Department "Russian literature of the 20th century and theory of literature." Department of Theory and History of Literature of the Department of Theory of Literature and Literary Critics

Pure literary institutions in our country are in the number of one sole. As, however, on all the globe. There are many pedagogical institutions where Russian language and literature are taught in the process of training school teachers. Many and universities where there is the faculty of journalism. But the writer and journalist are two completely different "birds". Writers learn only in the country of the country, and this is the Literary Institute named after Gorky.

Predecessor

There was not long and long ago. The so-called Belarusian Institute is a specialized university, which opened in Moscow in 1921 at the initiative of V. Ya. Brysov. There were preparing poets, writers, fiction, critics, playwrights and translators. Everything like in Gorky, only studies lasted not five, but three years.

Higher Literary and Art Institute named after V.Ya. Brysov imagined the studio of Lito Narkomples, also organized by Valery Yakovlevich, literary courses of the Palace of Arts and most State Institute the words. There is also a vocational school of poetics in a year in a year, where almost all Blossi teachers worked, including Bryusov himself. In 1924, the institute finally received his name - in connection with the poet's widely celebrated anniversary.

In January 1925, the Moscow Housing Commission decided to transfer a number of universities to Leningrad due to unbearable cramped. Wlha could not move, because all forty teachers, except two, sabotized the change of residence. Thus, the institute was liquidated. Students have done themselves in other universities. The Literary Institute named after Gorky was already created taking into account the sad experience of his predecessor. And, you must admit, the mistakes did not repeat.

ILT.

The Institute of Journalism and Literary Creativity can not be called the Literary Institute. it educational institution Not state, although it has state accreditation and license, and graduates are awarded diplomas of the state sample. The Institute of Journalism and Literary Creativity has only one direction of learning is journalism. There is there I. training courses. The budget basis of training is not provided. Students choose correspondence, part-time and full-time learning.

Litin Institute named after A. M. Gorky

This university is always fully and fully belonged to the Ministry of Culture, since 1992 he is managed by the Ministry of Education and Science of the Russian Federation. Here are the two faculties - correspondence and full-time. In person, students are mastering the five-year specialist program: "Literary creativity" and "translation of fiction".

In absentia, specialists are preparing for six years and in one specialty - "literary creativity". At the office of artistic translation, future translators from English, German, French, Spanish, Italian and korean languages. There is also a graduate school with doctoral studies in the specialties: "Russian language", "theory of literature" and "Russian literature".

How it all began

The initiator of the creation of the Litin Institute made Maxim Gorky. At first, the university was an evening worker literary university, only since 1933 received his name, which retains to this day.

During the war, in 1942, the Institute began to teach glasses and abnormalities. In 1953, a full-time biennial higher literary courses were opened for the already held writers who need to replenish humanitarian knowledge and expand the horizons. In 1983, the Litin Institute was awarded the High Order of Friendship of Peoples.

Location

Literary institutions of the pedagogical profile are located in different parts of Moscow, some in historical, but more iconic place For the location of the litter name of Gorky, it is simply impossible to find. This is a monument of the architecture of the eighteenth century, the urban manor on Tver Boulevard, where in 1812 A. I. Herzen was born. And in the forties of the nineteenth here, in the literary salon, the regulators were Gogol, Belinsky, Aksakov, Chaadaev, Baratsky, Homyakov, Shchepkin and many other legendary personalities.

Before the start of the twentieth century, the publisher is located here, and in the twenties - numerous writer organizations. Literary evenings were held with the participation of Mayakovsky, Blok, Yesenin. This building is described in detail by Herzen, Bulgakov, Mandelshtam. Here, right in this building, Vyacheslav Ivanov, Daniel Andreev, Osip Mandelshtam, Andrei Platonov, about whom the memorial plaques on the building are reported. In the courtyard there is a monument to Herzen.

Teachers

The teachers have always been and remain in the Litin Institute Star, no other literary institutions would simply be able to collect famous masters in such quantities. Alexander Zinoviev, Konstantin Powesty, Mikhail Svlostov, Lion Oshanin, Lion Ozerov, Yuri Kuznetsov, Yuri Minerals and many other, no less famous writers, poets, playwrights. Lectures read scientists with ringwalking names: I. Tolstoy, V. Asmus, A. Reformed, Vinokur, A. Tago-God, S. Radzig, S. Bondi, B. Tomashevsky, V. Kolinov and no less worthy others.

And now creative seminars lead the most famous and all favorite writers: Sergey Nikolayevich Esine - Head of the Department of Literary Mastery, Samid Sakhibovich Agayev, Yuriy Sergeevich Apenchenko, Sergey Sergeevich Arutyunov, Andrei Venjniktovich Vorontsov, Andrei Vitalyevich Vasilevsky, Aleksey Nikolaevich Varlamov - Acting Rector of the Litin Institute, Anatoly Vasilyevich Korolev, Ruslan Timofeevich Kireev, Vladimir Andreevich Kostov, Stanislav Yurevich Kunyaev, Gennady Nikolaevich Krasnikov, Vladimir Yuryevich Malyagin, Alexander Aleksandrovich Mikhailov, Olesyandrovna Nikolaeva, Oleg Olegovich Pavlov, Alexander Evseevich Rememchuk, Evgeni Borisovich Rain, Inna Ivanovna Rostovtsev, Galina Ivanovna Sedoy, Evgeni Yuryevich Sidorov, Alexander Yuryevich Segen, Sergey Petrovich Tolkachev, Alexander Petrovich Toroptsev, Marietta Omarovna Chudakova. Never of the institutions of literary creativity had such a constellation of masters.

Applicants - Creative Competition

Only undergoing creative competition and surrendered to the Litin Institute entry exams. The Pedagogical Literary Institutions of Moscow comes on the exam, also on journalism to universities. Here the competition takes place in three stages. First, applicants send their creative work at the selected direction: twenty (at least) pages of the text of the prose, or two hundred poetic lines, or twenty pages in literary criticism, drama, essay and journalism, as well as in artistic translation. This test is carried out without the participation of the applicant, moreover, it gives unnamed, so it cannot be biased. Literary pedagogical Institute Does not put such complex, but interesting creative tasks before the applicant.

