Summary of the work of Gobsek Balzac. Balzac "Gobsek": a detailed analysis of the story and the main character

Gobsek summary content

Gobsek (FR. Gobseck) Roman Onebor de BalzacPrinted for the first time in 1830. Later, the novel entered the cycle "Human Comedy" as part of the "Scenes of Privacy". The main topic of the work is the power of money, and the main character around which the Fabul is built by Gobsek. The novel was first printed in 1830 pieces in the magazine "La Ma" called "Roshovshchik", then a separate volume in the publishing house Madame Delone under the new name "Danger of disobedience". In 1835, the name has changed to the "Batyushka Gobsek", the current name "Gobsek" was established with the exit to the light of the "human comedy" in 1842. Roman multi-faceted. On the surface of the story about marriage Camilla de Grand, Daughters of Vikontesse de Grandfather, with Ernest de Reto Count, the other theme is a thirst image that the Rostovist Jean-Ester de Gobsek personifies, but most of all is a picture of the whole society in which money dominates. The action takes place during the restoration period of Bourbon, about 1829. Aristocracy at that time returned a position lost during French revolutionBut in society the money ruled. The rich bourgeoisie sought to breed with the ruined nobility, everything was bought and sold. The theme of the worship of the delegates is coming out in the novel to the fore .Scase begins in the salon Madame de Granne conversation of the hostess with a family lawyer Derville. Derville heard the conversation Madame de Grand with his daughter Camilla, and found out that Camilla was in love with the young Ernest de Reto, the son of Anastasia de Reto, at birth Gorio. Madame de Grand is unhappy with this love, since the mother of Ernest Rastratchitsa is connected by the illegal relationship with Maxim De Trachem, for whom he wondered his condition. However, this is only an excuse, the real reason is that Ernest has no money.
Dervil comes to the rescue Camilla - Ernest recently managed to regain a family legacy. The story about how it happened, returns the reader during the time when a young novice lawyer Derville, met Jean-Ester de Gobsek, the Roshovist. These two characters appear in many novels of the "human comedy", at least in the form of references: "Colonel Shabra", "shine and poverty of the Kurtyzanok" and others.
Dervil met Gobsekom long when they both lived in one cheap guesthouse. Gobsek had already lived in dislike and talked only with Dervil, telling him the stories from his crafts, seasoned with cynical philosophy. Subsequently, Dervil managed to redeem the lawyer, taking a loan from Gobsek under the robby interest.
Dervil continues his story, telling about how he introduced to Gobsek Frant Maxima de Try, who hoped to take money from the usurist. Gobsek refused to give a loan to the count, despite his 300 thousand franc debts and either over the soul. Maxim de Tray, however, attracted a woman, his mistress, Countess de Reto. He managed to persuade the Council to take the Council to take a loan from Gobsek, with an unjustifiably large deposit.
Countess her husband learned about the scam and appeared to Gobsek, demanding to return the deposit. Gobsek advises Count to hide money from the Rastchartchitsy's wife, passing the property to a reliable person, which offers himself. The mediator actually acts as Dervil.
Without receiving a receptacle from de Reto, Dervil visits the graph. That is seriously sick. Countess de Reto does everything possible to prevent a lawyer to her husband. She has already broken relations with Maxim De Hol. Not having the opportunity to meet with Derville, the graph wants to transfer the documents to his son, but the Countess impede it. Before the death of Count de Reto, she kneeling his sorry from her husband, but in vain. The count is dying, and the next day Gobsek with Derville caught the terrible picture in his house - the Countess turned everything upside down, looking for a will. Hearing the steps of people, she throws documents to the fire, designed to derivally, as a result of which Gobsek becomes the owner of the entire property of the deceased.
Gobsek took possession of new estates. Dervil appealed to him with a plea to squeeze the Countess and her children, but the Roshovist responded cynically that "the trouble would teach" - he will return the inheritance of Ernest only when he learns the price of money and people.
Derville's story ends his last visit to Gobsek, when he was already dying. Dervil wanted to try again to simplify the usurist to help the young in love. In the end of life, Gobsek greed turned into madness - his house became a landfill of accumulated things. But the old squeak was already standing on the threshold of death. Before his death, he bequeathed all his property to Derville, and the castle de Reto returns Ernest. Thus, Ernest returned his estate.
After hearing the story of Derville Vikontesse De Grande agrees that yes, if so, Ernest is very rich.

