How Mayakovsky briefly reveals the theme of love. Mayakovsky's love lyrics
Mayakovsky was and remains one of the most significant figures in the history of Russian poetry of the 20th century. Behind the external rudeness of the lyrical hero Mayakovsky is a vulnerable and tender heart. This is evidenced by the poetry of Mayakovsky about deeply personal. They amaze with the passionate power of the feeling expressed in them:
“Besides your love
I have no sun "
("Lilechka"),
wrapped in fire
on a fire
unthinkable love "
("Man")
The lyrical hero of the early Mayakovsky is romantic in his outlook and very lonely. Nobody hears him, does not understand, they laugh at him, they condemn him ("Violin and a little nervous", "I"). In the poem "Giveaway" the poet says that he is ready to give everything in the world for "a single word, affectionate, human." What caused such a tragic attitude? Unrequited love. In the poem "Lilichka (instead of a letter)" and the poem "A Cloud in Pants" the motive of unrequited love is the leading one ("Tomorrow you will forget that I crowned you", "Let the last tenderness cover your outgoing step"). In these works, the lyrical hero appears as a gentle and very vulnerable person, not a man, but "a cloud in his pants":
Couldn't recognize me now
sinewy hulk
writhes ...
But the beloved rejects the hero for the sake of philistine welfare:
You know -
I'm getting married.
She does not need love of such tremendous power! She is cold and ironic. And it turns into an awakened volcano:
Your son is perfectly ill!
His heart is on fire.
Tell the sisters, Lyuda and Olya, -
He has nowhere to go.
The poem "A Cloud in Trousers" shows the transformation of a bulk-love into a bulk-hatred for everyone and everything. Disappointed in love, the hero lets out four shouts "down with":
Down with your love!
Down with your art!
Down with your state
Down with your religion!
Suffering from unrequited love turns into hatred with the world and the order where everything is bought and sold.
In a letter to L.Yu. Brick Mayakovsky wrote: “Does love exhaust everything for me? Everything, but only differently. Love is life, this is the main thing. Poems, deeds and everything else unfold from her. Love is the heart of everything. If she stops working, everything else dies, becomes superfluous, unnecessary. But if the heart works, it cannot but manifest itself in everything. " It is precisely this “solid heart” that loves and therefore responds to everything in the world is revealed in Mayakovsky's poetry. For a poet, talking about love means talking about life, about the most significant in one's own destiny. For, he is convinced, and this feeling should be on a par with the era. Mayakovsky did not like the ease of solving this issue. In this case, too, he was guided by the requirements imposed on himself and those around him. After all, he knew that "love does not become any" must ", no" must "- only free competition with the whole world."
What can make it a winner in this competition? For Mayakovsky, the feeling that unites two does not isolate them from the world. The feeling that forces a person to lock himself in a narrow world (“in an apartment little world”) is inseparable for him from the old hated by him. A loving heart contains the whole world. The ideal of high love affirmed by the poet is realizable only in a bright future. And the task of poetry in this case is to speed up the path to the future, overcoming the "everyday nonsense".
It is interesting to compare two poems inspired by a strong and deep feeling for Tatiana Yakovleva: "Letter to Comrade Kostrov from Paris about the essence of love" and "Letter to Tatiana Yakovleva". The first of them is addressed to the official person, the editor of Komsomolskaya Pravda, in which the poet who happened to be in Paris collaborated, while the second - not intended for publication - was passed from hand to hand to the woman he loved.
In the first of these "letters" Mayakovsky reflects not just on love - on its essence. The burning power of the feeling causes an urgent need to understand oneself, to look at the world in a new way. Precisely in a new way: for Mayakovsky, love is a feeling that rebuilds a person, creates him anew. The poet avoids abstraction in his conversation. The addressee of "Letters ..." is named by name, the text contains the one that caused this storm in the heart, to which this poetic monologue is addressed. And in the poem itself there are many details, details that do not allow the verse to be carried away into the foggy heights. His love is "human, simple", and poetic inspiration is manifested in the most everyday environment:
Raises the area noise,
the carriages are moving,
writing rhymes
in a notebook.
A simple earthly feeling is contrasted with that "passer-by" pair of feelings, which is called "rubbish." The poet talks about what elevates a person - about the elements,
come up in a murmur
with healing power. And again, the poetic metaphors used by him literally contribute to the materialization of concepts. The name of the genius Copernicus uttered here gives an idea of the scale of the feeling in question.