And only after that you can get the opportunity to pass the other items on the exam (writing or orally). This is traditionally Russian literature, Russian, the history of Russia. If creative work and exams will satisfy the commission, future student Invited to the second stage of the creative competition - this is a written etude. Next follows the interview, the most important moment For the past two stages. Nor universities nor pedagogical literary institutions of Russia conduct such careful selection of applicants. Creative competitions exist, in addition to the Litin Institute, only for applicants who have chosen profession in the field of theater, cinema or in universities of architectural and artistic directions.

Seminars

Students are preparing for two directions in parallel. This is generalistic - with a bias in literary criticism and Russian, as well as creative. The development of creativity occurs during the seminars. Other literary institutions if they existed, probably worked as well - the form is the most optimal.

There are always seminars on Tuesdays - traditionally. On this day, other classes for a student are not planned - only a seminar, the head of which is mandatory master.

It is always the day of large unrest and nerves, often - tears, sometimes - quarrels. However, it happens on the contrary. It is a pity that there is no possibility to attend other people's seminars, because all at one time. You can not miss your own, in any case the best. In the Litin Institute, the seminars are always the largest soviet writers. Now the largest writers of Russia. The same seminars are held for listeners of higher literary courses, which the author of this article was lucky to complete. They are engaged in Tuesdays and students of the Higher School of Artistic Translation. It should be noted that there is under the Litin Institute and editors and courses, and proofreaders.

International activity

The cooperation of this university with foreign colleagues is developing a systematic, consistent with the country's policies in terms of strengthening authority in the international arena of our Higher School. Scientific, and academic connections are significantly expanded, the university is committed to educational space Europe to integrate graduates and students to the World Literary Process.

The best achievements of Russian literature in far abroad and the CIS countries are promoted. There are connections with such universities as Trinity College in Ireland, the University of Cologne in Germany, the University of Bergamo in Italy, Universities of Coson and the Competur in the Republic of Korea, University of Paris-8 in France, University of Suzhou in China. Also in the Litin Institute has long been a cultural center of Russia-Korea. Each year of this creative university among students of the Russian Federation is issued foreigners' students - both CIS countries and far abroad.

Departments

Litinistitute ranks the top stage russian universities According to the ratio of professorship and students: on two students accounts for one teacher with scientist degree. What literary institutions can boast of such a relationship?

Most teachers here with world name. The teachers of the department of literary skill are listed above, the names are so significant that you can hardly add any enthusias that have not yet been enthusiastic.

Two departments of literature

Absolutely magic department with a magnificent professor Boris Nikolayevich Tarasov led, with an associate professor, with an eloquent Tatiana Borisovan nail, with the charming professor of Stanislav Bemovich Dzybinov, with a wonderful Anita Borisovan Mozheeva, Associate Professor ... In their lectures, the Warren Students, the Pens from the hands fall out. What else may be needed by literary institutions, if this is this?

The department is not inferior to the Department of Russian Classical Literature and Slavistics, headed by Professor Mikhail Yurevich Stanovsky. All teachers are beautiful there, but who will compare with Professor Anatoly Sergeyevich Demyin? All other literary institutions of Moscow do not have creative educational areas, here and teachers in the Litin Institute are also special.

Department of Public Sciences

Here, under the guidance of Professor Lyudmila Mikhailovna Tsarevoy, all sorts of wonders are taking place: even crowded students begin to adore economics and political science, if lectures read the associate professor Natalya Nikolaevna Kutafina, and understand historical eventsIf you communicate with Alexander Sergeyevich Orlov, the author of the beautiful textbooks and director of the Museum of the MSU named after Lomonosov. And how nice to communicate with Olga Vyacheslavnaya Zaitseva on the theme of philosophy and aesthetics after class! Almost just as listening to her lectures - fascinates!

At this department (and on others, too, too), there are simplicable teachers too. The literary institutions of Russia, aimed at studying pedagogy or journalism, may also have good teachers public Sciences. But here the teachers are also highly creative.

Department of the newest Russian literature

Here, the artistic from the teachers of the institute is headed - Professor Vladimir Pavlovich Smirnov, his lectures, students probably remember all his life. Professor Boris Andreevich Leonov (also, according to students' reviews, one of the favorite lecturers), Association of Igor Ivanovich Balychev and Fedyakin. In the field of "current" literature of specialists, the authoritative staff of this department is simply not - not in Russia or in the world. Moscow literary institutions of the pedagogical, and not creative orientation, are unlikely to unite so many highly professional teachers under their roof.

Department of the Theory of Literature and Literary Critics

Here are only three people, but what! Applicants must be struggling with all their forces with a high (very high!) Competition when entering the Litin Institute at least in order to walk on the same corridors. Heads the Department of Professor Vladimir Ivanovich Gusev. This is an outstanding literary critic and literary critic. Chairman of the Board of the Moscow City Organization of the Union of Writers of Russia. It is the Secretariat of the Executive Committee of the MSHS (International Community of Writing Unions), is the editor-in-chief of the Moscow Bulletin magazine. Magnificent lecturer, clearer man.

Association Sergey Mikhailovich Treaschayev and Alexey Konstantinovich Antonov are interesting every one in its own way. Deep knowledge The material allows them to read the lectures so inspire that students cannot schedule because they just want to watch and listen. S. M. Treazasov conducted several scientific and practical conferences called "New Realism". A. K. Antonov has the fundamental knowledge of the theory of criticism and literary studies and has a huge lectureth talent. He reads not only students, but also graduate students and listeners of higher literary courses. Posted a number of textbooks on the theory of literature.

In addition to the above, three more departments are functioning in the Litinist: Russian languages \u200b\u200band stylistics, foreign languages, artistic translation. And at each of them, teachers are exceptional.

- Elizabeth Igorevna, why the journalist should understand the theory of literature and, for example, to distinguish Fabul from the plot?
- In the first year you only pass the basic things that this item is not limited. Of course, not every journalist should be good in the theory of literature, but any journalist and educated person must have an analysis skills. And the theory of literature is an item that helps these skills to develop. There are journalists who are knowledge of the knowledge of the theory of literature vital - these are critics. And not only literary, but also those who specialize in the theater, movies ...
And the incomprehension of the plot and the fabul is a very common reception, which are often used by writers, and directors. Of course, you can not pay attention to all these subtleties and be content with superficial perception. But it is much more interesting to read a book or watch a film, understanding their depth than just follow the change of characters and events.