The score of further events becomes the scene when Maxim De Triad annoyed to Derville convinces young lawyer to accompany him to Gobsek and recommend him to the Roshovist as his friend. In the debt of Gobsek under any recommendations would not give anything to Maxim. But the same hour arrived at the same hour with diamonds belonging to her husband and her children, ready to lay them, just to help her lover.

At the screaming of the Roshovshchik, in the raw dark room there is a greedy dispute between those who keep an unlimited amount of money, and those. Who is accustomed to embassy them.

Paints of amazing power are embedded in this pattern of the cargo. The eldest daughter of Papashi Gorio in this everyday scene, contrary to her sub-hand role, especially beautiful. Having mastered the passion, her anxiety, the most consciousness of the crime of her actions, the fear of failures and even exposure - all this does not erase, and increases the radiance of sharp and coarse beauty.

And the diamonds that she lay out. Sparkle Balzac with a triple force under the pen. The senile eye at Gobsek, but piercingly eaten and passionate. His eyes of a furious connoisseur we see the rarest jewel family de Reto.

Pick up such diamonds! Get them for a shipment! Yes, and throw Maxim at the expense of the money issued by its former debt receipts acquired from other Rostovists on the cheap!

Almost Anastasi and Maxim left Gobsek's dwelling, he rejoices. This is full of his celebration. All this saw Derville, penetrating far behind the scenes of Parisian life dedicated to the most intimate secrets ...

Count de Reto, deducted by the behavior of his wife, killed by grief and the conscious that his days were considered, concerned about the fate of his son Ernest. It is clear that two younger do not belong to him. After making sure the scrubral honesty of the Roshovshchik, he decides to entrust him all his state in order to protect him from the waste of Anastasi. Ernest should get this state per day of majority. To this, and leads his night narration in the Salon of Mrs. de Grand.

In his story there is another striking scene. Dervil will find out from Gobsek that Count de Reto under death. At the same time, Gobsek drops the phrase, which at once detects his insight, unexpected by his responsiveness to someone else's peaceful suffering, and the same phrase contains the final characteristics of Anastasi's husband: "This is one of those delicate souls that do not know how to defeat their grief and substitute themselves under death hit".

Dervil seeks to meet with a dying graph, and he is impatiently waiting for him: they need to end the case with a will, which will not leave without a penny, and the younger children, the main wealth will save for Ernest. But Anastasi, fearing everything to lose, does not allow a lawyer to his client.

The mental state of Anastasi, the impending insightful striving, is given with amazing clarity and completeness. Her bitter disappointment in Maksima, her annoying that she fell into such a position, and the desire to charm and disgrace Derville, whom she considers her enemy, and shame before him, as a witness of the scene at a degree in a degree, and a firm solution to any price, if necessary, Crime, capture fully the inheritance of the dying husband.

No matter how difficult the tangle of heterogeneous thoughts and feelings, the frantically passionate struggle for money is decisive. That is why in the image of an abstract state of Anastasi de Reto no less deep criticism of the proprietary, bourgeois world than even in the image of the Roshchik.

At night, Derville and Gobsek, who informed about the death of the count, appeared in the house and penetrated the deceased room.

The tragedy of the situation, completely personal, acquires the character of a terrible symbol under the pen, implanting the proposal of the proprietary world.

"The terrifying mess reigned in this room. The disheveled, with burning eyes, the countess, stunned, stood in the midst of their clothes, papers, all sorts of rags ... barely only died, as his widow immediately hacked all the boxes ... Everywhere there was an imprint of her bold hands ... The deceased corpse was thrown back and lay across bed As one of the envelopes, torn and abandoned on the floor ... The imprint of her legs was still visible on the pillow. "

The dying de restau called by Derville and pressed the cancellation of the previous testament to the breast. Under the insistence of a lawyer, conscious of his rightness, Resto included in his testament and wife and younger children. It was this testament in fright and invoking Anastasi managed to burn. She herself deprived himself.