The usual in poetry, when it comes to love, the juxtaposition of the earthly and the heavenly, the everyday and the sublime, is not for Mayakovsky. He began (in the poem "A Cloud in Pants") with a resolute protest against the sweet-voiced chants that arose in such cases, with the words defiantly frank:
the poet sings sonnets to Tiana,
all of meat, all of a man -
your body is just asking
as Christians ask -
"Our daily bread -
give us this day. "
The need for a sharply expressed opposition of their ideas about love, which is equivalent to life itself, disappears. There is no need to oppose the ordinary, the earthly to the beautiful, the lofty. Love makes it possible to feel their unity, poetry - to discover it, express and consolidate in words.
In "Letter ... to Kostrov" reflections on the essence of love unfold with remarkable consistency, a system of arguments is built that is sufficient for a conversation about love to acquire a public character. A word that has escaped from the heart of a lover is capable of "raising, / and leading, / and pulling, // which have weakened with the eye."
In "Letter to Tatyana Yakovleva" the same theme is presented from a different, dramatic, side. It is difficult to understand why mutual love could not bring happiness to lovers. Apparently, he was prevented by a feeling of jealousy, which the poet promises to pacify.
And here the theme of love cannot be happily resolved. It is transferred to an uncertain future, associated with the coming triumph of the revolution on a worldwide scale:
I don't care
someday I'll take -
or together with Paris.
And in the present, loneliness has not yet been overcome.
Mayakovsky and in this poem uses a favorite genre - a monologue addressed to a specific person. This gives the verse confidence, gives what was said a deeply personal character. At the same time, the scope of the world that opens in a message addressed to a beloved woman is extremely wide. This applies to both spatial (from Moscow to Paris) and temporal (the time of the revolution and Civil War- today is the future associated with the arrival of the revolution in Paris) borders. The utmost frankness characteristic of the lines opening the poem is further reinforced by the words about "dogs of brutal passion", about jealousy that "moves mountains", about "measles of passion" - the letter is filled with the power of an intimate feeling. And it is constantly being translated into the social plane. Therefore, when the hero exclaims:
Go here,
go to the crossroads
my big
and clumsy hands.
Words about the future triumph of the revolution become the logical conclusion of the poem.
"Mass of love" - this is the phrase that is better than others capable of expressing the feeling underlying the poem.
Summing up what has been said, we note that Mayakovsky prefers the desire to convince, to assert his position, his ideas about the world, about a person's place in it, about happiness to lyrical self-expression. Hence his focus on colloquial (often oratory) speech. Going from the present, the poet strives for a bright future. This determines the pathos of his poems.
Mayakovsky is often called the "poet-tribune". And although this has its own truth, it would be wrong to reduce Mayakovsky's poetry only to agitational and oratorical verses, since it contains intimate love confessions, a tragic cry, a feeling of sadness, and philosophical reflections about love. In other words, Mayakovsky's poetry is diverse and multicolored.
The theme of love, perhaps, has already become traditional for Russian literature. It is this theme that is the very chest of constant inspiration and ideas, pushing famous authors to create new works of art. Absolutely all poets saw something personal in this great and grandiose. Pushkin, for example, saw in such a wonderful feeling how love is a delight in front of the soul and beauty of a woman, it is also light and wonderful feeling, which uplifts and ennobles a person.
For Lermontov, love is a feeling that can only bring pain and disappointment to a person. The hero of Blok, who bowed before one charming and charming lady, love, attracts first of all with its secret and mystery of these unusual and amazing feelings... In the works of Mayakovsky, love is expressed in a very unusual way, unlike others.
Mayakovsky's love is a phenomenon that absorbs a lot of concepts, of course, for him it is not just a separate part or genre in poetry, but the very meaning and essence of poetry, which contains something personal and sacred, which passes into different works of the author.
Mayakovsky wrote his very first poem in 1915 and it was called "A Cloud in Pants", and he himself called it "four screams", she received such a nickname from the author because it was divided into four parts under the titles "Down with your love, your art, your system, your religion. " The very first "cry", according to the general opinion, is the strongest and most intense one, after which the other three screams appear. This is the cry of a person who has come down from the "flat path" from hatred and pain.