- What can you advise your students so that they are better in the subject, fell in love and successfully passed?
- Trying to argue on your own, not just to join the definitions, but to select examples from different works. And carefully reread the abstracts of Nikolai Alekseevich lectures.

- Do you need to have a certain mind warehouse to analyze and systematize literature?
- You need to have a certain mind warehouse to analyze and systematize anything. However, the literature needs a special approach, it is important to remember that this is not just a set of elements, but artistic The whole, and refer to the text you need as a piece of art, and not a lifeless design, which can be disassembled to the items and see what it consists of. That is, in the process of analysis it is important not to lose the most important thing that is the essence of the work.

- And what do you recommend to those who are going to create any artistic text?
- I, if honestly, I am afraid to give some tips in this area, because I do not write artistic texts. It seems to me that it is necessary, first, some natural talent, a special look at the world, allowing you to create your own artistic reality, secondly, you need to read a lot in order to learn how to see what product is good, and what is not. The most important thing is to draw the border between the writer and graphomania.

- Why did you choose non-antique or Russian literature, but the theory? What are you interested in this item?
- First, because the curriculum is so built. There are no seminars, no colloquiums in Russian literature, but in order to lecture, you need to protect your dissertation at least to protect your dissertation. Secondly, I always liked this item. He helps to see the non-obvious. In addition, the theory of literature does not exist in the separation of the literature itself. After all, we analyze texts in classes. I choose for workshops written in Russian, because then you do not need to separate the author's voice from the voice of the translator, but the methods that we use can be applied to foreign works. Without knowledge of the foundation theory, it is impossible to study any literature - nor Russian nor foreign ones.

- And what topic was your diploma?
- I wrote a diploma of the poetry of Sergei Gandlevsky, and more specifically - about how the intertertainment is manifested in his poems.

- Do you have any favorite thought?
- It is impossible to answer this question. It's like asked to call your favorite song / Poem / film. And then with the work it would be easier: you can at least call what you listened / read / looked repeatedly. And the thoughts are good as much as the hair on the head. You can't snatch one and say that he is your favorite.

- Your favorite thought about literature?
- For some reason, a Dovlatovsky joke is coming to the head of Russian emigrants, parents complained that their children become Americans, saying: "They do not read in Russian! They do not read Dostoevsky! How will they live without Dostoevsky? " To which one of those present noted: "Pushkin lived, and nothing."

- What is your favorite place at Zhurfak?
- Of course, balustrade. Especially in the evenings.

- If you could meet any personality from the past or a celebrity from the present, then whom and what would you ask?
- Mikhail Mikhailovich Bakhtin on how to explain to students what a chronotope is so that they finally understand 🙂

I talked Andrei Turkevich

Head of the Department: Saenkova Lyudmila Petrovna, Candidate of Philological Sciences, Associate Professor

Dacan Department of Litaturan-Mastotskai Prothekі Aksana Blopopekіna-Charnyakevіch was the Gosset of Tweplegram "Suzhemat". Aksan Pyatroўna ў Guttsev Za Navumami Yakalevіcham Galpärovіcham Unpassed Praja Knіgі, the Litaratric Praznes, spread out in the faculty, the magistan's І Padvylіlsya ў loungered, and Moўni Skituitsa ў Krain.

The next number of the student newspaper "Looking" was released.

According to the results of the Final I International Championship "Quality of Education - 2018" (Russia, Moscow; 01/14/2019):

3rd year student (specialty " Literary work. Creativity ") Emelyanova A.V. received a diploma of II degree for the scientific work" Artistic translation as an interpretation "(on the material of Translation A. Alexandrovich Poems" Ruslan and Lyudmila "A. Pushkin). Scientific. Hands. - Art. Pre. E. V.Latevich;

Student 3 courses (specialty "Literary work. Creativity") Kostevich E.Yu. awarded a diploma of the I degree for the scientific work "Copyright strategies in creating a figurative structure of artistic text" (on the material of the "Viy" and "Nos" of N. V. Gogol) and a diploma degree for creative work "Breath of the village." Scientific Hands. - Art. prep. E.V.Loktevich;

Student 2 courses (specialty " Print mass-media") Krichevskaya V.A. received a diploma of the II degree for the creative work" Photography "and a diploma of III degree for the creative work of" Rana ". Scientific. Hands. - Art. Pub. E.V.Loktevich.

Beatovskaya work Magivstrantki Tachytskay Supervi AlyaxandraўNA "Belarusian Art-Journal of Alaksanda: Tamatychnya Cantants, Zhanvyyya Asubіvastsi, Clastyfіkatsya," Pad Kіraўnіzzvam Syankovy Lyudmiyyi Pyatoўna ATRAYA ATRAYED ORDER CATEIGORY IN THE REPUBLIKANSKIM SUPPLY OF STUTIVE WORKS OF STUTINA ON STATINA.

Number of full-time teachers: 18 employees, among whom 9 candidates of science, 10 associate professors.

General information: The main task of the Department of Literary and Artistic Critics is the preparation of highly qualified specialists to create a literary basis in different types Literary and artistic creativity: literary and artistic criticism, prose, poetry. The qualifications of future specialists will allow them to work in the literary and journalistic areas of creative activity.

Scientific areas:

mass media strategies in the formation of a humanitarian culture of society, copyright strategies in modern literary and artistic criticism, mediakritics as a value-oriented factor in the media strategy, the representative of culture and art in the conditions of industrialization of culture, the identity of criticism in the formation of cultural space.

"Modern media strategies in representation culture and art."

Subject scientific research The departments of literary and artistic criticism (the first head of the Associate Professor L. P. Saenkov) is a literary and art criticism, cultural issues in the media. Creative workshops for future cultural reviewers, film critics, theatrical and literary critics, critics have been created at the department. visual arts. Here are the authoritative experts, famous critics in the field different species Arts: Literature, Theater, Painting, Cinema - L. P. Saenkova-Melnitskaya, P. V. Vasyuchenko, B. Bogdanova. Among the teachers of the department are not only well-known theoretical scientists, but also practices - editors of specialized publications, leaving culture.
The center of creative unity of students who show interest in art was a circle "Prothek", then became a student research laboratory. For many years, specialized training newspapers have been produced by its participants, on the pages of which student artworks appeared in various genres. For many years, the Department of Literary and Artistic Critics has been produced by a unique edition - the annual almanac of student literary and artistic creativity "AўTograph" (more than 20 rooms have already come out, most of which were prepared under the guidance of Professor E. L. Bondareva). The names of many students who first appeared on the pages of this publication, today - the pride of Belarusian culture: Ivan Chigrinov, Ivan Ptashnikov, Boris Sacchenko, Anatole Vertinsky, Igor Dobrolyubov, etc.

