The image of the revolution and civil war. Image of the contradictions of the revolution and civil war in the stories of I. Babel

For anniversary October revolution We remembered the ten most important works of the art of that period - from the "Red Wedge of Bey White" Lisitsky to the "Defense of Petrograd" Deines.

El Lisitsky,

"Red Wedge Bay White"

In the famous poster "Red Wedge Bay White" El Lisitsky uses the Suprematic Language of Malevich for political purposes. Clean geometric forms serve as a description of a fierce armed conflict. Thus, the immediate event, the action of Lisitsky reduces to the text and slogan. All elements of the poster are rigidly intertwined with each other and interdependent. Figures lose their absolute freedom and become geometric text: this poster and without letters would read from left to right. Lisitsky, like Malevich, designed new world And created the forms in which a new life was supposed to be met. This product thanks to the new form and geometry translates the evil day in some common timeless categories.

Clement Redko

"Insurrection"

The work of the Clement Rishko "Rebellion" is the so-called Soviet Neoikon. The idea of \u200b\u200bthis format is that the image applied to the plane is primarily a certain universal model, the image of the desired. As in the traditional icon, the image is not real, but displays a certain ideal world. It is non-plane that underlies the art of social realism of the 30s.

In this work, radically dries on a bold step - in the picture space it connects geometric figures With portraits of Bolshevik leaders. On the right and left hand from Lenin, his associates are standing - Trotsky, Krupskaya, Stalin and others. As in the icon, there is no familiar perspective, the scale of one or another figure depends not on its remoteness from the viewer, but from its significance. In other words, Lenin here is the most important, therefore the biggest. Great importance to the Rishko and Light.

From the figures as if the glow is coming, which makes the picture similar to the neon sign. The artist indicated this technique in the word "cinema". He sought to overcome paint material and conducted analogies between painting and radio, electricity, cinema and even northern Siagia. Thus, he actually puts the same tasks that many centuries have set back icon painters. He played a new way to all the schemes, replacing the paradise of the socialist world, and Christ and the Saints - Lenin with his minions. The purpose of creativity is radically - deification and sacralization of the revolution.

Pavel Filonov

"Formula of Petrograd proletariat"

"Formula of Petrograd proletariat" was written during civil War. In the center of the picture - a worker, whose majestic figure towers over the barely distinguishable city. The composition of the painting is built on tense rhythms that create a feeling of a raging and growing movement. Here all the iconic symbols of the proletariat are captured, for example, gigantic human hands are an instrument of conversion of the world. At the same time, it is not just a picture, but a generalizing formula that reflects the universe. Filonov seems to be splitting the world to the smallest atoms and immediately collects him together, at the same time looks at both the telescope and in the microscope.

Experience of participation in great and at the same time monstrous historical events (First World War and Revolution) had a huge impact on the artist's work. People in Filon's paintings are crushed in the meat grinder of history. His work is difficult to perceive, sometimes painful - the painter endlessly crushes the whole, bringing it sometimes to the degree of Kaleidoscope. The viewer constantly has to hold all the fragments of the picture in the head, in order to end up to catch a holistic image. The world of Filonova is the world of the collective body, the world of the idea of \u200b\u200bthe concept of "we", where private and personal abolished. The artist himself considered himself an expressant of the ideas of the proletariat, and a collective body, which is always present in his paintings, called "world blooming". However, it is possible that even against the will of the author of his "We" is filled with deep horror. In the work of Filonov, the new world appears with a bladder and terrible placewhere the dead penetrates alive. In the works of the painter, not so much modern events, how much the premonition of the future is the horrors of totalitarian regime, repression.

Kuzma Petrov-Vodkin

Petrograd Madonna

Another name of this painting is "1918 in Petrograd." In the foreground, a young mother with a baby in her arms is depicted, in the background - the city, where only the revolution is only withdrawal - and its inhabitants are bothering with a new life and power. The picture resembles or the icon, whether the fresco of the Italian Master of the Renaissance.

Petrov-Vodkin interpreted a new era in context new fate Russia, but she did not strive to destroy the entire old world to the foundation to destroy the entire old world and on his ruins to build a new one. Plots for paintings He screamed in everyday life, but the shape for them takes from the past eras. If medieval artists dressed biblical heroes into modern clothes in order to bring closer to their time, Petrov-Vodkin arrives exactly on the contrary. A resident of Petrograd he depicts in the image of the Mother of God to give an ordinary, everyday plot unusual significance to him and at the time of time and ultimateness.