The protagonist is covered by a truly gigantic spectrum of feelings and emotions, he makes too great demands on love: to turn himself so that there are "only lips", to be "indescribably gentle", in one word, "a cloud in his pants." Love that remains unanswered breaks his heart and leads to the horror of lost happiness. It is for these reasons that, as he himself says, the heart is burning inside him. The first torment is the expectation of the beloved woman. A fire is flaring up in his heart more and more, anger and anger only increase over time and it already becomes clear to everyone that something bad is about to happen soon. Finally, the climax happens - a dance of nerves. The solution to all this occurs in the chapter entitled "You entered", but unfortunately, this turns out to be not a culmination, but an ascent to the starting point of the escalation of the conflict, the limit to all this is reached only in the last stanzas of the first chapter.
Composition The theme of love in the work of Mayakovsky
Almost every Russian poet in his works first of all tried to convey his feelings, emotions, love. That is why often every poem of poets is precisely their story. One of the famous Russian poets is Vladimir Mayakovsky, who was recognized as a rebel poet of his time.
Many considered him just a shouter and an agitator. However, despite all this, this poet was an incredibly sensitive person, with a beautiful and very vulnerable soul, who knew how to truly love. All this he found a way out in each of his works about love.
Each poem amazes with the passionate power of the feelings that the poet experienced while writing it. Mayakovsky believed that love is the most important thing that should be in the life of every person. He equated the feeling of love with life itself, sincerely believing that no one can live without love.
All works by Vladimir Mayakovsky about this wonderful and tender feeling tend to open the soul of the reader, expose the most secret love experiences, help find exactly his person.
The deepest line of love that the poet puts into his works surprises and amazes with a rather rich and frank imagery, the beauty of feeling.
It should also be noted that all poems, without a single exception, are filled with various metaphors that are striking in their uniqueness and originality. The use of a comparative technique in poems makes them unique and unlike the works of other poets.
Very often, while writing such works, poets and writers want only one thing to convey to people the understanding that true love still exists, you just need to wait for it, you just need to sincerely believe in it, and it will inevitably overtake everyone.
Several interesting compositions
- Examples of Mercy from Literature
Mercy is when people provide free assistance to the needy, the disadvantaged, undergoing any suffering and deprivation, or simply empathize with them. The topic of mercy is widely represented in world literature
- Heroes of the story Pure Monday Bunin (characteristic) essay
A wonderful work called "Clean Monday", written in the genre of a story, was created by the great Russian writer of the early 20th century - Silver Age Russian literature, Ivan Alekseevich Bunin.
- Composition Why Chichikov is the main character of the poem?
In the poem "Dead Souls" N. Gogol draws the reader's attention to the development historical path our country with you. Many in the 20th century saw society as greedy for money as never before.
- Analysis of the story The sun, the old man and the girl Shukshin
One of the most interesting early stories of Shukshin is the work "The Sun, the Old Man and the Girl". The title of the work is a little surprising, but after reading it you understand that it is difficult to describe more accurately in three words
- Composition Summer night (with the words quiet, wilderness, night, midnight, owl, reed, rye, shiver)
What is a summer night? This is bright stars in the sky, which can be seen in all its glory, only in the wild wilderness. Summer night- this is a warm breeze that gets entangled in the hair and plays with it quietly, and they, in turn, enjoy a gentle embrace.
1. Love in early work.
2. Muse of Mayakovsky.
3. Publicity of feelings.
To love is from a sheet,
insomnia torn, break loose,
jealous of Copernicus, his,
and not the husband of Marya Ivanna,
considering him his rival.
V. V. Mayakovsky
Love lyrics occupies not the last place in the work of V.V. Mayakovsky, whom we are accustomed to perceive as a poet of the revolution and a master of propaganda slogans. The poem "A Cloud in Pants" (1915) is a love poem and is dedicated to an unrequited feeling for the heroine MA Denisova, who did not come on a date, with whom he was in love in Odessa. The title contains a metaphor for a gentle masculine soul. Surprisingly, for many years this poem was considered revolutionary, anti-bourgeois. But it is not dissatisfaction with public order that makes the hero curse the world, but the simplest jealousy. The tense hero is waiting for his beloved from four to ten o'clock, she finally comes and says that she is getting married. "Fire of the Heart" turns into revenge for taking away love
Delicate!
You put your love on the violins.
Love on the timpani lays down rude.
And you can't turn yourself out like me,
to have one solid lips!