Students participating in the laboratory (under the leadership of the associate professor V. A. Kapzuev) are also engaged in preparing the numbers of the literary and artistic newspaper "Feathers". Master classes of famous Belarusian writers, creative meetings were confined to the exit of some rooms. The department provides teaching the disciplines of the humanitarian and cultural profile: "Literary and art critic", "Culturology", "Art history", " Belarusian literature", Russian literature, profile courses -" Theatrical critic "," film critic "," literary critic "," critic of the visual art ".

DzhattsyPlіna seeing Litaturan-Mastatskaya Cardchair Jac ADNU from the forms of Dudo-Peraўtvaravna Dzainastsi ў gramdom. Pradmet dazvalyae navuchytstsa abgruntavana i is complex stavіtstsa yes tvoraў prygozhaga pіsmenstva, prymyanyats atrymanyya Veda on praktytsy, aryentavatstsa ¢ raznastaynastsі vіdaў lіtaraturnyh tvoraў, mets uyaўlennі great stylі i genres sur'ozna ўdumlіva razvazhats i i ab vykazvatstsa Suchasnyj lіtaraturna-mastatskіm pratsese, ulіchvayuchy tradytsyі yak Aychynnai, so І Susvutnay Litaratia, and Taksama Tandenzi Metadalogіі Svardenna Litadaratural True.

Dzzynіna Sadzainіchay Raughty Asubіvasziaў Razvotsya Susvtnaga Kіneatograf; Avvodannu skils of analiis of solid і і і і і і; Asansoўvanya Cultureland, Estetychnay, Idalalagіchnai Funky Discharnaga Kіneatographer; Mastothakіh's imagine І ADKRYTSYAў at the galіne kіnamastatsv. On the pratsyu, the leadership of the Dzzytni-Tamyatychny Kanten, the Sitetnaya-Tamathychnya Cantants, is vibrant-expressive Srodkі, Asubіvastsі I am aiming Zejravaga І AўTARSKA KINEMATRAFF, Aryentians ў Devіzzі Mastotskay Movy Kіnaecran.

Dzhalsenіna Pharmіruhe Calesnai Bachanne і Opened Light Mastacktva, Yaki Mae Maja Asubyvyuy Snaztsi І Some Snoshawn, Taksama Prazesaў, Yakiya Adbyvayutsz ў Mastazva Sonnya. Mastazvtva Viocenets Master Estetical Phenomenon. Razglyadayutstsa sans Mastatstva ¢ klasіchnay estetytsy, Mastatstva i tehnagennaya tsyvіlіzatsyya, pryroda Mastatstva, asnoўnyya pryntsypy Mastatstva, asnoўnyya tearetychnyya padyhody yes mind pryroda Mastatstva, Mastatstva gulnya i, i elіtarnae masavae ¢ Mastatstva, Mastatstva ¢ sіsteme culture Rola Mastatstva ¢ translyatsyі kulturnay tradytsyі. XX Strojddance, Mastern Mastern Masterfozle.

Pharmіruyutsa Vedas of the Taaretny Palageannyaў Napaway AB MIFE, Zdolnatsi Da Yago Runzhannaya ў Litharya Litharya, Kіnematographer, Page Pramovy, Glods Masava Kamunіkatsyi. Vyvuchaetsa Fіlsofіya MIFA: Keeptawnya І Metadag) Padstava Taareychnaga Analizaz MIFA; MIF І MIFAGIRY LIGHT LIGHTўSPREMAN; MIF І Somagna Voblastsi Vedaў; MIFAGIRICHNY KRASNETOP; MIFARELІGІYNAYA ASNOVA CULTUREYSTROYLNASTSI; Evalytsy MiFalagіchnai Metamphos: Hell of Classy and Poverty Shapes MIFA; Spirill Yak Sale Rapresentes MIFA; MIF І Ryutul in Utyaranіі І Synhronnasse culture; MiFaresentyka ўShodnesSwanskag Falclora; MIF in Mastaztva: Stanўenenna MIF_MAFI Malitive MIFA; MIF І Masavaya culture.

Võvuchatstsa Phenomenon of the Іrtertekstalnasі І Yago Praiavach ў The shortcuts of culture, the Yago's vanity of the Yago, and the geniance of transfarmatsya ў Litature, Litaturan-panty tacks. Võvuchayutsa Peraemennastsi Litarathnaya Tradsty, Evalytsya Adino Da Tekstust Yak Skladnay Zelasnastsi, Satsianacultural Sittvitsya Father XXI Stroydjanka: Hell "Post-" Yes "Prota-", Multi-Khiznya Daemadarnіzmu ў Mapalacious Gramadsk-cultural CantExcez; Cultureland Abuvoўlenza Pavelіčannyna іntretekstuva Dasennyaў «UN_VERSALNA» Tekstoreu, Taaretchnya ASNOVA Phenomenon Іrtertekstalnasi, Filosofskіya Padujoda І Krestseptsiі: R. Barth, Yu. Kratseva, M. Bakhtsіn, І. Hasan; NTTertEktalnasi Yak іntlelectual Gulnya І Marketingawa Pogot in Litaratura: W. Eka, M. Pavіch, M. Kundara, І Інш. Functions of the iNTERTEKSTA ў Masthackim and Litaturen-panty tacks; Some Pharmärvannya ІnttrekstualNag Minds ў Povers' shorts; Raceptsya Postmadernіzm i Maskult; Іrterttekstalnasy Yak Phenomenon Masavai Svyjdomcі. іntretekstalnasi І G_PERTEXTABY CULTURE. Uzeadyadziang's Medyattext І Інтэртекста; Transfarmatsya genre і I am away ў the short-term іntterv "Yu, Ese, Ratsenzіі.