Gobsek was knocked up to the hands and house, and all the possessions of the aristocratic family. He began to host clarity and scoop, multiplying wealth. Mrs. De Grande can be calm for her daughter: in a few days, Ernest de Reto completely, and even in a multiplied form will receive their inheritance.

The tragedy of the family de Reto: Madness of waste, like insanity of misappropriate, leads to the same end. This novel in the novel gives a whole product truly tragic.

Conclusion

The last pages of Novella are described by the death of a usurist. Dervil found him crawling around the room, already powerless to climb and lie on the bed. Gobseka gave up that the room is full of lively glowing gold. And he rushed to rush him.

So that there was no neighbors from him, Gobsek one held several rooms, cluttered all sorts of snack, which all rotted, and even fish had a mustache.

Until the last days of his life, Gobsek swallowed outless states and was not unable to digest them. If gold succumbed to rot, it would have rotted it.

One thought was oppressed by the dying Gobsek: he parted with his wealth.

Paris light after restoration was a rather motley society. The largest bourgeois vegetables, the price of gold and marriage contracts, perturbation on Wednesday of hereditary aristocrats, who constantly needed their capital. " Blue blood", Observing the power of money and the thirst for Ros-Cauch, willingly went by his dubious aristocratic principles for the sake of" big deg ", allowing newly new to know in his circle. This phenomenon characteristic of the Paris light of the restoration era, masterfully reproduced by Balzac on the pages of the story "Gobsek". "Mr. de Reto need to be very rich that such a family, as ours, agreed to breed with his mother," Vikontesa de Grand says in his spirit of his time. Only in this case, the hereditary aristocratic genus agrees to admit a young nobleman in his circle, in the veins of which the blood of the Vermishelikor Gorio flows.

Representatives of this society are the basic clientele of the Gobsek, Rostovinger. Holding in his hands the fate of many of them, he at the same time understands that in their eyes, the Roshovist is a lower order being, the services of which are also treated only in case of extreme necessity. Seeing the calamity of these people, the pathetic helplessness of their claims for moral superiority and excluding, covered with aristocratic sneaks, Gobsek keeps against them with noble dough. In response to an insult to Maxim de Try, he coldly pulls guns and, as equal to equal, it offers to a secular firm to fight, on-samonding his fright.

Perfectly dealt with people, he estimates them without erroneously and quickly. For the first time, seeing Maxim De Try, Gobsek "read on his face all the future of the Countess" de Reto. Maxim de Try and Countess de Reto for the money "ready to plunge into the mud". Even at Gobsek, they cause a squeamish feeling.

"Curly Light" Maxim de Triac for Gobsek is just a "subject, inspiring ... contempt, all-knowing and round ignoramus, .. Brener, more fan with mud than stained blood." Calling Maxim de Traci "Brilliant connecting link between the inhabitants of the cortica and the people of the highest light", a balzac with a murderous irony listed is the "advantages" of this idol of Parisian salons: "He inimitates a fracture, inimitates right-wate horses, harnessed tsugom. And how Maxim plays cards, how he eats and drinks! This grace of the manner in the whole world will not see. He knows the lot and in ridiculous horses, and in fashionable hats, and in the paintings. Women crazy about him. In the year, he wins thousands of a hundred, but not a hear-to-want, so that he had a barking estate or at least some Rent. This is a sample of the awesome knight of our time - it is also in the salons, Boudaura, the boulevards of our hundred-facial ... "

However, these two antipodes - Gobsek and Maxim de Try - are tightly connected with a strong bonds of public relations. And in fact, Russia is nothing to object to the cynical remark, which Maxim de Try throws in the face of Gobsek: "Yes, if you are not wasting, what would you do? We are with you for each other are needed as a soul and body. "

Gold power in the world in which they live, defines their characters and relationships. But for Gobsek, at least until it falls into senile insanity, money is just a product that allows him to buy everything. For the hereditary nobleman Maxim de Try de Nji - this is what it is profitable to sell even himself. Therefore, he is confident until he knows what they want to buy. And so far on such as he, in the highest light will be the demand, "there will always be paid to his bill."