...Want to -
I will be mad from the meat
- and, like the sky, changing tones -
want to -
I will be immaculately gentle
not a man, but a cloud in his pants!
Most of the love poems are dedicated to L. Brik, whom Vladimir Vladimirovich met in 1915. She became a significant figure in his life. Nobody else - neither T. A. Yakovleva, nor V. Polonskaya - took such a place in the poet's heart as she did. For many years, the woman became Mayakovsky's muse. The poet dedicated the first volume of his collected works to her, published in 1928. “Besides your love, I have no sun ... / Mayakovsky wrote to me in the poem“ Lilichka! Instead of writing. "
“She knew how to be sad, feminine, capricious, proud, empty, fickle, in love, smart and whatever,” said VB Shklovsky about Brik.
The meeting was fateful, Lily's marriage with O. Brik was rather a tender friendship than a passionate love. Mayakovsky unleashed his immense unbridled feeling on his beloved, accompanied by jealousy, fully justified in the existing love triangle.
Twelve
square yards of housing.
Four
in room -
Lily,
Osya,
I
and the dog
Puppy ...
It was in such conditions that love existed, and Mayakovsky's poems were created. He did not want to share his beloved woman with anyone, but was doomed to do so. As aptly noted, his lyrics were powered by unhappy love.
It is not always possible to talk about the absolute coincidence of the lyric hero of the poems with the author, but in this case there is no substitution - we read about what Mayakovsky really felt, and not an abstract lyric hero. His love is so great that it crowns his beloved with a crown for centuries.
My love
like an apostle during it,
I will blow the roads for a thousand thousand.
A crown has been prepared for you for centuries,
and in the crown are my words -
a rainbow of convulsions.
Mayakovsky's love is a feeling that knows no peace: "I hope I believe forever will not come to me shameful prudence." She screams all over, now with delight, now with pain, the poet throws out emotions, not holding back or hiding them. He is a maximalist, so there are no semitones in his feelings. Either he loves, or not, or now, or never. The feeling of love in Mayakovsky takes on unusual forms: from a defenseless "meek little one":
Will there be love or not?
Which -
big or tiny?
Where does a big body like this come from:
must be small
meek little one -
to a huge love, striking in its size, which is either love, or hatred, then despair, then tenderness:
More than you can
more than necessary -
as if
poetic delirium in a dream looms -
the lump of the heart has grown in size:
bulk love,
bulk of hatred.
Of course, such a romantic as Mayakovsky, who understands the "tram language" and knows how to play the nocturne "on the flute of drainpipes," could not love otherwise. He boldly declared his love to the whole world. Brick was tired of his love, falling like a waterfall, from such a violent manifestation of feelings, which made the poet rush, get lost and worry. This feeling for her was very uneven, they never managed to create a model of a modern family without prejudices - without jealousy, without dependence on each other, free from the influence of everyday life. Relations with the Parisian Yakovleva, according to others, were calm, but short-lived. They say that he did not manage to leave for Paris again, not without the help of Brikov (Lilya was furious when she discovered a poem for her rival), and Yakovleva soon got married. There are only lines dedicated to her. There are notes of happiness in them.
You are the only one for me
growth on a par,
stand by your side
with eyebrow eyebrow,
give
about this
important evening
tell
human ...
Mayakovsky was the kind of person who could not keep feelings to himself, splashed them out in his poems and, due to his publicity, made them public. After all, it was not just an intimate feeling, but the feeling of a poet-citizen. Hyperbolization of feeling is characteristic of all of Mayakovsky's work, and the love drama takes on a social character from this perspective. Thus, according to researcher S. L. Strashnov, the poet joined “the whole whole - the mass or national unity, no matter how abstract and illusory it may be. Hence .., Mayakovsky's desire to socialize her (love lyrics) in every possible way, turning love from a personal feeling into a public theme. " The poem "I Love", written in 1921-1922, says that love occupies an important place in a person's life, it is given to everyone, but few people notice that over time the heart becomes callous and "love will bloom, blossom - and shrink." To keep love, the poet hides it in his beloved.
Love
into you -
wealth in iron -
hid,
go
and I rejoice at Croesus.
The poem ends with the conclusion that his love is timeless. These are the most positive lines of Mayakovsky about love.