Ditszaplіna Dae ўNenna Percavatsi over Svardenne І Інтэрпретцицый мастацкіх итекстаў З Слікаки іntyvіdualna-psіkhalagіny asbіvastsa Aўtara і Ratsipіent on ў Speshtsy Tsoror. Vyvuchaetstsa panyatstse i gіstoryya kreatyўnastsі, tehnіkі aktyvіzatsyі tvorchaga patentsyyalu chalaveka, sposaby arganіzatsyі tvorchaga pratsesu, suchasnyya tehnіkі kreatyўnaga pіsma, padyhody psіhalagіchnay school yes Consider mastatskіh tekstaў, suvyaz kreatyўnastsі of asabіstymі yakastsyamі i ўnutranay dy zneshnyay matyatsyyay aўtara, uplyў psіhalagіchnyh faktaraў on farmіravanne ўlasnaga pіsmennіtskaga Styla .

Dzhodtsyplіna Farmіruhe ўStlіvіvyulenі AB Perezntsypakh Uzädseyanka Music of Music Culture I SMI, Znonnnі Music, Prothekі i magistanіstkі ў Devіzzі Music Culture. Võvuchayutsa Roli SMI ў Devіzzi Music Culture, Music Padzai І PRYNZHIP YEA EDUSTANEVENNA ў RETABLE WIRAKH SMI, WALLING PALITRA MUCH MUSIC ў Chandeliers of the shortness of the music of the Pantykі, otkannalnikyae Maistracy І Інтэрпрэтцая, asbіvastsi asvatlennya folk-chancerta вы Solny Krazert: Korteryi Acenchi; Publіkatsyi Pra is Music than the spectacle; Song, Klip, Magnіtaalb: Pradoeod Prafesіin; diva_dnastsi mladzayzhnai music culture; Music festivals І contests ў Belarus; DzEynastsi Creative Sayuzaў at the Galin Music; Asybіvastsi Stasunkў with musicians.

Students ATRAMLIVAYTS DEVAMED ASABAVASTSAў RESTICHESSA SUSBETAGE KINEMATRAGE І ROLI KINAKRYTYKI ў Yago Asviatlennі; Avalodanne skils of analis of the calor of the Kіnamastaztva of the rose styling genre; Asansoўvna Cultureland, Estetychnay, Idalagіchnai Funky Pobednaga Kіnematograf. Raughty Mastotakіh Truck and Adtskrytsyaў at the galіne Kіnamastatsv, analis ploty-tamatychnaga Cantanta, vibrate-expressed ardocks, asbailvasyaў I am aiming Zhanravaga І AўTARSKA KINEMATRAFF, Aryenthasia ў Devіzzi Mastotskay Move Kіnaecran.

The main teaching aids developed at the Department:

Orlova T. D. Theater journalism. Theory and Practice.: 2 h. - MN: BSU, 2001 - 2002. - Ch. 1. - 146 p.; Part 2. - 139 p.

The occasion of the Tandenzi Litaturan-Mastotakai Protheki: Taoraya, Praktynnya crystal / Bondarava E. L., Arlova T. D., Sayankova L. P. І INSH. - MN: BDU, 2002. - 114 p.

Senkova L. P. Mass culture: Evolution of spectacular forms. - MN: BSU, 2003. - 123 p.

Saenkova L. P. 9 1/2 weeks "Lispad": from the experience of Crete. Reviews of international. Film Festival (1994-2002). - Mall: Ark, 2003. - 98 p.: Il.

Bondareva E. L. Lighting of literature and art in the media: course of lectures. - MN: BSU, 2004. - 119 p.

Saenkova L. P. Art history: end XIX. - The first half of the twentieth century: the abstract of lectures. - MN: BSU, 2004. - 87 p.

Orlova T. D. Theory and Methodology of Journalistic Creativity. Part 1: Tutorial. - Mall: CJSC "Modern Knowledge", 2005. - 120 s.

Types of literary and artistic criticism: experience of the historical and theoretic review: Sat. Scientific Art. / Under total. Ed. L. P. Saenkova. - MN: BSU, 2005. - 138 p.

Orlova T. D. Culture and Business (in the publications of the Patriotic Press): a course of lectures. - Mn., 2005. - 188 p.

The work of art is the subject of critic analysis. Collection scientific Labors. Vol. 1. MN. - 2009.

Time. Art. Criticism. Collection of scientific papers. Vol. 2. - MN., 2010.

Mass culture and journalism: a collection of scientific papers. - Vol. 3. - MN., 2012.

Transformation of genres in literary and art criticism: a collection of scientific papers. Vol.4 / Roll.: L.P. Saenkova (ch. Red) [et al.]; Ed. L.P. Saiennaya. Minsk: BSU, 2013. - 170 p.

Literary and artistic criticism in modern Internet space: a collection of scientific papers. Vol.4 / Roll.: L.P. Saenkova (ch. Red) [et al.]; Ed. L.P. Saiennaya. Minsk: BSU, 2016. - 128 p.

The Department of Russian Literature was created in 1946. Its founder and the first head was Alexander Nikolaevich Freakov (1884 - 1950), Scholar Lore and Gorkhoved, one of the organizers humanitarian education In Nizhniy Novgorod.

The department is producing and ensures all types of curricula on curricula bachelor Institute of Philology and Journalism in the Directions 45.03.01 "Philology", 42.03.01 "Communication with Public Relationship", 42.03.02 "Journalism", 42.03.03 "Publishing". Preparation is carried out at the department masters According to the Russian Literature Program (45.04.01. - Philology). At the department undergo training aspiracteda and applicants in the specialty 01.01.01 - "Russian literature".

Department teachers provide reading the following disciplines Bachelor IFIH:
- introduction to literary studies;
- the history of Russian literature;
- introduction to the theory of communication;
- theory of literature;
- The history of Russian literary criticism;
- Folklore;
- Modern Russian literature;
- culturalology;
- Bookstand;
- bibliography;
- the history of domestic literature;
- modern literary process;
- Basics of the theory of literature.