Thirst for luxury and pleasures drives these known Lord to the usurist. This thirst "causes them a decent way to steal millions, to sell their homeland," Gobsek states with contempt. And the same insatiable thirst turns out to be stronger than any, the most saints, feelings. The magnificent Krasa-Vita, the elegant secular lady of the Countess Anastasi de Reto, resembling "one of the beautiful Irodias brushes Leonardo da Vinci, is striking the Chita-Tel to the contrasting inconsistency of the external Kra-cell and inner emptiness. Her egoism and cvtism, immorality and cruelty in relation to members of their own family cause a vengeful sense of satisfaction at Gobsek, when he pronounces his inner monologue in the house: "Pay for all this luxury, pay for your title, pay for your happiness ... To protect their good, the rich invented the tribunals, judges, guillotine ... But for you, for people who sleep for silk and silk are hidden, there is something other: CO-leads, a dental deposition, hidden by a smile, chi-measures with The lion's mouth, stunning fangs in your heart. " Material from site.

The ghost of poverty leads the Countess de Reto in the frenzy. Where only its imaginary mixture, sophistication, great manners, when in search of documents that can be the line of its state, it turns into Furia ready for any meanness. "Only the count empty his breath, his wife hacked all the cabinets, all the boxes of the written table, and the carpet around her dense the scraps of broken letters, WATLY-TULUs were broken, the briefcases were cut - everywhere she was shaking her banging hands ... Corpte de Reto) Lit, head against the wall, having flown off the bed, contemptuously discarded, as one of those envelopes that were lying on the floor, for he was now only an unnecessary shell ... The pillow was reset, and the female shoe trace was still visible. "

The scene in the Cabinet of the Dead Graph is a robust sentence of Balzak with the inner emptiness that the people of the Circle of Countess De Reto and Maxim De Try are trying to cover the noble origin and "worthy" stolen Mil-Lyon. The words of the late graphics of the de restau are also prophetic in relation to the counteer: "You were a bad wife, a bad daughter, you will be a bad mother ..."

Puting representatives of the DVO-Ryanka next to the bourgeoisie, Balzac brilliantly did not only have their mutual antagonism, but also their mutual interest in the existence of each other. The brilliant artist realisticly reflected in artistic images Tale the essence of relationships that determined the appearance of the restoration era in France.

Didn't find what you were looking for? Use the search

On this page, material on the themes:

• yakimi Bachimo Gobsek Clearing Yoy Klіntіv
• anastasi de Reto
• characteristic image Anastasi de Reto
• characteristics of Gobsek customers
• antipodi Gobsek

Gobsek Balzac - Summary

In winter, 1829 in the salon Vikontessee de Grand Dervil delayed. The edge of the ear he hears the persistent requirement of viscons addressed to her daughter, seventeen years old Kamille, is to stop providing the marks of the Count Ernesut de Reto. Despite the fact that the young graph has an excellent reputation in society, in no case cannot be considered a girl from a rich and decent family (namely such a Camilla) as a potential groom. The fact is that the mother of the graph, "a woman who can swallow a million state, especially low origin, in his youth caused too much sense about himself ... While his mother, nor in a single decent family, the parents are not discarded to entrust to this cute young man's future Drawing his daughter. "

Dervil asks for permission to join the conversation: he has a story in stock, hearing that Vikontesse, most likely, will change its opinion about the young Mr. de Reto. At first glance, it may seem strange that the simple threshing is so easy to adopt in the house of Vikontesses and even dares to give advice to this rich and noble lady. But Vikontessess sincerely considers Dervy La one of the most devoted his friends. The fact is that young threshing actually saved the family de Grandfather from poverty. Mrs. de Grandfather returned to Paris along with the royal family, lived extremely armsily (only on "Assistance, appointed from the sums of civil sheet"). Dervil discovered inaccuracies when selling the republic of her estates, returned the family mansion of the Viccitess and, having enlisted her trust, began to lead her property affairs. Dervil won the process for the process, sought the return of the Vicontes of Forest and Shares of Enterprises and finally returned her all her huge fortune. Dervil has a reputation as a person of an honest, knowledgeable, modest, with good manners. Through the Vicontes and her acquaintances, he expanded his clientele and began to flourish.