The lyric poem "About It" reveals before us the torment of jealousy, suffering from unhappy love. Having designated the main theme of the poem - "for personal reasons about the common life", the poet discusses the morality, life and love of a new person. His lyrical hero fights for perfect love... Critics called the poem a sensitive novel, over which schoolgirls cry, while the author spoke directly about his idea - this is a poem built on associations about how everyday life vulgarizes the relationship between a man and a woman. The poet believed that in the life of a new person, love should be cleared of philistinism.
“Love is life, this is the main thing. Poems, deeds, and everything else unfold from her. Love is the heart of everything. If it stops working, everything else dies off, becomes superfluous, unnecessary. But if the heart works, it cannot fail to manifest itself in everything ”- this is how Mayakovsky said about love, the eternal theme of works of art.
MOSHI "Beloyarsk School - Boarding Secondary (Full) General Education»
Abstract on the topic:
THE THEME OF LOVE IN THE WORKS OF V.V. MAYAKOVSKY
student of grade 11 "A"
Head: Alena Aleksandrovna Evdokimova,
teacher of Russian language and literature
with. Beloyarsk, 2008
I. Introduction ………………………………………………………… 3 p.
II. Main part
2.1 The theme of love in the works of V.V. Mayakovsky ……………… 5 p.
III. Conclusion …………………………………………………… .... 17 p.
IV. References …………………………………………… .. 19 p.
V. Appendix ………………………………………………. ……… 20 p.
Introduction
Vladimir Vladimirovich is one of my favorite poets. Mayakovsky - forerunner, singer and victim October revolution 1917 He sings, describes, expresses with the images he himself experiences, his own worldview. The work of poets is always interesting. A person changes, society changes - certain verses appear that reflect his thoughts, and therefore, one way or another, the society in which he lives. Therefore, the poet's biography always helps to understand the meaning of his works, to look at the world, events through his eyes.
Mayakovsky and love lyrics. I used to think that these two concepts are incompatible; after all, when studying Mayakovsky's poetry, they usually pay attention to his civic and philosophical aspects. This is quite natural and is determined by the desire to present the author as the main poet of the revolution. Fortunately for last years more and more materials began to appear, forcing us to take a fresh look at the life and work of Mayakovsky. Moreover, the more I learn about Mayakovsky as a person, the more interesting he becomes to me in his work. Mayakovsky's love lyrics became a real revelation for me.
The topic of the personal life of famous writers and poets is always intriguing, because it is very interesting to consider their work at certain moments in their lives. V. Mayakovsky has long been considered a poet who glorifies the revolution, the Soviet system. All the specifics of his work in Soviet literature were associated with agitation poems. The poet was one of the most talented futurists. V. Mayakovsky amazed his contemporaries with "the originality of the form, the originality of the syntax, the boldness of inversions, the unusual materiality of images, ... the brutal acuteness of motives." Therefore, such a traditional theme as love, the lyrics in the poet's work are not traditional, unexpected. “He wanted the impossible. His feelings were exaggerated ... People and passions in his mind took on grandiose outlines. If he wrote about love, love was enormous. "
The purpose of my abstract: to consider and study the theme of love in the works of V.V. Mayakovsky.
Tasks:
1) Study the biography of the poet.
2) Analyze the love creativity of V.V. Mayakovsky.
Assessing his first experience of writing poetry, Mayakovsky writes in his autobiography: “The third gymnasium published the illegal magazine Poryv. Offended. Others write, but I can't ?! It began to creak. It turned out incredibly revolutionary and equally ugly ... I wrote the second one. It came out lyrically. Not considering such a state of heart compatible with my "socialist dignity", I quit altogether. " It was this peculiar embarrassment to write lyrics, to look like everyone else, which later influenced the poet's reflection of the theme of love in poetry.
Love. The inexhaustibility of this topic is obvious. At all times, judging by the legends and legends of different peoples that have come down to us, she excited the hearts and minds of people. Love is the most complex, mysterious and paradoxical reality that a person faces. And not because, as is usually believed, that there is only one step from love to hate, but because love cannot be "calculated or calculated"! In love, it is impossible to be petty and mediocre - it requires generosity and talent, vigilance of the heart, breadth of soul, a kind, subtle mind and much, much more, which nature has endowed us with in abundance, and which we waste and dull unwisely in our vain life. Poets and writers, philosophers and mystics, artists and composers of different eras turned to this eternal theme, trying to express the charm, harmony, drama of love, to comprehend its secret by means of their genre. The theme of love in the work of great poets is always relevant, because like nothing else it allows you to feel them so deeply inner world and a state of mind. Today humanity has a colossal historical and literary material for understanding the phenomenon of love.