Teachers of the Department of Russian Literature developed a number of author's disciplines which are available to students of the Institute of Philology and Journalism of the Faculty as optional disciplines:
- History of Russian unhappy poetry of the second half of the XX century;
- The history of Slavic literatures;
- textology of new literature;
- Documentary discourse of Russian memorarist of the XIX-XX centuries;
- genres of literary criticism and journalism;
- Russian classics in modern literature;
- philological analysis of artistic text;
- Russian literature in the context of mass culture;
- Traditions F.M. Dostoevsky in the Russian and world literature of the twentieth century;
- Communicative issues in Russian literature;
- literary hierarchy and literary reputations;
- creative personality in Russian literature first halves XIX. century;
- literary text as a study of urban space;
- interpretation of artistic text;
- folklore of Slavic peoples;
- factors and incentives for the development of the regional literary process;
- Traditional culture and folklore in the media mirror;
- text theory;
- Psychology and reading sociology.

The department also provides teaching the following master's disciplines and postgraduate Institute of Philology and Journalism:
- history of literary studies;
- biography;
- Children's literature;
- the newest Russian literature;
- philological hermeneutics;
- theory and history of the Russian verse;
- theory of communication;
- Management of cultural projects;
- structure of the literary work;
- Methods of teaching literature;
- antique motifs in the Russian lyrics of the Silver Century;
- Novokrestean poetry;
- History of Russian drama;
- literary regional studies;
- Literature of Russian abroad;
- Military prose in Russian literature The second half of the twentieth century;
- ideas and forms of "livestocking" in Russian literature;
- traditional spiritual culture of Slavs and modernity;
- psychology and sociology of reading;
- the basics of textology;
- "New Realism" in modern Russian literature;
- regional contexts of the literature of the Silver Century.
- Linguistics and poetics (graduate school)
- Mass literature as a literary and aesthetic phenomenon (graduate school)
- Information Technology In the study and teaching of humanitarian disciplines (graduate school)
- Methodology and methodology of work on the PhD dissertation (graduate school)
- Communicative models in Russian literature (graduate school)
- The theory of myth in the Russian philological science of the XIX-XX centuries. (graduate school)
- Literature and folklore (graduate school)

The main directions of scientific research of the Department:
- Poetics of Russian literature (Creativity Pushkin, Lermontov, Gogol, Dostoevsky, Tolstoy, Chekhov, Leskov, Korolenko, Gorky, Mayakovsky, Sholokhov, etc.);
- literature in modern information and cultural space;
- Communicative aspects of literature;
- literary hierarchy and literary reputations;
- literature and other arts;
- Problems of translation of the works of Russian classical literature for foreign languages;
- specificity of regional literature;
- textology of the literature of the new time;
- folklorism;
- literary criticism;
- theoretical poetics;
- the history of Russian literature;
- attribution of literary works;
- Dynamics of the modern Russian literary process;
- Modern poetry.

Employees of the department also actively participate in various scientific and educational, educational and cultural and educational projects:
- The Department of Russian Literature is responsible for conducting regional stage All-Russian Olympiad on literature.
- from 2013 the department holds contests scientific work Schoolchildren. Competitions are always thematically connected with Pushkin conferences organized by the Department.
- Since 2017, together with the State Literary Memorial Museum N.A. Dobrolyubov in the framework of the international conference "Dobrolyubov readings" a competition of young literary critics is held.
- From 2016, the staff members perform lectures at the annual festival of sciences, arts and technologies in Nizhny Novgorod (Fenist).
- In 2018, the Department of Russian Literature NNU, together with the State Literary Memorial and Natural Museum, Boldino, launched a new scientific and educational project "Pushkin Lecture". Lectures are popular among the wide audience: schoolchildren, students, teachers, retirees - all who are interested in the history of Russian literature. As part of the project, teachers of the Department of Prof. have already read lectures. I.S. Yukhnova, Assoc. Yu.A. Emeralds, Doc. HER. Surgious.
- staff of the department often oppose public lectures in cultural institutions Nizhny Novgorod.: Nizhny Novgorod Art Museum, Nizhny Novgorod Regional Universal Library. IN AND. Lenin, library them. M.Yu. Lermontov in the Avtozavodsky district, etc.
- The Department of Russian Literature works closely with regional media. So, prof. I.S. Yuhnova created 2 educational and educational copyright cycles for radio "Image": 2014 - "Stories about Lermontov", 2017 - 2018. - "When you know, from what kind of sera ..." (from the history of literary plots).

The composition of the Department of Russian Literature:
Head of the Department, Ph.D. Kovashko Alexey Valerevich
Professor, Ph.D. Fortunate Nikolai Mikhailovich
Professor, Ph.D. Urtmintseva Marina Henrykhovna
Professor, Ph.D. Yukhnova Irina Sergeevna
Associate Professor, Ph.D. Dry Olga Stanislavovna
Associate Professor Emeraldov Yuri Aleksandrovich
Associate Professor Vladanikov Evgeny Evgenievich
Associate Professor, Head of the folk center of Shevarenkova Yulia Mikhailovna
Senior Lecturer, Head of the Literary Literary Literature Sumosteenko Evgenia Valerievna
Assistant Bolnova Ekaterina Vladimirovna
Assistant Khramova Natalia Borisovna
Assistant Janina Polina Evgenievna
Leading Philologist Kurochina Anna Anatolyevna
Engineer Laborante Bolshakov Alexander Dmitrievich
Laboratoryress Serov Anastasia Alekseevna

Speaking of monographs issued by the staff of the department, the textbook N.M. should be especially Fortunatova, MG Urtinseva and Yu.S. Yukhnova "Russian history xIX literature century ", first published in 2007 by the publishing house" high school"And since 2011, the publishing house" Yurait "has reprinted every year.