Kazimir Malevich

"Head of the peasant"

To the revolutionary events of 1917, Kazimir Malevich came the master who passed the way from impressionism, neoshimativism to his own discovery - suprematism. Malevich perceived the revolution of the worldview; The new people and propagandists of the Supremat faith were members of the art grouping UIVIS ("New Art Affirmations"), wearing a black square on the sleeve on the sleeve. According to painting, in the changed world, art had to create their own state and their own world order. The revolution gave the opportunity to rewrite all the past and future history in such a way as to take the main place in it. I must say that in many ways they succeeded, because the art of avant-garde is one of the main business cards Russia. Despite the program denial of the visual form as an outstretched, in the second half of the 20s the artist appeals to the figurativeness. He creates the works of the peasant cycle, but dates them in 1908-1912. (That is, the period to the "black square"), so the rejection of freeness does not look like a betrayal of their own ideals. Since this cycle is partly a hoax, the artist appears as a prophet, who will predict future folk unrest and revolution. One of the most notable features of this period of his work became the depletion of people. Instead of the faces of their bodies are crowned with red, black and white ovals. From these figures, on the one hand, an incredible tragedy, on the other, is distracted greatness and heroism. The head of the peasant is reminded of sacred images, for example, the icon "saved an old eye". Thus, Malevich creates a new "post-proprumatic icon".

Boris Kustodiev

"Bolshevik"

Boris Kustodiev's name is primarily associated with bright, colorful paintings depicting the life of merchants and idyllic festive walking with characteristic Russian scenes. However, after the coup, the artist turned to revolutionary topics. In the painting "Bolshevik" depicts a gigantic man in felt boots, turpentine and cap; Behind him, filling it all the sky, the red banner of the revolution flutters. He takes a gigantic step in the city, and the numerous people go far at the bottom. The picture has acute poster expressiveness and speaks with the viewer very pathetic, straight and even a somewhat rude symbolic language. A man is, of course, the revolution itself, escaped to the streets. It is not stopped by anything, not to hide from her, and she will eventually dismiss and destroy everything in its path.

Kustodiev, despite the grand changes in the artistic world, remained faithful at that time already archaic pictusive. But, oddly enough, the aesthetics of merchant Russia organically adjusted for the requests of a new class. The recognizable Russian woman with a samovar, symbolizing the Russian way of life, he replaced for an equally recognizable man in a tag ray - seey Pugacheva. The fact is that in the first and second case, the artist uses understandable to any image-symbols.

Vladimir Tatlin.

Monument III International

The idea of \u200b\u200bthe tower arose from Tatlin back in 1918. She had to become a symbol of new attitude of art with the state. A year later, the artist managed to receive an order for the construction of this utopian construction. However, she was destined to remain unfulfilled. Tatlin wondered to build a 400-meter tower, which would consult three glass rotating at different speeds of volumes. Outside, there were two giant spirals from metal from outside. main idea The monument consisted in dynamics, which corresponded to the spirit of time. In each volume, the artist was assumed to place the premises for the "three authorities" - legislative, public and information. Her form reminds famous Babylonian tower From the paintings of Peter Bruegel - only Tatlin Tower, unlike the Babylonian, should have served as a symbol of the reunification of mankind after the world revolution, whose offensive was so passionately waited in the first years of Soviet power so passionately.

Gustav Curis

"Electrification of the whole country"

Constructivism with great enthusiasm than the remaining flow of avant-garde, took responsibility for the rhetoric and aesthetics of power. A bright example is the photomontage of the constructivist of Gustav club, which combined the two most recognizable era language - geometric structures and the face of the leader. Here, as in many works of the 20s, it is not reflected in the real picture of the world, but the organization of reality through the eyes of the artist. The goal is not to show this event, but to show how this event the viewer should perceive.

The photo played a huge role in the state propaganda of that time, and the photomontazh was the ideal means of influence on the masses, the product, which in the new world had to replace painting. Unlike the same picture, it can be reproduced countless times, put in a magazine or poster and thereby convey to a huge audience. Soviet installation is created for the sake of mass reproduction, the guide here is abolished with a huge circulation. Socialist art eliminates the concept of uniqueness, it is nothing more than a factory for the production of things and very definite ideas that must be learned by the masses.