Although early Russian literature does not know such beautiful images of love as literature Western Europe but in late XIX- At the beginning of the 20th century, the theme of love bursts into Russian literature with volcanic energy. For several decades, more has been written about love in Russia than in several centuries. Moreover, this literature is distinguished by intensive searches and originality of thinking. I would like to dwell, unfortunately, only on one of them - Vladimir Vladimirovich Mayakovsky.
The poet reveals the depth of his love, the magnitude of his suffering in lines that are understandable to all: "Not a single ringing is joyful, except for the ringing of your beloved name", "Let your passing light be covered with at least the last tenderness."
1. The theme of love in the works of VV Mayakovsky.
V. Mayakovsky wrote about love in his diary: “Love is life, this is the main thing. Poems, deeds, and everything else unfold from her. Love is the heart of everything "... The poet transferred this thesis into creativity, reflecting it in various versions, even considering love not only as a relationship between a man and a woman, but also more broadly love for the whole world, built on the basis of these relationships, love for the party, formation, etc.
V. Mayakovsky also speaks against philistinism in love, about personal relationships in his poems in 1915. For example, in his poem "Naval Love" the poet describes the love of a torpedo boat and a torpedo boat with a sad ending. After the intervention of the "copper voice" in the relationship of loving hearts, after hitting the rib with a mine carrier, the destroyer was widowed. The poem also reflects the personal understanding of the author, an opposition to philistinism in love. Lilya Brik is considered the poet's muse. He dedicated his early lyric poems to her (Lilichka! Instead of a letter, 1916):
And I won't throw myself into the flight
And I will not drink poison
And I can't pull the trigger over my temple.
Above me
Except for your look
The blade of not a single knife is powerful ...
The poet reveals the depth of his love, the magnitude of his suffering in lines that are understandable to all: "Not a single ringing is joyful, except for the ringing of your beloved name", "Give at least the last tenderness to cover your outgoing light."
Lilya Brik is dedicated to V. Mayakovsky's poem "A Cloud in Pants". They met in 1914. Osip Brik, L. Brik's first husband, was an admirer of V. Mayakovsky's work. It was he who published "Cloud in Pants" as a separate book at his own expense.
The biographer of Mayakovsky notes that the poet “was connected with Lilya by some mystical feeling, much deeper than the usual love for a woman ... Lilya was really a muse for the poet, and not only the inspirer of his poetry, but also a life support. After all, Mayakovsky rather wanted to be a “bawler” and a “rebel” and to many really seemed like that, but in his heart he was a vulnerable person and not even self-confident. To those who listened to Mayakovsky's speeches, who admired his bravado, thunderous voice, enthusiasm, it might seem like an invention. His huge figure seemed to be the embodiment of strength. But, nevertheless, like many people of art, in the depths of his soul, Mayakovsky constantly needed assurances of his greatness. Lilya Brik listened to the poet, admired him, reassured him, inspired confidence. She did not play, and certainly did not flatter him, she really was sure of his genius. She generally had a talent for listening to people in such a way that they grew up in their own eyes.
VA Katanyan, a biographer of V. Mayakovsky, collected and published in 1993 in the collection "The Name of this Topic: Love" the memoirs of women close to Vladimir Vladimirovich, who played a more or less noticeable role in the poet's life. Among them: Sophia Shamardina, Marusya Burliuk, Elsa Triolet, her sister Lilya Brik, Natalya Bryukhanenko, Natalya Ryabova, Galina Katanyan and Veronika Polonskaya, Elizaveta Sieber, Tatyana Yakovleva. V. Mayakovsky fell in love more than once.
The poet speaks of his love for Yakovleva in verse "Letter to Comrade Kostrov about the essence of love." V. Mayakovsky's love is ready to sweep away all obstacles. He compares her to natural disaster generated by "hurricane, fire and water":
US
Love is not heaven and boom,
US
Love
Buzzing about
What now
Put into operation
Hearts
Cooled motor.
"Emigrant" and "defector" - this is how the poet's contemporaries talked about T. Yakovleva. This love story is full of tragedy. Best Soviet poet can fall in love with a Russian emigrant? This is not Soviet style. Therefore, the poems written by Mayakovsky about her, dedicated to her, have not been published for a long time. Reflecting his admiration for his beloved, Mayakovsky wrote:
You and us
in Moscow we need
lacks
long-legged.