Dervil tells the story, witness and the participant of which was in his youth. He removed the room in the same house with a realmist on the name Gobsek. "Facial features<Гобсека>, motionless, impassive, like Talyu-Rana, seemed cast out of bronze. Eyes ... did not endure bright light. Acute tip long nose... looked like a bull, and the lips were thin, like alchemists and ancient old people in Rembrandt's paintings and mats. Speaking this man quietly, gently, never hot. His age was a mystery ... whether he was up to the time or was well preserved and remains young for ever. " The only person with whom Gobsek has something similar to personal relationships, was a young derville. Gobsek's condition was "hidden from an extraneous eye somewhere in the basements of banks." He himself lived very modestly. Gobsek did not communicate with relatives and had no intention to leave any of them at least a small share of his vast state. Gobsek "seemed rather indifferent to the issues of religion than unbelievers." According to Gobsek, "Happiness is in the exercise of its abilities in relation to everyday reality ... From all the earthly goods there is only one thing, it is quite reliable that it cost a person to chase him. Is this gold". He despises secular women, because at the heart of any of their embellites lie nonsense, rashness or meaningless passion. Gobsek tells young twiser two short stories Requirements to them payments with women. The heroine of the first story - Countess de Reto. She agreed with a young and brazed handsome, a man without principles and a permanent of other people's money, Maxim De Tria. When Gobsek is to demand money to her, the Countess becomes in the pose, pretends that he does not understand how Gobsek can "decide" to demand money from her when, knowing her position in the world, he must definitely "respect." Gobsek continues politely, but persistently demand payment. At this point in Coyuvat, the Countess includes her husband. The frightened countess gives the Gobhekuka ring with a diamond at the expense of debt repayment and whisper begging him to leave the house. The Countess is madly afraid that her husband will be aware of her connection and about huge money, which she spends on Maxim De Tria. Gobsek is also good, which is Maxim De Tray, predicts the future of Countess De Reto. "This blond handsome, a soulless player, will go ruared himself, will ruin her, she will ruin her husband, raising the children, trading their inheritance, and in other salons will learn how to defeat the artillery battery in the enemy troops."

The heroine of the second story, which Gobsek says, is the young white pests of Fanny Mallo. The girl makes a living by her work, she is clean spiritually, virtuous and honest. Funky carefully pays the desired amount required. After talking to her, even Gobsek, absolutely indifferent to women, thinks that the beautiful wife and mother of the family would come out of Fanny.

Gobsek considers such history with its entertainment. "Isn't it curious to look into the most intimate bends of the human heart? Isn't it curious to penetrate someone else's life and see it without embellishment, in all the uncomplicated height? .. Some in love young girl, an old merchant, standing on the threshold of ruin, mother trying to hide the misdemeanor, an artist without a piece of bread, noble, which I fell into disfavor and, that and looked, because of the launcher will lose the fruits of my long efforts, - all these people sometimes amaze me by the strength of their own words. Magnificent actors! And they give an idea for me one! But they never manage to deceive me ... But can you refuse something that in the hands of a bag with gold? I am rich enough to buy a human conscience, manage the All-Fivy Ministers through their favorites, starting with the stationery servants and ending with mistresses. Is it not power? I can, if I wish, have beautiful women And buying gentle affairs. Is it not pleasure? Doesn't the power and pleasure make up the basis of your new building? Such as I, in Paris, ten people; We are the rulers of your destinies - quiet, not led by anyone ... We are owned by the secrets of all prominent families. We have a kind of "Black Book", where we enhance information about the state loan, about banks, about trade ... One of us is supervised for the judicial environment, the other for the financial, the third is for the highest officials, the fourth - for merchants. And under my supervision there is a golden youth, actors and artists, secular people, players - the most advanced part of the Paris society. And everyone tells us about the secrets of the neighbors. Cheated passion, vulnerable vanity boltles. Vices, disappointment, revenge - the best police agents. Like me, my congratulations enjoyed everyone, everyone was happy and now they just love power and money for the most possession of power and money ... here come with Moloto ... And the most silent merchant, and the most proud beauty, and the most proud military .. . And the famous artist and writer, whose name will live in the centuries. "