David Sisterberg

"Prostokvash"

David Sterönberg, although he was a commissioner, but was not a radical in art. It has implemented its minimalistic decorative style first in still lifes. The main admission of the artist is a little rumped vertically table top with flat objects on it. Bright, decorative, very applicative and fundamentally "surface" still lifes were perceived in soviet Russia As truly revolutionary, turning the old life. However, the limit flatness is combined here with incredible tactacations - almost always painting simulates one or another texture or material. The pictures with a modest shown on them, and sometimes a scarce will show a modest, and sometimes a meager ration of proletarians. Sterberg main focus makes on the shape of a table that a certain sense It becomes a reflection of the culture of a cafe with its openness and exposable to the show. The loud and pactot slogans of the new livestock captured the artist less less.

Alexander Deineka

"Defense Petrograd"

The picture is divided into two tiers. In the lower, the fighters are cheering on the front, at the top - returning from the battlefields wounded. Daenek uses the reverse movement - first the action develops from left to right, and then right to left, which creates a sense of cyclicity of the composition. The complete determination of men's and women's figures are discharged powerfully and very large. They personify the readiness of the proletariat to go to the end, no matter how much time it should be needed - since the composition of the picture is closed, it seems that the flow of people going to the front and returning
with it, does not dry out. In the hard, inexorable rhythm of the work, the heroic spirit of the era and the pathos of civil war was romanticized.

The second volume of Roman-epic Mikhail Sholokhov tells about the Civil War. He was included in the heads of the Cornilovsky Mountain from the book "Donskushchka", which the writer began to create a year before the "quiet Don". This part of the work is precisely dated: the end of 1916 - April 1918.

Bolshevik slogans attracted poor people who wanted to be free owners on their land. But the civil war puts for the chief hero Grigory Melekhova new questions. Each side, white and red, looking for their truth, killing each other. Once in red

Gregory sees cruelty, irreconcilability, thirst for the blood of enemies. The war destroys everything: the well-established life of families, peaceful work, takes the latter, kills love. Heroes of Sholokhov Grigory and Peter Melekhov, Stepan Astakhov, Koshelev, almost all the male population is drawn into battle, the meaning of which is incomprehensible to them. For whom and what should they die in the heyday? Life on the farm gives them a lot of joy, beauty, hopes, opportunities. The war is only deprivation and death.

Bolsheviks Shtokman and Bunchuk see the country exclusively as class battles arena, where people are like tin soldiers In someone else's game, where pity for man is a crime. War's burden lay primarily on the shoulders of civilians, ordinary people; Hungry and die - they, not the commissars. Bunchuk arranges Sammood over Kalmykov, and in his justification says: "They are us or we! .. There are no hearts." Hate blinds, no one wants to stop and think, impunity unlock hands. Gregory becomes a witness of how Malkin Sadistic Commissioner mocks the population in the captured village. The terrible paintings of the Socialist Army of the Tiraspol Dejection of the 2nd Socialist Army, who rob the farm and rape women. As it goes in an old song, you wondered you, father silent Don.. Gregory understands that in fact, people are not looking for distraught from blood, and a true confusion is going on on Don.

Melekhov does not accidentally dare between the two warring parties. Everywhere he encounters violence and cruelty that cannot accept. The subtlets orders to execute the prisoners, and the Cossacks, forgetting about the military honor, chop the unarmed people. They performed the order, but when Gregory realized that he was cut by the captive, he flows into acendment: "Whom chopped! .. Brothers, no forgiveness! Churn, for God's sake ... In God, a mother ... death ... betray! " Christonia, pulling out "whipped" Melekhov from the subtlekov, says with bitterness: "Lord God, what is done with people?" And Shein's capulus, who had already understood the essence of what was happening, the prophetically promises the subtletie that "the Cossacks will wake up - and you will hang you." Mother reproaches Gregory for the fact that he participated in the execution of prisoners of the sailors, but he himself admits how cruel it became in the war: "Deet and Tu do not regret." Having left the red, Grigory is nailed to white, where she sees a penalty penalty. Melekhov tells him: "Do you remember deep battle? Do you remember how officers were shooting? .. At your order was shot! BUT? Terecherich you jump off! Well, not tillage! Not one other people's skins dug! You came out, the chairman of the Don Council! "

The war is angry and disconnects people. Gregory notes that the concept of "brother", "Honor", "Fatherland" disappear from consciousness. Disinfected by centuries a strong community of Cossacks. Now - everyone for himself and for his family. Koshevoy, using his authority, decided to execute the local rich Miron Korshunov. Son Mirone, Mitka, Mistit for his father and kills the mother of Koshoy. Koshevaya kills Peter Melekhov, his wife Daria shot Ivan Alekseevich. Koshevoy for the death of the mother will be revengent with all the Khutur Tatar: leaving, set fire to "in a row seven houses." Blood blood is looking for.