Tatyana Yakovleva aroused a great feeling in the poet, he dedicated poems amazing in strength to her:
You are the only one for me
growth on a par,
stand by your side
with eyebrow eyebrow ...
Jealousy,
wives, tears ...
well them! -
the eyelids will swell
fit Via.
I'm not myself
and I
jealous
for Soviet Russia.
As for the place of the theme of love in the work of Mayakovsky, A. Subbotin in the book "Horizons of Poetry" proves that the motive of the elevation of love permeates all the poet's work. Because not only a poet of this magnitude, but also any “person cannot“ just live ”and“ just love ”. He needs to understand, realize, explain to himself and to others why he lives and loves so and not otherwise ... ”.
Mayakovsky's love combined "the personal and the public." Hyperbole was the dominant feature of Mayakovsky's style. His passions were as hyperbolic as the images. If he loved, it was unthinkable love. His love lyrics, depicting unrequited love, are painful to screaming, to hysteria.
If I tortured the poet like that,
I would exchange my beloved for money and fame,
none is joyful ringing,
except for the ringing of your favorite name.
V. Mayakovsky
At the beginning of the 20th century, when the poet Vladimir Mayakovsky came to literature, a radical breakdown of all the foundations and way of life of the country took place. The revolution that has taken place in Russia has brought a completely new view of the world. Someone did not accept it and suffered, someone took a wait-and-see attitude, someone did not care.
Vladimir Mayakovsky was among those who received the revolution with enthusiasm. He faithfully and truly, with every line of his served the new government.
Initially claiming to be a new, unprecedented art, Mayakovsky's poems were born to resist something, to reject hotly and passionately one thing and just as not indifferently defend the other. The excitement of struggle, shocking sharpness, unexpected perception and assessment of events accompany the poet's poems throughout his entire creative path... Naturally, therefore, that about Mayakovsky developed and firmly entrenched in the minds of the reading public the idea of \ u200b \ u200bthe poet - singer of the revolution. Indeed, even in his most lyrical works, along with emotional experiences, red is invariably present - the color of revolution:
Whether in a kiss of hands,
in body tremors
close to me
Red color
my republics
blaze.
Mayakovsky's poetry, "calling for an eternal fight with evil," his faith, his poems are vital, as is the poet himself - "a man who embodied in himself what we so often lack today, what we look for in each other we rarely find ". But no matter what common human issues Mayakovsky resolved in his works, he saw what generated and united them - love was this connecting link.
Mayakovsky wrote to Lilya Brik: "Love is life, this is the main thing. Poems and deeds and everything else unfold from it. Love is the heart of everything. If it stops working, everything else dies, becomes superfluous, unnecessary. But if the heart works, it cannot but manifest itself in this in everything. "
only in my
you were a fevered brain!
Silly comedy stop the move!
See -
tearing off the toy armor
the greatest Don Quixote!
Yes, there was another Mayakovsky - Mayakovsky the lyricist, whose words and lines are permeated with a deep lyrical feeling. These poems have a pronounced deeply personal character, and this concrete presence becomes a reference point, a coordinate system in the unrestrained stream of the poet's imagination, where time and space are shifted, where the great seems insignificant, and the intimate, intimate acquires the dimensions of the Universe.
Mayakovsky does not know how to feel "shallow" at all, and his love lyrics reach such sensual heights that it lacks ordinary words. They seem too mundane, colorless, and instead of them there appear sonorous, like rolling thunder, giant words: "bulk love", "love".
The extraordinary power of feeling shines through not only in words, but also in the rhythm of his poems. If you listen attentively, the whole melody of the verse resembles the rhythm of gigantic steps. Mayakovsky is a giant, crying seas, "tears", for whom the ocean is small, and the sky seems "tiny". But this giant and rebel, whose words "scream":
I will pull out my soul,
trample.
That big! -
And the bloody ladies, like a banner ... -
suddenly becomes an obedient and gentle "boy" with whom the woman plays, "like a girl with a ball." And there is no more loud scream. The poet switches to a whisper filled with despair and supplication:
cover with the last tenderness
your outgoing step.