In 1818-1819. Dervil addresses Gobsek as a request for a loan to redeem a notarized office of his broken cartridge. Dervil decides to go to a dewriter not humiliated as a friend, but having cold practical calculations in their hands. He explains Gobsek in business, from what income and for how long the credit to return him to him. Listening to the clear answers to your questions, analyzing the numbers offered by Derville, Gobsek remains very pleased with his young friend. However, he puts him to Dervilu enough, asking for soberly to evaluate his capabilities by paying them. Dervil agrees and, due to the fact that he is vigorously and skillfully leads their affairs, it comes to a debt not at ten, and in five years. All these years, Gobsek diligently recommends the young robust to his influential acquaintances, so Dervil is literally not a penalty from customers. Paying with a debt and firmly ending on his feet, Dervil marries Fanny Majo. Dervil also leads all the Gobsek litigation.

Once, Dervil turns out to be in a situation where he is forced to speak by an intermediary in the settlement of relations between Gobsek and Maxim De Tria. Gobsek refuses to pay anything on bills de Tray, as it knows perfectly well that de tray is a complete bankrupt. However, the joinding fierce continues brazenly and arrogantly repeat that his bills are reliable, and "will be paid." Gobsek requires a significant pledge of solvency de tray. He leads to him Countess de Reto. She leaves his family diamonds for half to the full (with the right of subsequent redemption). Gobsek issues a check for fifty thousand francs, and the missing thirty thousand gives bills de Triad (which have no value). Countess there is no choice, and it is necessary, under pressure de tray, agree to the conditions of Gobsek. Shortly after the care of the Countess and her lover to the Roshovist is a Countess husband. According to the laws of that time, the Count may protest the deal, since a married woman has no right to sell without the consent of her husband, no shared values. However, the trial will certainly be wrapped by a scandal in society and the connection of the Countess and Maxima de Tray will be made public. With the mediation of Derville, the Count de Reto and Gobsek suffers a settlement agreement. Count redeems family diamonds. Having learned about the betrayal of his wife, about her limitless motorcycle, as well as that two of her three of her children were captured by her from de Triad, the count de restau is seriously ill. He decides to send all the property to the eldest son, so that nothing has happened. For this, the Count de Reto creates the appearance of what loses its condition, gradually translating it, on the advice of Dervil, in the name of Gobsek. Count considers the Roshovist in high degree Reliable and decent, and most importantly - a sober-minded person. Dervil explains the count that the younger children are not guilty of mothers's promiscuity; They also bear the name de Reto and should be at least somehow provided by the graph after its death. The Count agrees with Derville, rewrites the testament, highlighting and younger children share of inheritance.

When Dervil is interested in Gobsek, why of all people only he and the Count de Reto called the location and participation of the Roshchistka, he answers: "Because you have some trusted me without any tricks." The huge interest, which at one time put Dervil Gobsek, the Rostovist explains what he did not want Derville to feel at least something he was obliged to him. That is why they became true friends.

Gradually, the Count de Reto "ruins." His property flows into the hands of Gobsek, who, after the death of the count and achieve his older son of the majority, undertakes to introduce a young man into the rights of inheritance by a giant state. Derville is appointed by the attorney, it leads all the "paper" cases inherited by the graph.