Of great interest were the other monographs prepared by the staff of the Department:

• Korovashko A.V. Conspiracy and spells in Russian literature of the XIX-XX centuries. M., 2009;
• Korovashko A.V. In the footsteps, the dertie wage. Paths of the Ussuri region. M., 2016;
• Korovashko A.V. Mikhail Bakhtin. M., 2017 (Series "Life of Wonderful People", the book entered the "Long list" of the National Literary Prize "Big Book");
• Dry O.S. M. Gorky and F. Dostoevsky. N. Novgorod, 1999;
• Shevarenkova Yu.M. Research in the field of Russian folklore legend. N. Novgorod, 2004;
• Urtmintseva M.G. Speaking painting. Essays of the history of the literary portrait. N. Novgorod, 2000 (the book was marked by Pushkin Prize of Nizhny Novgorod);
• Urtmintseva M.G. Literary portrait in Russian literature Second half of the XIX century: Genesis, poetics, genre. N. Novgorod, 2005;
• Fortunate N.M. Secrets Chekhonte. About the early work of Chekhov. N. Novgorod, 1996;
• Fortunate N.M. Effect Bolden autumn. N. Novgorod, 1999 (the book was marked by the Pushkin Prize of Nizhny Novgorod);
• Fortunate N. M., Fortunatova V. A. Boldinsky dialogues. N. Novgorod, 2006;
• Fortunate N.M. Philological detective. Pushkin: Riddles of Boldin Autumn. Museum-Reserve A.S. Pushkin "Boldino". 2011;
• Yukhnova I.S. The problem of communication and poetics of dialogue in prose M.Yu. Lermontov. N. Novgorod, Publishing House of NNU, 2011;
• Yukhnova I.S. Communication and dialogue in the work of A.S. Pushkin. Saransk, 2014; Emeraldov Yu.A. Nizhny Novgorod poet Ivan Yermolayev: Portrait against the background of the era (a new name from the literary environment of Sergey Yesenin). N. Novgorod, 2017.

From the end of 2016 to the present, staff members take active participation in scientific events within federal program According to preparation for the 150th anniversary of A.M. Peshkov (M. Gorky).

The results of the work of the creative team (prof. MG Urtmintseva, Ass. P.E. Janina, prof. A.V. Kovashko, Ass. O.S. dry) Steel:

• organization and holding of the XXXVIII International Scientific Conference "Gorky Readings";
• scientific training and edition of the 2-Tomny Collection of Works M. Gorky, Writer's Writer and Bibliographic Reference Cycle (Gorky M. Collected Works written in Motherland in Nizhny Novgorod. In 2 tons. - N. Novgorod, 2017. (T. 1 . "I came to the world to disagree ..."; T. 2. Drama of life in prose and on stage); Literary environment of Maxim Gorky (1892-1904) Bibliographic reference book. - N. Novgorod, 2017; Gorky M. Running notes. Nizhny Novgorod journalism Maxim Gorky. - N. Novgorod, 2017).

All projects were supported by grants from the Government of the Nizhny Novgorod region.

Currently, also within the framework of the Federal Program for Preparations for the 150th anniversary of A.M. Peshkova, prepare for publication. Additional volume of the collections of Works M. Gorky, a collection of scientific works "Nizhny Novgorod Gorky Story: History and Modernity" and a collection of reports of the XXXVIII International Scientific Conference "Gorky readings".

An important activity of the Department of Russian Literature is an organization and holding of scientific conferences on topical philological issues.

So, Gorky theme traditionally occupying an important place in the field of scientific research of the department, regularly conducted scientific conferences are dedicated - "Gorky readings", which have acquired international status in the 1990s (Gorky, CIS, USA, Germany, Norway, Poland participate in them. , Japan, etc.). The organization of conferences is held both with the support of the administration of the Nizhny Novgorod region and the city of Nizhny Novgorod and with the help of grants of the Russian Humanitarian Scientific Fund. According to conference materials, collections of scientific papers are regularly published.

Annually, the Department together with the Committee on Culture of the Nizhny Novgorod Region, the State Literary and Memorial and Natural Museum-Reserve "Boldino" holds international scientific conferences devoted to the study of creativity A. S. Pushkin, - Boldinsky readings (s. Big Boldino). This, which arose in the 1960s, a scientific forum enjoys well-deserved authority and popularity as among domestic and among foreign Pushkinists. In 2005, the sociocultural project "Boldinsky readings" was awarded award of the city of Nizhny Novgorod.

Since 2000, the department has a scientific conference "Freckless readings", dedicated to the memory of an outstanding Pushkinist Vsevolod Alekseevich Grekinova (1938-1998).

Since 2002, the Department has been organizing an annual scientific conference "Life of the province" (until 2011, the conference was called "the life of the province as a phenomenon of spirituality").

IN last years There are several more conferences organized by the teachers of the Department of Russian Literature. In 2013, Professor I.S. Yukhnova was organized and held a conference "" Yevgeny Onegin "in Russian and world culture: to the 180th anniversary of the exit of the full edition of the novel." Since then, conferences are dedicated to one of Pushkin works ("Peak Lady", Boris Godunov, " Captain's daughter"And others), became annual in the NNU. From 2014, on the initiative of the Associate of E.E. The distance at the department is organized by the All-Russian Scientific Conference "The latest Russian poetry". This conference is unique, which has no analogues in Russia, nor abroad, as it introduces the materials of the domestic literary poetic process of the last two decades in the scientific circulation.

At the department operates Folk center in which the materials collected by annual folklore expeditions on the territory of the Nizhny Novgorod region are stored. The beginning of these expeditions was made in 1955 on the initiative of the Association. V.M. Perekalin. From 1962 to 2009. Expeditions were held under the leadership of Clara Evgenievna Korpovoy - one of the largest Russian folklorists, the nearest student V.Ya. Proppap. Currently, the management of the expeditions are carried out by the DC. Yu.M. Shevarenkova and Ass. NB Chramov.

The scientific publication of the archive materials is the primary task in the activities of the folklore center, in which Yu.M. Shevarenkova, A.D. Bolshakov, A. Vasilyev. Already published books (multi-volume issues of archive materials, collections "Nizhny Novgorod plots", "Nizhny Novgorod Christian Legends", "Mythological stories and beliefs of the Nizhny Novgorod Volga region", the monograph "Russian calendar rites and holidays of the Nizhny Novgorod Volga region" (K.E. Korpova, 2009) Etc.) received a wide resonance in the scientific community.

In 2012, the team of the center of Folklore began publishing a multi-volume project "Folklore Heritage of the Nizhny Novgorod Territory", within which the collections of the folklore are produced various regions of the Nizhny Novgorod region. Currently published: "Folklore of the Sosnovsky district of the Nizhny Novgorod Region" (2013), "Folklore of the Kurtninsky District of the Nizhny Novgorod Region" (2013, 2014; in 2 tts.), "Folklore of the Diveevsky District of the Nizhny Novgorod Region" (2016, 2017; in 2 - TT.).