Looking in the past, Sholokhov recreates the events of the Upper-Don uprising. When the uprising began, Melekhov took the spirit, decided that now everything will change for the better: "We must fight with those who want to take away life, right to her ..." I almost drove a horse, he rushes to fight red. Cossacks protested against the destruction of their lifestyle, but, striving for justice, tried to solve the problem of aggression and conflict, which led to the opposite result. And here Grigory waited for disappointment. Badding to Connection Budennye, Grigory does not find a response to bitter questions. He says: "All I'm tired of: and the revolution, and counterrevolution ... I want to live near my kids."

The writer shows that truth can not be where death. True - one, it does not have a "red" or "white." War kills the best. Realizing this, Grigory, throws weapons and returns to his native farm to work on native land, raise children. The hero is not also 30 years old, but the war turned him into the old man, took himself, lifted his best part of the soul. Sholokhov in their immortal work puts the question of the responsibility of history in front of the person. The writer sympathizes his hero, whose life is broken: "As the steppe, the life of Gregory became the ladder, Black ..."

In the Roman-Epopea Sholokhov created a grand historical canvas, describing in detail the events of the civil war on Don. Writer became for the Cossacks national heroBy creating an art epic on the life of the Cossacks in the tragic time of historical change.

Other works on this topic:

1. The second volume of Roman-Epopea Mikhail Sholokhova talks about the Civil War. He was included in the heads about the Cornilovsky Mountains from the book "Donskushchi", which the writer began to create for the year ...
2. The civil war, in my opinion, the most cruel and bloody war, because there are sometimes close people who have once lived in one whole, a single country, ...
3. Soviet authority He brought with him the worst thing that could be in the history of the state - civil war. Civil War is a war that goes inside the country ...
4. Roman-epic M. A. Sholokhov "Quiet Don" is a book about the accident of the Cossacks in the years of terrible bloody events that took place in Russia at the beginning of the twentieth century ....
5. Sholokhov powerfully entered the 20th century with his ideas, images and populated literature alive human characters. They came as if from the life of the lifetime, even smoking fiction ...
6. Speaking about the work of M. Sholokhov, first of all, it should be said about the era in which the writer lived and worked, since social, public shocks are almost ...

"Konarmy" I. E. Babel is a collection of small-grades, related to the theme of the civil war and a uniform narrator. Stories from this book began to be published in 1923. Different materials, they painted the world new and unexpected. Fate ordered so that, having adopted a revolution with her fascinating passion and leaving her, Babel starts typing his stories and correspondence in the St. Petersburg newspaper " New life"What I contributes to M. Gorky. But then, perhaps, one of the first, he saw a rift of life in the revolution, a spill of history. Babel was aware of all this as a rift of being. This is a feeling of truth and brought Babel on the road of war. In July 1920, he voluntarily went to the front, in the first equestrian army.

Babel arrived at the front as the correspondent of the newspaper "Red Cavalist" Kirill Vasilyevich Lutov. Moving with parts, he led the diary. Reading him, it is impossible not to notice that Babel is stunned: new impressions came to a sharp contradiction with his life experience. He saw what he could not even think about: troops and Cossacks were served with their equipment, with their horses and cold weapons. Cossacks cut off from the troops were forced to feed themselves and provide themselves with horses at the expense of the local population, which often led to bloody incidents. They gave the way out of their fatigue, anarchism, a hyager, disregard for the dignity of other people. Violence rose into a mobular row.