Count de Reto feels so bad that no longer stands out of bed. He repeatedly sends a debrief lem, but he can't get to him. The fact is that the Countess realized that her husband intends to deprive her and her inheritance children. She watches her husband, sleeping under the doors of his bedroom, does not pass to him Derville, controls the visits to him servants. "In the house she was a full-awake mistress and everything subordinated to her female spy." All this Countess deftly masks under the distortion of passionate love for her husband and the desire to be all the time. Graph does not want to see his wife. His eldest son Ernest is almost incredible in his room. The boy sincerely loves his father, cares about him, but even his beloved son cannot trust. Ernest passionately loves her mother, and that in all kinds of ways gives a child in a child, which he told him the Father behind the closed doors of his bedroom. Countess assures Ernest that she was slandered, and therefore his father no longer wants to see her, although she herself dreams to make him. The boy believes everything. When the count becomes quite bad and he already understands that his letters to Dervil are simply not sent by servants, he is decided to ask Ernest to contact Derville. The boy promises to fulfill the request of the Father, but the mother again brings and cunning from a child, which instructed him his father. Count rises from bed, coming out of the room and shouts to his wife. He blames the Council that she "poisoned" his life and tried to make the same vicious man from his son, as she herself. Countess falls in front of her husband on his knees, begging to spare children, leaving them at least something. An explanation with his wife takes away the last strength from the count, and at night he dies. Derville with Gobsekom come to the Count House already when everything is over. They are met by Ernest. He conveys a letter from his father, but asks not to enter the bedroom of the deceased. According to Ernest, mother prays there. Gobsek ironically laughs, moves Ernest to the side and swing the door to the bedroom of the graph. All in the room is inverted upside down. Count things with twisted pockets are lying in a mess on the floor, the carpet will settle scraps of paper, the corpse of the graph falls down from the bed, "contemptuously discarded" by his wife, which rushes in his documents, tenders, in which, in her opinion, may contain a willing Her and her children. Part of the papers she managed to quit in the fireplace (among them and the will, according to which the deceased graph provided the younger children of a solid share of inheritance). Caught with political, shooting with insane eyes looks at Gobsek and Derville. Dervil announces to her that she ruined her children when he burned the testament. Gobsek announces that, from now on, he is the owner of the entire state of the graph, his homes and the whole property. Countess and all three children turn out to be without a penny. Dervil believes the act Gobsek, "extinguishing the crime of the Countess" is disgusting. In his opinion, the Rostovist was supposed to spare an unhappy woman for children. But Gobsek is adamant. The countess begins to "conduct a heroic life", fully devotes to children, gives them a brilliant education, breaks a connection with Maxim De Tria. Ernest and his brother and sister are brought up in poverty, but in the atmosphere of deep decency. Gobsek does not give anything to Ernest, because he believes that "misfortune is the best teacher. In misfortune, it will learn a lot, learns the price of money, the price of people - men and women. Let him swim through the waves of the Parisian Sea. And when it becomes a skillful pilot, we will produce it in the captains. "

The story, told by the Viconteste de Grand Dervil, ends that the recently died, and now everything is moving towards Erneuta de Reto. It can be considered a worthy fiance for Camilla, and in addition, the sufficient capital of mother and his sister will highlight, so that they do not need anything.

Dervil tells O. recent days Gobsek's life. Rostovist fell into insanity. He stored the gifts in the rooms of his house (bribes), who brought him - coffee, tea, fish, oyster, etc. because of the misfortune, which over the years has become just incredible, he did not sell products to the stores, and all this rotted. Gobsek did not hang the fireplace, because he kept a bunch of gold in ashes. In the books, he hid treasury tickets. The rooms were lit by expensive things (non-billioned mortgages) - boxes with jewels, vases, paintings, books, engravings, rareholds. Nothing Gobsek used. After the death of the Roshovshchka, Dervil is asked by the question of who will now get this incredible wealth. Before the death of Gobsek, suggesting him to himself, asks to take himself everything that Dervil would want. In addition, the Roshovist instructs Derville to find him the grandeten niece, which he never helped, but which he now wants to provide.

Below in the block Similar topics you can find links to brief content other similar works.