All of Mayakovsky's work - from "A Cloud in Pants" and "Spine-Flute" to the unfinished "Loves? Doesn't love? I'm breaking my hands ..." pervades the motive of unrequited love. But even this unrequited feeling is for the poet a source of life and creative consistency. After all, the ability to love has always remained for Mayakovsky one of the main human virtues. He believed that love, albeit unrequited, is given to a person as a chance to change himself, to look completely differently at everything that surrounds him.
Much more tragic for him is the inner emptiness, about which the poet confidentially told Pushkin who had descended from the pedestal in his poem "Jubilee":
There was everything:
and standing under the window,
shaking nervous jelly.
and not able to grieve -
Alexander Sergeich,
much harder.
The theme of the poet's tragic love, light and pure human feeling, outraged in the world of moral corruption, offensively naked injustice, rises in "A Cloud in Pants" and the poem "Spine Flute" to a socio-philosophical generalization. But Mayakovsky still cannot rely on knowledge of concrete historical forces transforming the world, therefore the theme of love, which sounds with the pathos of romantic protest, acquires a tragic tint in his poetry of those years. The love drama of the hero, experiencing separation from his beloved, who becomes a "thing" in the world of owners, is framed in these poems by pictures of a gloomy urban landscape. But here, too, the poet remains true to himself: again to express the tragedy love feeling he finds completely new words and cosmic images.
Mayakovsky does not see the world as they see it ordinary people, and that makes him interesting. It attracts with its uniqueness, dissimilarity to others, a delightful world of wild fantasies:
nocturne play
could
on the downspout flute?
Mayakovsky writes about love, psychologically subtly and accurately revealing state of mind lovers. His poems about love are filled with a powerful temperament. In their rhythm, the physical state of a person is conveyed. We hear, we feel the beating of hearts. I think that in order to write about love in this way, this feeling must not only be experienced, experienced by yourself, but also be realized, really tortured, "taken out" from oneself and "pinned to paper."
Vladimir Mayakovsky took out his feelings from himself and "pinned them to paper" so that we, his descendants, learn a real, strong, high feeling of love, which does not tolerate falsehood, vulgarity and dullness, In "Letter to Comrade Kostrov from Paris about the essence of love "the sublime human feeling is opposed to the petty -" passer-by pair of feelings "and the coarse -" brutal passion ". Only true love inspires "just to talk in poetry" that arose as an echo of a deep feeling for a Russian emigrant who lived in Paris - Tatyana Yakovleva. Love born on earth shines in heaven, shines from heaven to everyone and strengthens the spiritual strength of the weak.
The verses born of love are called to "uplift and lead, and draw, which in spirit weakened." In this love - what gives reason to talk about God's gift - "inexhaustible joy." The hero is still open and defenseless in his last sincerity. “Come here, go to the crossroads of my big and clumsy hands,” he says in a fit of confidence, not afraid to be the target of ridicule.
Restlessness, lack of "shameful prudence" are inherent in the lyric hero of the poem "About It". Two people meet here: one is from a poem of seven years ago, left in a blazing fire of love, the other is present, and after seven years continues to love, possessed by passion and jealousy. It turned out to be just as impossible to overcome the storm that was bursting from within a person, just as it was impossible to overcome the element of time: "The storm is blowing - not to overcome it forever." Having abandoned what is infected with the vulgarity of the "old world", the hero of the poem is nevertheless vitally connected with his roots, carries the past in his blood. Hyperbolized passion and jealousy turns him into a bear, he is forever torn away from the warmth of a human home. His "own" - perhaps bears "from the Yenisei and from the Ob", and his house, carried away by the river of time, "a flock of ice." The lonely hero of the poem bears his cross in the name of the highest values, as the homeless holy fools and buffoons carried it in the past:
I took the words
the most insinuating
then growling terribly,
then ringing out lyre.
From benefits -
turned to eternal glory,
campaigned.
Tenderness, love, hatred, jealousy, longing and pain, hope and despair - the whole gamut of strong human feelings in their most vivid manifestation is presented in the poet's love lyrics.
Vladimir Mayakovsky is an outstanding personality, intelligent and Difficult person, not devoid of contradictions, with a tense inner life, with a powerful temperament of a fighter and polemicist. You can love him or not love him, share his views and ideas, or be their opponent. But the depth of feelings, constancy, sincerity and emotionality present in Mayakovsky's poems are really worthy of respect.
Loading...