Babel saw in the soldiers their immaturity, the lack of culture, rudeness, and it was difficult for him to imagine how the ideas of revolution will be in the minds of these people. And, judging by the diary, in the soul of Babel, a painful question was getting up: "Why do I have an impassive melancholy?" And the answer was: "Because far from home, because we destroy, go like a whirlwind, like a lava ... Life will fly out, I'm on a big incessant memorial service." The basis of the stories of "Konarmy" and lay down the record made by the Babel in her diary. V opens a collection by the story of "Transition through Zbruch". The joy of victory from taking Novgorod-Volyn as it is emphasized by the joy of nature itself: "Fields of purple poppy bloom around us, the midday wind plays in the yellow rye, the virgin buckwheat rises on the horizon ..." And then: "Orange sun rolls across the sky like a severe Head, "and" gentle light ", which" lights up in the clouds gorges ", can no longer remove anxiety. Pictures of victory acquire unusual cruelty. And then: "The smell of yesterday's blood killed horses dripped in the evening coolness" - this phrase "Tweak" whole triumphant rushes of the story.

All this prepared and the final of the story: Sleeping a neighbor-Jew brutally slaughtered. In the story "Letter" the fighter of the first equestrian, almost a boy, Vasily Kurdyukov dictates a letter of his mother, in which he tells how his brother Senka "finished" "Papash" White Guard, who, in turn, "Cumshot" of his native Son Fedy. And this is the truth of the Civil War, when fathers and children become sworn enemies and without.

In the story of "Salt" Balmishev Nikita in a letter to the editors describes how he let in a wagon with the confermers traveling to the front, a woman with a child and protected her from violence from his comrades, and when he learned that instead of a child she was lucky, threw her From the car and shot: "... I washed away this shame from the face of Labor Earth and the Republic."

Babel describes heroism, just as spontaneous, but necessary in these conditions. The squadron commander of Trunov, disturbing the charter, the most grated and cruelly straightens with the prisoners of war and immediately, together with a fighter, remains behind the machine gun to distract the enemy aircraft from the surrounding squadron.

At the grave of the "World Hero Pasha Trunova" the commander of Pugachev regiment "shouted about the dead fighters from the first equestrian, about the proud of this phalange, hiding the hammer of history on the anvil of future centuries" ("Squadron Trunov"). Focusing on ordinary participants in the events, Babel speaks very little about the true leaders of the first equestrian, who tamed this spontaneous volunte and turned it into organized strength. However, Babel does not hide his admiration for Savitsky, whose prototype served as the legendary Tymoshenko.

In all the stories of "Konarmy" there is the presence of the author himself, who, together with her heroes, passed a difficult path to comprehend the meaning of this bloody struggle. In the descriptions of the events there is a cruel truth of the mighty bloody stream of life.

For an attempt to truthfully describe the events of the Civil War Babel was accused of "anti-Soviet conspiratorial terrorist activity ..." and in 1939, he was arrested, and in 1940 he was shot.

