleacon, belonging to the birth to the bourgeoisie, for the sake of his love to play in this mania of Jourden (seeking marriage with Lucille, he gives himself for the son of Turkish Sultan).

Wanting to fully expose fine-bourgeois morals, the Moliere complicates the main motive: Jourden, in the adopting habit of nobles, decides, following the example of the courtesy, to care for real Marquis Dorima. Drama, seeking to get started at the expense of a naive bourgeois, drives out the hero and inspires him that Marquis is not indifferent to him. This circumstance only pushes Jurby to active and often comical actions. And the passing Count takes to help him in every way.

If you look closely, you can easily understand who actually actually act on those who want to be a similar hero of the Moliere. A graph of Drahont is a man of noble origin with exquisite manners, but in essence - a real adventurer, a fraudster, the sake of profit ready for any meanness. Dorimeman, externally captivating his politeness, at the clue not many different from the disposal, and also unscrubently bothering rustic mothers. Creating such non-exhaust images of representatives of the noble class in his work, the writer makes it clear that ignorant and naive journey, although selfish, vain, but at the same time an honest person - in moral attitude Much superior to those aristocrats, to imitate which he is so strive.

Riding bourgeois and noble morals, the author at the same time with sincere sympathy and sympathy depicts people from the people. The nationality of Moliere's creativity is also manifested in the comedy language, and in the positive characteristics that he gives ordinary people. Proverbs, sayings, folk songs and belts are used in the work. Writer with tremendous skill applies spaciousness, sharpness that give the work a unique charm.

Thus, creating a comedy, designed to initially entertain the king, Moliere actually wrote a bright and acute satirical work, in which he made a decisive criticism and a frank parody of all bourgeois and noble light.

the peculiarity of the late Moliere playwright (Comedy "Motorman in the nobility", "miser", "imaginary patient").

the comedy "stingy" was put on stage in 1668. In this comedy, Moliere turns to the image of urban life. Moliere One of the first caught the increased influence of the city and the "nobility of the mantle." In the comedy "stingy". Moliere uses the plot coming from the mold, and transforms it according to modernity. Moliere Garpaigon - the fruit of his century. In his image, the focus is on socially conditioned features. Pushkin emphasizes in a Molieresky meager one dominant line. But the Moltery is the situation of the play allows you to show meal from different sides. The main motive of the character is money, this is the main measure of his life. The money is perverted by his character - he becomes indifferent to family duties, children for him - an instrument of enrichment. He wants to marry the bride of his son, thinking that he can redeem the lack of peaceful warmth. Moliere shows the destruction of patriarchal values. In the family of harpagon is wearing intrigue. Only money can decide. Through a universal meter probe social problems. Harpagon in communicating with borrowers is shown with a hard-in-law. In the city, he appears as a significant face. In the later places of the Moliere, there is an overwhelming of classic unambiguity.

The play "Motorman in the nobility" is uncertain according to the genre. On the one hand, it is a comedy character, but the Moliere includes many pantomimen scenes in the comedy. The Moliere is actively experimenting with different genre samples. This is caused by the fact that the ideological comedy cannot develop. But this move returns the Moliere to folk origins. The play occurs a collision of Jourden with secondary characters. In the mass of the characters, Moliere is interested in the collective characteristic of the third estate environment. In the late work of Moliere characters become more simple. Journey - a hero, having climbed from its environment. His aspirations in the comedy were brought to Grotesque, but this behavior reflects the growth of the self-consciousness of the third class, the elevation of the "nobility of the mantle." The nobility begins to pour, lose property privileges. A funny desire to be elevated to the nobleman violates family order. Jourden becomes family tyrant, but it remains good and naive for him than and enjoys his environment. The main idea of \u200b\u200bthe play is to be the one who you are. Moliere returns to the topic of hypocrisy. But the blindness of Jourdin is temporary and leaving cure.

In late work (1670s.) Moliere refers to the topic of urban life. His characters become diverse. The life of the city is a single organism, based on the principle of common sense. In the comedy "Mnimy patient" the main character Argan gets into the situation of King Lira. He wants to feel love and care of home. His behavior creates split in the family, the source of the mesh tragedy. Argan Belly's wife seeks to rise thanks to intrigues. The commander of the play is based on external receptions. The hypocrisy becomes more easy.

A number of later comedy Moliere are quite wide ("Scientists", "Plotnie Skopen", etc.). IN last years Moliere's life was constantly displeastent. Rumors to the address of Moliere were called upon to show his immorality. At one of the representations of the "imaginary patient", the Moliere died from a heart attack. He was banned to bury on the sanctified land. He was buried for the church fence in compliance with Christian rites. At the turn of the XVII - XVIII centuries, Moliere became an expressant of new ideas.