From the very foundation of the center, his scientific work is supported by various state and non-state funds - grants from the Soros Foundation, Russian State Scientific Fund, President of the Russian Federation, Ministry of Education of the Russian Federation, etc. Over the past 5 years, the Center's team has implemented 2 major perennial grants: 2012 - 2013. - Grant of the Ministry of Education and Science of the Russian Federation within the framework of the Federal Target Program "Scientific and Scientific and Pedagogical Persons of Innovative Russia" for 2009-2013; 2015 - 2017. - Grant of the Russian Humanitarian Scientific Fund / Russian Fund fundamental studies. The head of both projects was the head of the folk center, the associate professor Yu.M. Shevarenkova.
The scientific work of the folk center has repeatedly received the highest expert assessments. So, in 2012, the creative team of the center became the second laureate All-Russian competition Scientific works on folklore them. P.G. Bogatyrev And in 2013, according to the expert opinion of the Ministry of Education and Science of the Russian Federation (№2013-14.b37.21.0537-2-001), the project "Folk Heritage of the Nizhny Novgorod Territory" was recognized as the "most successful project in the field of folk regionalistics carried out in the Russian Folklore and ethnolinguistics in recent years. "

In addition, the Department of Russian Literature is the base where the activity is unfolded. Center of Literary Local Studies (Head of the Center - Ph.D. Samostenko Evgenia Valerievna, scientific director Center - Professor, Ph.D. Urtmintseva Marina Herrichovna). The main task of the center is the collection, systematization and analysis of materials related to the "Nizhny Novgorod text" of Russian culture, as well as coordination of interaction between various forms of today's literary life and academic science.

The department is confident that her scientific interests - the newest Russian literature of the XX and XXI centuries, theoretical aspects of literature, the problems of historical and theoretical poetics, the principles of typological analysis of literary texts, the problems of studying the literatures of the peoples of Russia - A decent and high object of study, the relevance of which will only increase.

The department contributes to the preservation of the best traditions of fundamental university education, one of which remains priority. theoretical approach In teaching the latest literature.

In 2011, the Department was opened a profile of training bachelors "Applied Philology" (Russian).
This profile provides for the preparation of bachelors for working in the field of communication, publishing, cultural and management institutions. The profile provides the acquisition of professional skills of multidimensional work with various types of texts (creation, interpretation, examination, transformation, distribution of artistic, publicistic, official-business, scientific, etc.) and the implementation of language, interpersonal and interethnic written and oral communications.

This year became significant for the department of Russian literature of the twentieth century and the theory of literature, for which participation in educational, educational, educational projects of the University, city and republic is a tradition. These are international on-line readings of Chekhov alive (Ass. Zhirkov D.D.), organization of the contact session "Vivat, Student", University Intellectual Quiz "Vivat, Lecturer", Public Lectures. Anyone can also become a full participant in the Internet Forum "Dialogues of Literature" on the website of the Faculty of Philology. Students work in scientific circles "Audiovisual aspects of Russian literature of the twentieth century" and "autograph", participate in theatrical seminars on the work of Classic Writers.

As part of the project "Jubilee Dates of Russian Literature", a university competition of literary video projects "February was organized and conducted. Get ink "and a literary evening" Pasternak. The second birth ", dedicated to the 120th anniversary of Boris Pasternak. Also for the anniversary I.A. Brodsky Appited Students removed the popular film "Brodsky in Yakutia" and developed a literary site about the work of the poet.

The author's project S.F. Zhekobtsova "Literary Yakutsk" was successful, which opened the literary biography of the capital. For bus tours of school students, students, guests of the university and the republics are acquainted with the work of large poets of the twentieth century - Joseph Brodsky, Sergey Mikhalkov, Evgenia Yevtushenko, Andrei Voznesensky, Valentina Rasputin. The literary route included the realities of the toponymic symbols of the novel of the creative Russian writer Andrei Gelasimov "Cold", dedicated to his "small" homeland.

In the city classical gymnasium, Yakutsk, in the framework of the Year of Literature and Anniversary of the Faculty, a lecture was a lecture of Professor Khazankovich Yu.g .. On the last day of October, more than 1-11 class of one of the oldest schools gathered in the cozy assembly hall. educational institutions Yakutsk. The stated topic "Do we know the literature?" It turned out to be resonant and caused genuine interest both for the guys and teachers-verders. Within the framework of the public lecture, a virtual tour of the work of the writers of the Arctic and the literary seats of the city of Yakutsk was held, and vocational guidance work with high school students was carried out.

November 9 Participants All-Russian Conference "Questions of the teaching of the Russian language as non-rigid in the conditions of a polyethnic educational environment" visited the tourist complex "The Kingdom of Eternal Merzlot." Associate Professor Zhanobtsova S.F. showed guests of the philological faculty from Moscow, St. Petersburg, Altai, Khanty-Mansiysk, Kemerovo, Vladivostok, etc. Realities of the neighborhood of Yakutsk, which became the toponymic signs of the North in the Roman Andrei Gelassimov "Cold" dedicated to his "Malaya Motherland".

The Dysbussky Club "Wivat, Student" regularly organizes students and teachers of the faculty with literary critics, poets, famous public figures. So, on April 4 of this year, a meeting was held with Prosaik A. Gelasimov.

On the site of the department there is a blog "Dialogues about literature", an open forum of discussion of the film F. Bondarchuk "Stalingrad". Associate Professor S.F. Zadobottsova, pushing out from the original source of the film Roman V. Grossman "Life and Fate", offered a number of questions. Answers, replicas, summary of site visitors are distinguished by a fresh look at the history, the gravity of the assessment of the artistic film, the civil and patriotic feelings of our contemporaries.

In the city library. V.G. Belinsky, 02.26.2015, held a presentation of the lecture project "New Prose of Russia".

They are in them, 12.02.2015, a lecture on topical problems of modern literature took place.

Within the framework of the All-Russian Scientific Conference dedicated to the 80th anniversary of philological education in the Republic of Sakha (I), the work of the section was organized " Theoretical aspects The literatures of the twentieth century: to the 120th anniversary of the birth of M.M. Bakhtin. In the course of the work of the section, the presentation of scientific research on the poetic words in the novel, on the problems of art modus, "private" literary criticism in the framework of the study of fundamental works MM Bakhtina.