The second volume of Roman-epic Mikhail Sholokhov tells about the Civil War. He was included in the heads of the Cornilovsky Mountain from the book "Donskoschi", which the writer began to create a year before the "quiet don". This part of the work is precisely dated: the end of 1916 - April 1918.
Bolshevik slogans attracted poor people who wanted to be free owners on their land. But the civil war puts for the chief hero Grigory Melekhova new questions. Each side, white and red, looking for their truth, killing each other. Once in red, Gregory sees cruelty, irreconcilability, thirst for the blood of enemies. The war destroys everything: the well-established life of families, peaceful work, takes the latter, kills love. Heroes of Sholokhov Grigory and Peter Melekhov, Stepan Astakhov, Koshelev, almost all the male population is drawn into battle, the meaning of which is incomprehensible to them. For whom and what should they die in the heyday? Life on the farm gives them a lot of joy, beauty, hopes, opportunities. The war is only deprivation and death.
The Bolsheviks Shtokman and Bunchuk see the country exclusively as class battles arena, where people are like tin soldiers in someone else's game, where pity for man is a crime. War's burden lay primarily on the shoulders of civilians, ordinary people; Hungry and die - they, not the commissars. Bunchuk suits Sammood over Kalmykov, and in his justification he says: "They are us or we! .. There are no hearts." Hate blinds, no one wants to stop and think, impunity unlock hands. Gregory becomes a witness of how Malkin Sadistic Commissioner mocks the population in the captured village. The terrible paintings of the Socialist Army of the Tiraspol Dejection of the 2nd Socialist Army, who rob the farm and rape women. As it comes in an old song, you have become muddy, the father of the quiet Don. Gregory understands that in fact, people are not looking for distraught from blood, and a true confusion is going on on Don.
Melekhov does not accidentally dare between the two warring parties. Everywhere he encounters violence and cruelty that cannot accept. The subtlets orders to execute the prisoners, and the Cossacks, forgetting about the military honor, chop the unarmed people. They fulfilled the order, but when Grigory realized that he was cut by the captives, he flows into a frenzard: "Whom chopped! .. Brothers, no forgiveness! Churn, for God's sake ... in God mother ... death ... Predit! " Christonia, pulling out the "whipped" Melekhov from the subtelkov, says with bitterness: "Lord God, what is done with people?" And Shein's heinous, who had already understood the essence of what was happening, the prophetically promises the subtelkov that "the Cossacks will wake up - and you will hang you." The mother reproaches Grigory for participating in the execution of prisoners of sailors, but he himself admits how cruel it became in the war: "Deet and that I do not regret." Having left the red, Grigory is nailed to white, where she sees a penalty penalty. Melekhov tells him: "Do you remember deep battle? Do you remember how officers were shooting? .. At your order was shot! BUT? Terecherich you jump off! Well, not tillage! Not one other people's skins dug! You disaggregated, chairman of the Don Council! "
The war is angry and disconnects people. Gregory notes that the concepts of "brother", "Honor", "Fatherland" disappear from consciousness. Disinfected by centuries a strong community of Cossacks. Now - everyone for himself and for his family. Koshevoy, using his authority, decided to execute the local rich Miron Korshunov. Son Mirone, Mitka, Mistit for his father and kills the mother of Koshoy. Koshevaya kills Peter Melekhov, his wife Daria shot Ivan Alekseevich. Koshevoy for the death of the mother tweems already all the Khutur Tatar: leaving, set on "in a row Seven houses". Blood blood is looking for.
Looking in the past, Sholokhov recreates the events of the upper-Don uprising. When the uprising began, Melekhov took the spirit, decided that now everything will change for the better: "We must fight with those who want to take away their life, the right to her ..." I almost drove the horse, he rushes to fight red. Cossacks protested against the destruction of their lifestyle, but, striving for justice, tried to solve the problem of aggression and conflict, which led to the opposite result. And here Grigory waited for disappointment. Badding to Connection Budennye, Grigory does not find a response to bitter questions. He says: "All I'm tired of: and the revolution, and the counter-revolution ... I want to live near my kids."
The writer shows that truth can not be where death. True - one, it does not have a "red" or "white". War kills the best. Realizing this, Grigory, throws weapons and returns to his native farm to work on native land, raise children. The hero is not also 30 years old, but the war turned him into the old man, took himself, lifted his best part of the soul. Sholokhov in their immortal work puts the question of the responsibility of history in front of the person. The writer sympathizes to his hero, whose life is broken: "As the steppe, the life of Gregory became illuminated by Palaals ..."
In the Roman-Epopea Sholokhov created a grand historical canvas, describing in detail the events of the civil war on Don. The writer became a national hero for the Cossacks, creating an art epic on the life of the Cossacks in the tragic time of historical change.

Photos of the victims of the Red Terror in Russia during the civil war and their executioners.
Attention! Shock content! Not to look nervous!


The corpse found in the courtyard of Kherson CC.
The head is cut down, the right leg is interrupted, the body burned

Corresponding corpses of the victims of the Kherson CC

Older village in Kherson province E.V. Marchenko,
tortured in CC

Trucasted corpses from one of the stations of the Kherson province.
Israwn the heads and limbs of the victims

Corpse Colonel France, tortured in Kherson CC
in the house of Tulipova on Bogorodskaya Street,
where was the Kherson Emergencies

Hostage corpses found in Kherson CC
in the basement of the house of Tulipov

Captain Fedorov with traces of torture in his arms.
On the left hand, the trace of bullet injury obtained during torture.
Last minute managed to run out of the execution.
At the bottom of the photos of torture,
fedorov depicted

Found in the basement Kharkov CC leather,
sociable victims with a metal ridge
and special tongs

Skin, constructed from the limbs of the victims
in the house of Rabinovich on ul. Lomonosov in Kherson,
where tortured Kherson Emergencies

Palach - N.M. Demmen.
Chairman of the Executive Committee Evpatoria,
one of the organizers of the Red "Varfolomeev Night".
Executed white after the liberation of Evpatoria

Palach - Kebabchanz, nickname "bloody."
Deputy Chairman of the Evpatoria Executive Committee,
member of the "Bartholomeev night".
Executed white

Woman Palach - Varvara Grebennikova (Niug).
In January 1920 he sentenced to death officers
and the "bourgeoisie" on board the steamer "Romania".
Executed white

Balays.
Participants of "Bartholomeev Night"
in Evpatoria and executions on Romania.
Executed white

Balays of Kherson CC.

Dora Evlinskaya, younger than 20 years old, female executioner,
i executed in Odessa CC with your own hands 400 officers

Saenko Stepan Afanasyevich,
commandant concentration camp in Kharkov

The corpses of the hostages shot in the Kharkiv prison

Kharkov. The corpses of the hostages who died under the torture of the Bolsheviks

Kharkov. The corpses of the tortured women's hostages.
The second left is S. Ivanova, the owner of a petty store.
Third on the left - A.I. Karolskaya, the wife of the colonel.
Fourth - L. Cottle, landowner.
Everyone is alive and brushed and brushed,
the genitals are burned and coal found in them.

Kharkov. Body hostage Bobrova,
which the executioners cut off the tongue, cut off the brush hands
and removed the skin along the left leg

Kharkov, courtyard extrietary.
Corpse hostage I. Ponomarenko, former telegraphist.
The right hand is cut. Across breasts are some deep suns.
In the background there are two more corpses

Body hostage Ilya Sidorenko,
the owner of the trendy store in the city of Sumy.
Have killed arm troms, ribs broken,
separate genitals.
Tortured in Kharkov

Blancher station, under Kharkov.
Corpse tortured woman.
There was no clothing on the body.
Head and shoulders were cut off
(when opening the grave was found never)

Kharkov. The corpses of the killed float in the cart

Kharkov. Trucassed corpses in CC

Courtyard of the Kharkiv Gulp (Garden Street, 5)
with executed corpses

Concentration camp in Kharkov. Tortured to death

Kharkov. Photography head of Archimandrite Rodiona,
Spassov Monastery, Oscalped by Bolsheviks

Excavations of one of the fraternal graves
at the building of the Kharkov CC

Kharkov. Excavations of the fraternal grave
with victims of red terror

Farmers I. Afanasyuk and S. Prokopovich,
oscalp alive. Near the neighbor, I. Afanasyuk,
on the body traces of burns hot checkers

The bodies of three workshops with an awaited plant.
In the middle, A. Ivanenko, burned eyes,
cut lips and nose. Others - cut off hand brushes

Corpse of the officer killed in red

Bodies of four peasants hostages
(Bondarenko, Bad, Levenz and Sidorchuk).
Persons of the dead scary are scary.
Severely, sexual organs are mutilated.
Examining doctors expressed an opinion
that such a reception should be known only
chinese executioners and the degree of pain
exceeds everything available to human imagination

On the left corpse of the hostage S. Mikhailov,
customer of the gastronomic store
apparently, chopped with a checker.
In the middle, the body of drowned to death with shroms
with the back of the back, the teacher Petrenko.
Right corpse Agapov, with intricate
previously described by torture genitals

Corpse 17-18-year-old young men
with cut sideways and mutilated face

Permian. Station Georgievskaya.
Corpse of a woman.
Three fingers right hand compressed for baptism

Jacob Chus, a hard wounded Cossack,
left retreating white guard.
Rotted red lice gasoline
and burned alive

Siberia. Yenisei province.
Ivanov's officer, tortured under torture

Siberia. Yenisei province.
The corpses of the tortured victims of the Bolshevik terror.
IN soviet encyclopedia
"Civil War and military intervention in the USSR "(M., 1983, p. 264)
this photo, in a few other perspective, is given as a sample
"Victims of Kolchakshchina" in Siberia in 1919

Dr. Belyaev, Czech.
Brutal killed in Verkhneudinsk.
In the photo you can see a chopped brush
and dismissed face

Yeniseisk. Packed Cossack Officer
brutally murdered red (burned legs, hands and head)

The sacrifice before his death was killed

Odessa. Reburial victims from fraternal graves,
excavated after the care of the Bolsheviks

Pyatigorsk, 1919. Excavations of fraternal graves
with hostage corpses executed by the Bolsheviks in 1918

Pyatigorsk, 1919.
Redone the victims of the Bolshevik terror.
Panichida